The Center Stage, Inc. Records (1994 to 2008) are comprised of photographs, bylaws, correspondence, meeting minutes, publicity, scripts, programs, cast lists, and video cassettes of a number of the productions. Center Stage Theater Inc. was the first LGBT theater company in Las Vegas, Nevada.

The Friends of Southern Nevada Libraries Records (1974-2013) is comprised of the organizational records of the Las Vegas, Nevada based non-profit, Friends of Southern Nevada Libraries (FOSNL). Materials include volunteer information, book sale receipts, funding proposals, thank-you cards, board meeting minutes, correspondence, photographs, newsletters, court proceedings, and promotional materials.

The Las Vegas Art Museum Records (1952-2009) contain administrative files, press, marketing materials, and scrapbooks that document the history of the Las Vegas Art Museum (LVAM). Collection materials include exhibition files, annual reports, financial statements, board meeting agendas and minutes, event invitations, press releases, and newspaper and magazine clippings documenting the museum's activities. Materials include photographs from museum events as well as photographs of artwork displayed as part of visiting and permanent exhibitions.

This collection is comprised of publicity and promotional materials documenting the Caesar's Palace Hotel and Casino Resort and the Circus Circus Hotel and Casino Resort. Both resorts were a result of hotel and casino developer Jay Sarno. There is a small amount of material on Sarno in the collection such as newspaper clippings, a press release, and a copy of Sarno's FBI investigation file. The collection includes property records, magazine and newspaper clippings, informational brochures from the two properties, press kits, and a small amount of correspondence.

The Johnny Eshow Haig Papers (1970-1990) are comprised of contracts, agreements, and correspondence of musician Johnny Haig, who worked as a trombone player and conductor at various hotels in Las Vegas, Nevada from 1955 until 2000. Additionally, the papers house extensive original music scores written by Haig. The papers primarily cover Haig’s later career in the 1970s and 1980s.

The Tony Costa Sheet Music and Music Scores (1936-1995) consists of printed sheet music and hand-written scores composed by entertainer, songwriter, and Las Vegas, Nevada orchestra conductor Tony Costa.

The Dottie Dee Dancers Collection (approximately 1940-2002) is comprised of newspaper clippings and photographs documenting the career of Dorothy (Dalton) Tomlin who led a line of dancers known as the Dottie Dee Dancers. The dancers performed in nightclubs in Las Vegas, Los Angeles, San Francisco and other western cities. Other items in the collection include scans of the original costume drawings by Hollywood costume designer Lloyd Lambert that were created for the Dottie Dee Dancers, and the transcripts of a 2002 oral history of Dottie and her husband, Donald Tomlin.

The Southern Nevada Community Concerts Association (SNCCA) Records (1939-2004) document the activities of the SNCCA and consist of meeting minutes, financial records, correspondence, promotional papers, newspaper clippings, scrapbooks, photographs, and recordings of select concerts on VHS, Betamax, and an optical disc. The SNCCA worked to bring various singers, orchestras, and ballets to the communities of Las Vegas and Southern Nevada.

The Central Credit, Inc. Records (1956-1987) contain meeting minutes, employee records, business ledgers, newspaper clippings, membership applications, photographs, and reports. Also included are incorporation papers, a Code of Ethics, Credit Law, Tod Early's personal calendars/diaries, and audiovisual materials. Central Credit, Inc. had branches in Reno, Las Vegas, and Lake Tahoe, Nevada, and also in London.

The Carmella Rickman Papers (1955-1999) document Rickman’s career as a burlesque dancer as well as her later life in Las Vegas, Nevada. She performed primarily in Washington, D.C. and along the east coast of the United States in the 1950s and 1960s. Materials include promotional photographs of Rickman and newspaper and magazine clippings about her performances, as well as photographs and promotional material for other burlesque dancers. The collection includes one beaded costume worn by Rickman. It also includes photographs of Rickman’s life in the 1990s in Las Vegas, Nevada.