On March 13, 1981, Dana Jamerson interviewed Harold McKay (b. July 27th, 1903 in Dresden, Kansas) about his life as a teacher in Las Vegas, Nevada. McKay speaks about his education, his move from Chicago, Illinois to Las Vegas and how he began his career in education. McKay focuses on how and why he founded the Teacher’s Credit Union, his time working in administration and his business school, as well as the problems related to segregation and integration in the educational system. Lastly, he talks about the growth of the gaming and entertainment industry in Las Vegas, and his volunteer work with the Senior Citizen Center.

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

Patty Becker’s recollections concerning her law career shows her determination and enthusiasm in encouraging women to enter the field. Beginning during a period when few women were accepted to study law, she not only passed the Nevada Bar with high marks but was chosen by Governor O’Callaghan in 1979 to become deputy attorney general. In 1985 she was chosen by Governor Richard Bryan to be the first and only woman selected to serve on Nevada’s Gaming Control Board. She also recollects arguing before the Nevada Supreme Court the case that put Tony Spilotro in the Nevada’s Black Book and working with many proficient attorneys like Oscar Goodman, Patty left the Nevada Gaming Control Board to become general counsel for Hurrah’s Entertainment where she served for nine years and then began Chief of Staff for Governor Bob Miller from 1993 through 1995. Patty also served as senior Vice President of corporate affairs and legal adviser for Aladdin Gaming as well as sitting on several corporate boards. Patty began Patricia Becker and Associates and continues to serve on the board of Fitzgerald’s Hotel and Casino, serves her own clients, as well as teaching at the University of Nevada, Las Vegas, in gaming. She encourages women to enter gaming, keep a sense of humor and not to be afraid to speak up for themselves. Meanwhile she challenges herself intellectually and believes that one should always continue to grow personally and professionally.

Cathie and Chris Millson moved to Las Vegas with their one-year-old daughter, Nicole, in 1984 following Chris’s completion of a cardio-thoracic anesthesiology fellowship in Atlanta, Georgia. Their two other children were born in Las Vegas. Shortly after they arrived they purchased the Rancho Bel Air house where they currently reside. Cathie talks about raising her children and living in Rancho Bel Air, a gated neighborhood of custom houses, which grew to maturity after the Millsons moved in. Cathie’s memories chronicle the growth of Las Vegas from small town to large city, how a certain segment of the population lived and entertained, and how downtown revitalization has brought young people back to Rancho Bel Air to raise their families.

First played in Las Vegas with Jack E. Leonard in 1960. Only worked at two hotels during his 24-year Las Vegas career - Flamingo and riviera

Jane Greenspun Gale-actor, activist, writer, magazine publisher, philanthropist, and farmer- has filled her life with accomplishments such as the Animal Foundation and Springs Preserve. It has also been a life filled with adventure - from “looking for John Lennon” during her time living and studying acting in London to learning to raise chickens on the acres of the Gilcrease Farm she owns with husband and photographer Jeff Gale. Everyone calls her Janie. Born Jane in 1949, she is the third of four children born to community leaders Barbara and Hank Greenspun. In this oral history, Janie captures the fun of growing up in Las Vegas under the watching eye of Hank. As a teen she and her friends cruised Fremont Street. Several years later she wanted to be arrested protesting the Atomic Test Site, when Hank diverted her into reporting about the event instead. Her Jewish foundation was at Temple Beth Sholom, where her parents were among the founding members. As the Jewish population grew, the tastes in synagogues grew to reflect the change. When Janie’s children preferred the Reform approach at Congregation Ner Tamid, a new family tradition began. She is proud of her background and shares loving stories of time spent with her grandparents as a child and pride in the heroic and dramatic story behind the naming of Hank Greenspun Plaza in Israel. Even her love story with Jeff is a tale made for movies. It unfolds in this engaging oral history interview along with anecdotes that are plucked from her personal history and preserve a reflection of growing up in Las Vegas, one of the Greenspun family of local fame.

Interviewed by Laurents Banuelos. Elsa Lopez and Claytee White also participate in the questioning. Ashley Vargas, also know by her stage name Ms. Aye Vee is a Las Vegas native born and raised. She has received notoriety in the Las Vegas valley for her raw story telling and poetry. Vargas identifies as an Afro-Latina Puerto Rican. She spent her childhood growing up on the Eastside. She vividly remembers having to navigate several spaces in order to survive the rough neighbors she was in. Today, Vargas uses her poetry to communicate her experiences and set ups workshops to help cultivate young up and coming writers. Please note the following disclaimer: This interview contains language that some may find offensive.