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Transcript of interview with Rabbi Malcolm Cohen by Barbara Tabach, December 16, 2015

Date

2015-12-16

Description

In this interview, Rabbi Malcolm Cohen speaks about observed differences between British and American Jewish communities as well as new Temple Sinai initiatives to build community and engage younger congregants. Rabbi Cohen and his wife have two children, Elijah and Rachel.

Rabbi Malcolm Cohen was born on October 7, 1973 in London, England. He describes having the typical Reform Jewish upbringing of a second generation Londoner. His mother worked as an office assistant, and his father ran a bookshop and also prepared youth for their bar and bat mitzvahs. It was his father?s dedication to Jewish education and service that greatly influenced his career path. After earning a degree in psychology from Southampton University, Rabbi Cohen went on to get a professional qualification in youth and community work. He subsequently became the British Reform movement?s first outreach officer, leading the efforts to engage 20- and 30-year-olds to Judaism. At his wife, Sarah?s, encouragement, Rabbi Cohen enrolled in Leo Baeck College to become a rabbi. Upon finishing his studies in 2006, he got a job at West London Synagogue, a large Reform congregation, where he worked with a team of rabbis. In 2009, Rabbi Cohen took the position as Temple Sinai?s rabbi, where he has served ever since. In this interview, he speaks about observed differences between British and American Jewish communities as well as new Temple Sinai initiatives to build community and engage younger congregants. Rabbi Cohen and his wife have two children, Elijah and Rachel.

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Transcript of interview with Bruce Isaacson by Barbara Tabach, March 24, 2017

Date

2017-03-24

Description

Bruce Isaacson was born in 1956 in Castro Valley, California to Betty Griffin and Bernard Isaacson, and spent his childhood in Oakland. He received his bachelor?s degree from Claremont McKenna College with majors in economics as well as drama, and continued studying for his Masters of Business Administration at Dartmouth College. After receiving his MBA, Isaacson started a career in finance, focusing on mergers and acquisitions. In 1995, he moved to Las Vegas to pursue a real estate career alongside his father. In June 2015, Isaacson became Clark Country?s first poet laureate to encourage poetry as an art form in Southern Nevada. Although Isaacson began writing poetry at a young age, he wanted to develop his craft further. So he attended Brooklyn College for a Masters of Fine Arts and studied with famed poet Allen Ginsberg. Isaacson is known in the San Francisco Bay Area as organizer and poet in the Cafe Babar readings in the 1980s. He is also a co-founder of Zeitgeist Press, where he remains publisher and co-editor. In this interview, Isaacson discusses his childhood and how he maneuvered his career path from finance into poetry. He talks about applying for and serving as the county?s first poet laureate, and describes the programing he?s started in this capacity. Isaacson also speaks about his earlier involvement with Bay Area poetry scene as well as the impact of his Jewish upbringing on his life and his art.

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Transcript of roundtable interview with members of Temple Beth Sholom by Barbara Tabach, January 14, 2015

Date

2015-01-14

Description

In this roundtable discussion, members of Temple Beth Sholom discuss the history of the long-established congregation. Interviewees are Sandy Mallin, Oscar Goodman, Jared Shafer, Joel Goot, Arne Rosencrantz, Jerry Blut, Jackie Boiman, Gene Greenberg, and Flora Mason, with Shelley Berkley joining in later in the interview. Most of the interviewees have been involved in the leadership of the congregation. They discuss relationships with various rabbis over the years, and successful fundraising efforts to build the original synagogue. Other early leaders in the congregation were Edythe Katz-Yarchever, the Goot family, Stuart Mason, Herb Kaufman and Leo Wilner. Until the 1980s, Temple Beth Sholom was the only synagogue in Las Vegas, but after a dispute over the burial of a non-Jew, a new synagogue formed (Shareii Tefilla), and at nearly the same time, Temple Beth Sholom began investigating a move from their site on Oakey Boulevard. Most have nostalgia for the former location, but discuss the changes in the neighborhood that necessitated the move to Summerlin. Then they discuss the other initiatives that were borne out of Temple Beth Sholom, such as bond drives for Israel, B'nai B'rith, and the Kolod Center. They share other memories, then discuss the leadership and Sandy Mallin becoming the first female president of the temple. They credit Mallin with keeping the temple going through lean years, and helping to recruit Rabbi Felipe Goodman. The group goes on to mention other influential members of the Jewish community including Jack Entratter and Lloyd Katz, who helped integrate Las Vegas.

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Transcript of interview with Nancy Cummings-Schmidt by Stefani Evans and Claytee D. White, October 18, 2016

Date

2016-10-18

Description

With the explosive growth of the Las Vegas Valley over the past 30 years, it is rare to find someone who has deep battle born roots that go back to the early mining days of Nevada. Nancy Cummings-Schmidt is an example of that rare kind of gem. As a fourth generation Nevadan, her family came to the state in the 1800s form Ireland and England. Looking to capitalize off of the mining boom in Virginia City, they transitioned to ranching. She spent her first years in Reno and when her father went off to fight in the Second World War, her mother moved to Herlong, California and sent her to live with her grandparents. Upon moving to Vegas for fourth grade, her mother remarried and worked for the Las Vegas Sun while Nancy attended the Fifth Street Grammar School and later became a member Las Vegas High School’s first graduating class in 1956. After graduating from high school, Nancy invested in the spirit of wanderlust as it carried her to study theatre at Texas Christian University (which sh

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Patricia Vazquez interview, November 14, 2018, June 14, 2019: transcript

Date

2018-11-14
2019-06-14

Description

Session 1: Interviewed by Marcela Rodriguez-Campo. Barbara Tabach also participates in the questioning. Session 2: Interviewed by Rodrigo Vazquez. Monserrath Hernandez also participates in the questioning. Patricia Vazquez was born and raised in Las Vegas, NV and shares her experiences growing up in the Valley as a Queer Latina. At a young age, she remembers traveling back and forth between Mexico and the U.S. to visit family. When she started school she shares how her home language, Spanish, became her family's "secret language" as she began to learn English. During elementary school Patricia was tracked into the special education program, and remove from the mainstream classroom. She would find her love for learning in books and libraries as she taught herself how to read in English. Despite being tracked into less advanced courses, Patricia would end up taking AP/ Honors courses in high school after forging her favorite teachers signature, which changed her educational trajectory. After coming out to her family, Patricia went nearly a decade distanced from her mother and continued her college education at Arizona State University. There, she would complete a bachelors in painting and a masters in comparative literature. Her work with the Chicano Studies program at ASU helped her develop her Chicana identity and begin her involvement in social activism. In Las Vegas, she worked to fight for marriage equality and LGBTQ rights with the American Civil Liberties Union , and later with the Progressive Leadership Alliance of Nevada. She also conducted several lectures for the Latino Youth Leadership Conference on sexuality, gender, and homophobia for over a decade. She has served as an English Professor at the College of Southern Nevada for the last 20 years and is an avid hiker, traveler, and painter.

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Transcript of interview with Norma Morrow Zuckerman by Barbara Tabach, April 18, 2016 & March 13, 2017

Date

2016-04-18
2017-03-13

Description

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.

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Francisco Aguilar interview, April 19, 2019: transcript

Date

2019-04-19

Description

Interviewed by Monserrath Hernández. Francisco 'Cisco' Aguilar is a lawyer and the Founding Chairman of the Cristo Rey St. Viator College Preparatory High School. He talks about growing up in Tucson, Arizona in a Mexican household and continuing his passions to engage in social change as a lawyer. His career and community engagement led him to become a lobbyist, a fellow in Germany, and serve on various committees such as the Catholic Charities Board, Opportunity 180 Board, and the Nevada Athletic Commission. His oral history demonstrates his dedication to providing a future to the Latinx youth of Las Vegas.

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Transcript of interview with F. Andrew Taylor by Claytee White, September 30, 2013

Date

2013-09-30

Description

F. Andrew Taylor has been a Las Vegas resident for over 20 years, moving to the city by way of New England and Georgia at the age of 28. Armed with a degree in painting from the Swain School of Design, got a job at a Laughlin casino as a caricature artist. After a brief stay in Laughlin and Bullhead City, Andrew moved to Ward I, where his girlfriend, now wife, lived. They soon moved to the Spring Valley area, where Andrew later learned through conversations with neighbors and his own research that the home sat on what was the old Stardust Racetrack. With Andrew’s move to the city came new professional opportunities. He got a job at CityLife as the in-house artist and graphic designer, what was then apart of Wick Communications. After a year, Andrew began reporting, initially working for the Sunrise/Whitney paper, and eventually working the downtown beat. Always feeling the pulse of the local arts and culture scene, he has attended First Fridays since it started, continues his own art,

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Transcript of interview with Betty Ham Dokter by Roger Jablonski, February 27, 1977

Date

1977-02-27

Description

On February 27, 1977, Roger Jablonski interviewed Betty Ham Dokter (born 1922 in Las Vegas, Nevada) about her life in Southern Nevada. Dokter first talks about her upbringing and education in Las Vegas before describing church activity and the first casino properties that were built. She later talks about presidential visits, economic changes in Nevada, the construction of Hoover Dam, and some of the social changes in Las Vegas. The latter part of the interview covers the topics of racial minorities, environmental changes, early grocery stores and movie theaters, and social clubs. The interview concludes with a brief discussion on Mt. Charleston.

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Photographs of Monte Carlo signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-31

Description

Photos show Monte Carlo signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Monte Carlo Resort and Casino (Las Vegas, Nev.)
Site address: 3770 S Las Vegas Blvd
Sign owner: Mandalay Resort Group (50%), MGM Mirage (50%)-Mandalay manages the property
Sign details: The Monte Carlo is located on the west side of the strip just past the New York New York. The signage on the front of the Monte Carlo is limited, with the dominant honors going to the architectural aspects instead. The front facade is made to represent the classical architecture actually found in Monte Carlo. Giant patina fountains are flanked by sweeping staircases, where giant recessed arches and niches hold an abundant array of diversely positioned statuary.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: Through the main arch behind the fountain, located on the south east corner, an entrance is guarded from above by black channel letters spelling "Monte Carlo" and filled with incandescent bulbs. This entrance faces southeast. The architecture continues with relief entablature upon fluted columns supporting Corinthian caps, and more statuary. Light posts adorn the sweeping walk in front of the property. Throughout the architecture you can see pools and fountains contained between arches and recessed into other area. Another entrance in the same fashion as the southeast entrance sits facing northeast. Another set of channel letters is set above these doors as well. Just north of the last entrance is the pylon for the Monte Carlo. The pylon fits into the category commonly seen at resorts such as The Mirage, or Luxor. Essentially a giant rectangle in its general silhouette, a multi leveled collection of signs are designated into geometrical planes by the use of classical architectural elements. The sign is at the north end of the Monte Carlo property and faces north/south, and is double sided. The bottom half of the structure is occupied by a tall arch, creating a pedestrian element, allowing passage through the sign. The two legs that flank the arch are created utilizing a pair of double columns supporting a series of crowned ledges supporting yet another architectural element of a pilaster. The resultant effect is two rather massive collections of elements creating the outer legs of columns, combined with pilasters, for the recessed borders of the impressive arch. Above the arch the cabinet rises up divided into two planes, one on top of the other, each holding a message cabinet with a pair of the square post as seen on the structure just below. It creates another pilaster from the front with rows of stacked columns on the structures width. The two arrangements are identical in structure and facade. The difference lies in the different types of display each on holds. The top is a back lit color advertisement currently for magician Lance Burton, while the bottom is an LED matrix screen . The top is an entablature crowned with sweeping overhangs, and containing the text Monte Carlo in black channel letters and filled with incandescent bulbs. The signage on the towers of the hotel are the repeated Monte Carlo logos in giant black channel letters, and filled with incandescent bulbs. On each face of each one of the wings Monte Carlo is spelled in it's trademark text, in black channel letters and filled with incandescent bulbs.
Sign - type of display: Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Oscilllating
Notes: The incandescent bulbs inside the channel letters oscillate, at the entrances on the building as well.
Sign environment: The environment the Monte Carlo creates with its various forms of advertisement abruptly changes in aesthetic contrast to its southern companion and precursor to the northbound traveler. One minute the pedestrian is listening to the nasal audio streaming from the ESPN Zone loudspeakers, to the delicately ornate facade of the Monte Carlo's fountains and highly detailed statuary. Once you cross the drive it is not hard to be attracted the by classical architecture which serves its purpose of bringing in the patron with the limited space utilized for pedestrian passage across the front. I say limited, even though it is one of the more ornate and expansive ones, that is in comparison to its related properties of the Mirage and the Bellagio. The use of architecture makes the utmost use of this great strength of aesthetic by making it interactive for the pedestrian by allowing them to pass up close to the elements while entering the building or traversing the facade. The two giant wings on either end of the property act as arms to pull in people using swooping steps and large fountains. The signage is integrated into this environment, blending in nicely, in similar fashion as the previously mentioned examples. The oscillating incandescent bulbs can be found inside the channel letters, which is the most common animation seen in this type of signage in the other properties as well.
Sign - date of installation: 1995
Sign - thematic influences: The Monte Carlo theme is that of an understated European elegance.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Incandescent; Backlit; Steel; Plastic

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