In this interview, the Straus? discuss the joys of growing up in Las Vegas during the 1960s and 1970s, and the changes within the community over time, especially in educational opportunities. Both talk about Joyce Straus? career as artist and art educator, and the influence she had on their lives. They also remember Heidi?s father, Jay Sarno, and the impact he had on the local gaming industry. There is also discussion of the founding of Congregation Ner Tamid, the role of Jewish women?s philanthropy within the community, as well as the establishment of The Meadows School.
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During the early 1970s, the boom of Las Vegas included many single people following family who had already settled there. Among those was Martin (Marty) Wilner. Marty?s parents were Leo and Mickey Wilner. Leo moved to Las Vegas to become the Executive Director at Temple Beth Sholom, the only synagogue in town. Marty, who was born and raised in California, had recently earned his doctorate in psychology at the University of Houston. He became a counselor at UNLV. Not long after, Marty met Linda at a Jewish Singles event. Linda was a divorced, mother of three children, who had moved from California to find comfort in living near her parents. Robert Wilner is one of her three children. He was adopted by Marty and works with his mother in the real estate business. In this interview, they recall together the Las Vegas of the 1970s. For Robert, he remembers his bar mitzvah, and growing up with Jewish friends under the careful eye of his grandparents. As an adult, he has enjoyed a successful career as a real estate agents working with his mother. For Linda, the success of real estate was being part of one of the most robust housing markets in the country. She and Robert recall an extensive list of visionaries who developed the valley, as well as the inherent challenges of water, unions and maintaining their high level of ethics.
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During this interview, Natalie shares stories of operating the bus station, a brief ownership of Commercial Deli (1987-1990), and her long career working collections for the casino industry. Her first position was at the Tropicana Hotel and has worked for MGM Properties, a loyal employee at the Mirage since 1990, starting a few weeks after the casino opened.
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Interview with Irwin Molasky by David G. Schwartz, April 23, 2014. In this interview, Irwin Molasky discusses arriving in Las Vegas in the 1950s, and building the Pyramids motel on the Strip. He talks about the entertainers in various hotels on the Strip, the concept of the "star policy," and bringing Parisian shows to Las Vegas. He goes on to discuss his real estate developments, including Paradise Palms, Boulevard Mall, and Sunrise Hospital, and donating the land for the development of UNLV.
Irwin Molasky came to Las Vegas in 1951, during a time when "everyone knew everyone else," and there was a small, but strong Jewish community. An Army veteran, Irwin and his wife moved to Las Vegas after living in California for a short time. Irwin soon built The Pyramids, a Strip motel next to the Flamingo Hotel and Casino. The Pyramids opened the same day as its northern next-door neighbor, The Sands Hotel and Casino, on December 15, 1952. Irwin used his newly acquired contractor's license to become on the city's most important real estate developers. Over the next 60 years, he built everything from residential housing, including Paradise Palms to commercial properties. Projects included Sunrise Hospital and the surrounding medical buildings; Sunrise City Shopping Center and other power centers; Bank of America Plaza and much other downtown development; and golf courses. When the recession hit, Irwin began bidding on government projects across the country, successfully shielding his business and employees from the economic downturn. Irwin's real estate ventures not only had a tremendous impact on Las Vegas' economic development, but a substantial effect in social programming. Irwin donated 40 acres of prime real estate to the University of Nevada - Las Vegas (UNLV) so that university could expand. Additionally, he was the Founding Chairman of the UNLV Foundation and received an honorary doctorate in humanities.
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In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.
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Visionary John Acres likes to use his engineering background and computer expertise to solve problems. He has sold more companies that most people ever form—Electronic Data Technologies, Mikohn Gaming, and Acres Gaming—and he still owns the Acres 4.0 and Gen Seven companies. The 2016 Inductee to the American Gaming Association and the University of Nevada Las Vegas Gaming Hall of Fame reshaped the gaming industry by inventing electronic player tracking, progressive jackpot systems, and loyalty programs. Each innovation focused on customer service—"what would the customer think; what would they like; what would really get them excited; what would get them to come back"—and harkened back to lessons taught him by Norman Little, manager of Mr. Sy's Casino of Fun and one of the first people to hire a teenaged John Acres. In this interview, Acres bookends his remarkable career in gaming with the customer service philosophy of Norman Little as the basis, culminating with solutions to enable g
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On a pleasant spring evening at sundown in April 2017, a Pop-Up Shabbat draws a crowd of Jews to the Jackie Gaughan Parkway at the El Cortez Hotel & Casino. Proudly, and quietly, watching from the sideline is Kenny Epstein, owner of the El Cortez. He seeks no recognition, but is enjoying the gathering for Sabbath services and the music that will fill the air. Kenny Epstein is also a classic enthusiast of Las Vegas history. The nostalgia is evident as one walks through the casino and reinforced by the stories of a man who has experienced the city’s growth since moving here in 1959 at the age of 18. The timeline of Kenny’s teen years begins with his bar mitzvah in Chicago and a story of prizefighter Rocky Marciano giving a brief toast. When he was 15, his parents, Ike and Adele Epstein, took the family to visit Las Vegas. About three years later, his father became an executive at the Stardust. Kenny’s own imprint on Las Vegas history was just beginning. In this brief interview, he mentions an illustrious list of mentors and recalls many historic moments from the history of the Las Vegas Strip. All of which led to his ownership of The El Cortez—advertised as the longest continuously operating hotel/casino.
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Ashley Hall was born April 3, 1943 in Caliente, Nevada. After high school, he worked for the Union Pacific Railroad at the Nevada Test Site as a cashier and as a signalman. He later attended Brigham Young University and the University of Nevada, Reno. After college, Hall served the City of Las Vegas in significant ways. Notably, as City Manager he was instrumental in the initial development of Summerlin, Nevada. Though he has retired from local politics, he remains active as the President of the Old Spanish Trail Association and as the U.S. Army Reserve Ambassador.
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Interviewed by Catherine Bellver. Velma Haselton was born in St. Louis, Missouri, in 1914. She worked as an assistant bookkeeper for Hart, Schaffner and Marx and rose to Assistant Credit Manager. Velma worked at various jobs after she married for the second time and her son was born. She also represented the San Francisco CPA firm Lybrand, Ross Brothers and Montgomery (now Coopers Lybrand) in various capacities, both in California and St. Louis, eventually attaining the position of controller. Velma moved to Las Vegas for the first time in the 1950s, where she and her husband Don ran a coffee shop at the Park Lane Motel on South Fifth Street. Family requirements necessitated a move back to California. In 1971, Velma and her third husband, Charles Haselton, "retired" to Las Vegas. Velma immediately went to work as a cost accountant for United Pipeline, and later as an accountant for Kafoury Armstrong, a CPA firm. She eventually ran her own accounting business. Velma also held memberships and offices in various women's service groups.
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Jim Hodge describes an active and success filled life in this narrative. Born and raised in the South, Jim enlisted in the Navy at the young age of 17, just as World War II was winding down. His primary job was that of a cook. He became smitten with the life of an entertainer after participating in a play and headed for Hollywood in 1952. It was there that he auditioned for Donn Arden, who organized and directed Las Vegas shows. Though he didn't get the part, he did get hired to be a singer for a show featuring Betty Grable. Thus his career was launched and would span the heyday of Las Vegas entertainment from the 1950s to the 1970s. Jim talks about the people, shows and places that touched his life. He also offers thoughts about the changes in the Vegas entertainment scene as well as shares his relationship with his church over the past 40 years.
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