Randy Garcia is the founder and CEO of the investment management-consulting firm, The Investment Counsel Company. Born in Los Angeles on Feb. 21, 1954, Garcia’s family moved to Las Vegas in 1957. The son of a World War II vet and a homemaker, Garcia’s ancestral roots come from Mexico, Italy, and Spain. He grew up in Las Vegas during segregation and expansion. He remembers a time when much of city included dirt lots and casinos that no longer stand. A champion in serving under privileged youth and communities across southern Nevada, Garcia lives by the philosophy, “give until it hurts.” Garcia uses his success as a wealth manager to promote, foster, and cultivate positive change for the Latinx community in Las Vegas. His story and dedication to his community is a pinnacle of hope and benevolence for current and future generations. Garcia became the first in his family to attend and graduate college. He graduated from UNLV in 1977 with honors, where he majored in business administratio

First played in Las Vegas with Jack E. Leonard in 1960. Only worked at two hotels during his 24-year Las Vegas career - Flamingo and riviera

Pete Barbutti (also spelled Barbuti) played the accordion, the piano, and the trumpet. He was also a comedian and appeared numerous times on the Tonight Show starring Johnny Carson and toured with Nat King Cole. He and his family have lived in Las Vegas since 1960

Interviewed by Barbara Tabach and Monserrath Hernández. Born in 1927 to Mexican immigrant parents, Apolonio spent his youth in the Kansas City, Kansas area. Arrived in Las Vegas and was a map maker for Clark County. Very involved in local Latino community, NALA, Veterans organizations, and was an actor on the side. Subjects: NALA, American Legion, Lt. Colonel in Nevada Color Guard

Dennis Ortwein arrived in Las Vegas in 1956. He shares many details about growing up in Montana, his parents and siblings, his education, and the moment in time when he was offered an opportunity to work in Las Vegas. He also lays out the path his singing career took, starting with school plays, duets with his sister, and high school quartets. Once in Las Vegas, Dennis taught for a while, served as principal, and was involved in creating programs that helped integrate schools. He also talks about his church choir work, entertainment in early Las Vegas, above-ground testing at the Nevada Test Site, and anti-nuclear protests. Dennis served as lab school and student teaching coordinator in Nigeria. He offers several anecdotes and stories about the time he and his family spent there. After retiring early (age 53), Dennis acted as consultant to the Esmeralda County school board, executive director for the National Conference of Christians and Jews, and wrote a book. He is currently enjoying his singing career by appearing at conventions, in musicals, and at weddings and memorials.

The oral history interview of Lyle and Mary Ann "Timbuck" Rivera begins with the 1915 birth of Frances McNamee, Timbuck's mother, who had the distinction of being the eleventh baby born in early Las Vegas. Frances' father and grandfather who were attorneys for the railroad arrived in 1905 and became part of the historical roots of the community. Timbuck's memories also include landmarks and activities that were integral to the growing town, such as her mother's involvement in organizing the Junior League. Lyle Rivera, a relative newcomer, arrived in the 1940s and experienced what he describes as a life of "bouncing around" and being the only child of a single mother, a cocktail waitress at the Golden Nugget. Lyle would grow to distinguish himself within the community as a lawyer and community activist. He modestly mentions his achievements which included involvement with the UNLV Foundation, professional careers in both the Attorney General's and District Attorney's offices,

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las