Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 771 - 780 of 851

Maria Benítez oral history interview: transcript

Date

2019-06-21

Description

Oral history interview with Maria Benítez conducted by Monserrath Hernández and Maribel Estrada Calderón on June 21, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Maria Benítez is the image of a hardworking and determined Salvadoran woman. After facing adversity amidst the Salvadorian Civil War she talks about her journey as a nurse in El Salvador and migrating to the United States. Here in Las Vegas, she has worked as a cook on the Strip, been an active member of her church, and supported the education of her children selling pupusas. Subjects discussed include: El Salvador, Salvadorian Civil War, Migration, US Citizenship Documentation, and Judaism.

Text

Epilogue: Nevada Southern University Yearbook, 1958

Date

1958

Description

Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: Nevada Southern University, Las Vegas, NV

Mixed Content

Patrick P. Keenan interview, February 28, 1977: transcript

Date

1977-02-28

Description

On February 28th, 1977, collector Clyde C. Caldwell interviewed Patrick P. Keenan (born January 24th, 1905 in New York) at his house in Henderson, Nevada. Mr. Keenan discusses Las Vegas and Henderson in the 1950s. He also speaks about working on the Strip and the changes he has seen in Las Vegas over time.

Text

"An Impact of the Moulin Rouge Hotel on Race Relations in Las Vegas": manuscript draft by Roosevelt Fitzgerald

Date

1970 (year approximate) to 1996 (year approximate)

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file.

Text

Transcript of interview with Don Eckert by Robert A. Kamp, March 15, 1981

Date

1981-03-15

Description

On March 15, 1981, Robert A. Kamp interviewed Donald (Don) L. Eckert (born 1953 in Las Vegas, Nevada) about his experiences while living in Nevada. Eckert first explains the geographical boundaries of Las Vegas when he was first born and the types of recreation in which both youth and adults would take part. Eckert then discusses the Helldorado events and how they have changed over the years before describing how the University of Nevada, Las Vegas has changed as well. The interview then shifts to the topic of Eckert’s college major, hotel management, and then to a brief discussion about the MGM fire. Eckert also talks about horse racing in Las Vegas, changes in gaming, the Basic Magnesium plant, and the development of Mount Charleston. The interview concludes with Eckert’s thoughts on the legalization of gambling in other states and how that trend relates to the future of Las Vegas.

Text

Photographs of Little Church of the West signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-02

Description

Photos show Little Church of the West signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Little Church of the West
Site address: 4617 S Las Vegas Blvd
Sign owner: Greg Smith
Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip.
Sign condition: Structure 4 Surface 4 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon.
Sign - type of display: Neon; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church.
Sign manufacturer: Larsen Sign
Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996.
Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996.
Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon.
Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint

Mixed Content

Jerry Jackson Papers

Identifier

MS-00573

Abstract

The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.

Archival Collection