Oral history interview with Lisa Hank conducted by Barbara Tabach on May 31, 2019 for the Remembering 1 October Oral History Project.

Lisa discusses her move to Las Vegas in the early 1990s from California for a job with the Las Vegas Metropolitan Police Department, and her current position as head of the Police Employee Assistance Program (PEAP). Lisa talks about the night of October 1 and the aftermath of the shooting, both in her work and personal life. She is the wife of Charles Hank III, police officer and another interviewee for the Remembering 1 October Oral History Project.

Subjects discussed include: well-being in aftermath of 1 October; PEAP preparation; healing.

Includes meeting agenda and minutes. CSUN Session 19 Meeting Minutes and Agendas.

Daytime and nighttime views of the Candlelight Wedding Chapel sign. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 800 S 4th Street
Sign details: The Candlelight Wedding chapel is located on the corner, just north from the Riviera and in the same parking lot as The Algiers. The small white, wooden roofed structure sits just to the east of the street and the northern side butts against Stardust Rd . Outside, the corner is treated with grass, and landscaping, creating a pleasant environment to go along with the charm of the building as well. The low level pole sign faces north/west. The building has a small wooden cross, surrounded on the edges with white neon, on the top of the building, in the same fashion as the Little Church of the West. The style of the building is classic New England architecture
Sign condition: Structure 4 Surface 3 Lighting 3
Sign form: Pylon
Sign-specific description: The main sign for the candlelight wedding chapel is essentially a small pole sign with three separate sections of cabinets along with lighting elements. The white steel pole rises out of the ground ,before transforming into a large two sided marquee cabinet. The cabinet is crafted with sculptural elements into its outer edge. The four corners swell up and bulge, before slightly swooping inward. The top and bottom edges are climaxed into a shallow point. The sides sweep into the notch of a negative circular shape. The sides are given a scroll type feel. In two lines across the red face of the sign, Wedding Chapel is spelled is white text, occupying most of the space of the cabinet. Across the very bottom of the cabinet Wedding Information is spelled in an all white single row of text. The larger text is lined with incandescent bulbs and outlined in neon. The bottom line of text is just lined in neon. The pole protrudes through the top of the sign where a small horizontal, internally lit cabinet, sports sculpted edges as well. The top and bottom edges sweep from either side, then descend meeting at a point in the center. The sides are simply concave, radiuses inward. The white cabinet is lit internally, illuminating the white plastic face. Black text stretches across the plastic face, reading candlelight. Below the main cabinet two internally lit cabinet sandwich the pole, creating two faces. The cabinets are all white, with white faces, utilizing red letters. At the very top of the pole is a tree tiered formation created with raceways and lined with incandescent bulbs. One raceway rises vertically into the air perpendicular to the ground, while the two flanking pieces arch out created a three-pieced fountain shape. It is also reminiscent of a Fleur de Lis.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: none
Sign environment: The positioning of the Candlelight Wedding chapel gives it a unique role as an accent of softness, among a bombardment of neon and pulsating lights. Just to the North, is the Algiers parking lot, and to the south, the Riviera. Directly west across the strip there is the ever electric Circus Circus. Amid all this chaos of incandescence, screeching cabs, and buzzing current, the green shrubbery and plot of turf finely houses the pylon, and leads up to the structure itself. It is very charming and fresh compared to. It definitely is reminiscent of the era of establishment such as its neighbor the Algiers.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the sign has little to do with the theme of the wedding chapel, and more so to do with the architectural theme, than the function of the establishment. The pole sign contains standard elements of local signage. The logo cabinet, and internally lit message center. It even contains the most common element of a raceway lined with incandescent bulbs. The sculpted edges of the pylon's logo cabinet are reminiscent of other cabinets with sculpted edges. The most famous reference to this shape seen in classic Vegas history, is the original corner fascia seen on the Golden Nugget. As far as being compared to the only other existing independent wedding chapel, its structure is similar, that being a small structure boasting a highly visible steeple.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic

This folder is from the "Correspondence" file of the Sadie and Hampton George Papers (MS-00434)