Oral history interview with Hattie Canty conducted by Claytee White on February 27 and June 17, 1998 for the Las Vegas Women Oral History Project. In this interview, Hattie Canty recalls moving to Las Vegas, Nevada in the late 1960s and working as a maid for the Thunderbird Hotel and Casino and later the Maxim Hotel and Casino. Canty discusses her tenure as the Culinary Union Local 226 President during which she faced several labor challenges and went to jail at least six times while striking. Hattie also recalls how she influenced contract negotiations for the downtown hotels, improved race relations among workers, involved more members in union operations, and implemented the Culinary Training School.

The Chester Longwell Photograph Collection consists of 608 black-and-white photographic prints dating from approximately 1910 to 1930. The images primarily depict the Longwell family's excursions in the Southern Nevada region, primarily to Mount Charleston, Nevada. Also included are images of Southern Nevada mines and mining towns, as well as Pubelo Grande de Nevada, the Lost City. The remaining images depict geological formations and features, as well as forestry and nature scenes in Nevada and Arizona.

Oral history interview with Stella Champo Iaconis conducted by Kay Long on May 14, 1997, May 21, 1997, May 26, 1997, and September 22, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Iaconis opens her interviews discussing her difficult upbringing and life on a ranch in Las Vegas, Nevada with her dad in the 1910s and 1920s. Iaconis then describes her experiences as a waitress in Las Vegas. As the interviews continue, Iaconis discusses Block 16 and sex work, the Helldorado Days, and life in 1930s Las Vegas. Iaconis ends the interview talking about her father and his career as a miner; her many husbands; and her personal history in Las Vegas.

Oral history interviews with Nancy Houssels conducted by Caryll Batt Dziedziak on November 18, 1998, December 07, 1998, and December 14, 1998 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Houssels begins her interviews discussing her childhood in California and the influence World War II had on her upbringing. Houssels then talks about her dance training and career including topics on her auditions, her dance partners, and touring Europe in the 1960s. Houssels describes coming to Las Vegas, Nevada in 1968 where she was booked as a dancer in Folies Bergere at the Tropicana Hotel. Houssels then discusses the influences Mormonism and adiago ballet had on her life. Houssels then describes how she co-founded the Nevada Ballet Theatre with Vassili Sulich, performances of the company, their dancers, and community outreach.

Oral history interviews with Renee Diamond conducted by Caryll Batt Dziedziak on November 17, 1997, November 20, 1997, November 27, 1997, and November 30, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Diamond begins her interviews describing her childhood and young adult life in Los Angeles, California. Diamond then discusses her interest in organizing, which started with the Rumford Fair Housing Act campaign. Diamond talks about continuing her activism with the Women's Democratic Club in Las Vegas, Nevada after she moved there in 1972. Diamond discusses Las Vegas in the 1970s, the activist community at the time, Ruby Duncan, and the importance of the Equal Rights Amendment (ERA). Diamond goes on to describe the ERA extensively, including the benefits of passing the ERA, campaigns and challenges specific to Nevada, and locals involved in the efforts. Diamond also talks about working with the National Organization of Women (NOW), and her presidency in the Women's Democratic Club.

Oral history interviews with Lucille Matyas conducted by Irene Rostine on November 18, 2010 and December 02, 2010 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Matyas opens her interview by discussing her family's move to Las Vegas, Nevada and her mother's turbulent marriage to a Las Vegas constable in 1935. She then describes working at the phone company after school to avoid the dangers of her home life. She discusses learning to repair switchboards, saving equipment parts during wartime rationing, and listening in to the private conversations of repairmen. Matyas then describes family gatherings in Ohio before her family's move to Nevada. She later returns to talking about working at the telephone company and describes the issues customers had with party lines and the lack of telephone lines to serve the growing population of Las Vegas. Matyas ends her interviews discussing other memorable experiences she had working at the telephone company.

The Southern Nevada Community Concerts Association (SNCCA) Records (1939-2004) document the activities of the SNCCA and consist of meeting minutes, financial records, correspondence, promotional papers, newspaper clippings, scrapbooks, photographs, and recordings of select concerts on VHS, Betamax, and an optical disc. The SNCCA worked to bring various singers, orchestras, and ballets to the communities of Las Vegas and Southern Nevada.