Interviewed by Joanne L. Goodwin. Stella Butterfield's family, the Goldbergs, was Jewish, and she was born in the Bronx. During World War II she worked for the Coast Guard in the steno pool in Washington, D.C. Stella moved to Santa Monica a few years later while the war was still going on and worked briefly as a riveter for Douglas Aircraft and then as a teletype operator for the Air Force but at Douglas Aircraft. Because she had a hard time getting a job because of antisemitism, she changed her name to Gilbert. In December of 1948 she went to the Canal Zone in Panama to be the secretary of the commanding officer of the Panama Supply Depot. Stella was also a law reporter for court martials. She met Frank Butterfield, who was stationed there, and married him in 1952. He was transferred back to the United States, and they lived in Massachusetts. Then they moved to Los Angeles, and in 1953 they moved to Las Vegas, where she was a court reporter at Nellis Air Force Base. Then they moved to Mexico City, then back to California where she worked as a legal secretary. In early 1955 they moved back to Las Vegas, and Stella worked as a federal court reporter for Judge Roger T. Foley.

Renee Marchant Rampton has often referred to herself as "One of Fifteen." Indeed, growing up in a family of fifteen children, Renee experienced the care of loving parents, the excitement of a bustling household, and the engagement of an active Church; all amidst the strains of a depression era economy. Renee's mother, Beatrice Marchant, provided Renee with a strong role model with which to emulate; a disciplined woman, who rose to the task without hesitation. Beatrice became the family's provider after her husband's debilitating stroke and later served in the Utah Legislature during the 1970s. Renee loved music from an early age. As a young child she found an early job as a piano accompanist for a dance studio. In 1956 she married musician, Roger Rampton, a successful percussionist. They soon settled in Las Vegas, where Roger performed on the Strip and they began raising their four children. It was an exciting period in Las Vegas history as the Strip attracted musicians and

Twentieth-century visitors to the Las Vegas Sands Hotel experienced the masonry work of Anthony A. Marnell, who removed his family from Riverside, California, to North Las Vegas in 1952 in order to build that structure. When he formed his own masonry company in 1958, he taught his namesake nine-year-old son the skills of a mason and the value of honest work. The younger Marnell learned all he could about construction from his father and completed his education by graduating USC School of Architecture in 1972, serving his apprenticeship, and becoming licensed in 1973. After designing McCarran Airport's A and B Gates, he teamed up with Lud Corrao in 1974 to form Marnell Corrao Associates, the first design-build firm in Southern Nevada. Marnell Corrao built many of Southern Nevada's most iconic hotel-casinos including the California Hotel, Maxim Hotel, and Sam's Town and Steve Wynn and Treasure Island, The Mirage, Bellagio, and New York New York as well as the Rio All-Suite Hotel and Casino and the M Resort Spa Casino. In this interview, the Riverside native speaks to the importance of teaching future generations about the value of work, of earning the sense of accomplishment, and of fueling one's inner spirit. His philosophy built a work environment that encouraged employee longevity from the beginning in 1974 (he is employee number one, and his assistant is employee number two). He talks of the American Institute of Architects (AIA), of entrepreneurial gamesmanship, and of casino greats Bill Boyd, Jay Sarno, Cliff Perlman, Kirk Kerkorian, and Steve Wynn. He describes the evolution of Las Vegas resorts from prioritizing casino games to fine dining to night clubs and entertainment. He credits his own Rio staff tradition of serving Chef's Table to the employees and the Rio's award-winning chef, Jean-Louis Palladin, for beginning the Las Vegas food renaissance in the late 1990s that rebranded Las Vegas as a Mecca for celebrity chefs. The nine-year-old who worked part time in his father's masonry business learned his lessons well, much to the benefit of Southern Nevada's growing skyline, its residents' growing waistlines, and its businesses' growing bottom lines.

On March 13, 1981, Dana Jamerson interviewed Harold McKay (b. July 27th, 1903 in Dresden, Kansas) about his life as a teacher in Las Vegas, Nevada. McKay speaks about his education, his move from Chicago, Illinois to Las Vegas and how he began his career in education. McKay focuses on how and why he founded the Teacher’s Credit Union, his time working in administration and his business school, as well as the problems related to segregation and integration in the educational system. Lastly, he talks about the growth of the gaming and entertainment industry in Las Vegas, and his volunteer work with the Senior Citizen Center.

F. Andrew Taylor has been a Las Vegas resident for over 20 years, moving to the city by way of New England and Georgia at the age of 28. Armed with a degree in painting from the Swain School of Design, got a job at a Laughlin casino as a caricature artist. After a brief stay in Laughlin and Bullhead City, Andrew moved to Ward I, where his girlfriend, now wife, lived. They soon moved to the Spring Valley area, where Andrew later learned through conversations with neighbors and his own research that the home sat on what was the old Stardust Racetrack. With Andrew’s move to the city came new professional opportunities. He got a job at CityLife as the in-house artist and graphic designer, what was then apart of Wick Communications. After a year, Andrew began reporting, initially working for the Sunrise/Whitney paper, and eventually working the downtown beat. Always feeling the pulse of the local arts and culture scene, he has attended First Fridays since it started, continues his own art,