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Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.
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On February 27, 1979, collector Judy Laliberte interviewed local school teacher LaVaun Hendrix in her home in Las Vegas, Nevada. The two discuss how Hendrix originally came to Nevada, her occupational history, and differences between the school system in Las Vegas and other states that she’s lived in. Hendrix explains how a changing school system has affected her job as a teacher and her students. She goes on to talk about the above-ground atomic tests, Helldorado, changes to the desert, and Nevada during World War II. The interview concludes with Hendrix describing her travels through Nevada.
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I've known Christie Young for many years and was grateful she agreed to be interviewed for the Las Vegas Gay Archives Oral History Project. Not only is she frank in what she says, but her background as a researcher in sexual issues and as a straight woman involved in the gay community give her a unique perspective. Ancillary to her donation of this interview transcript to the University of Nevada, Las Vegas, Christie has generously donated her personal journals which detail more than a decade of her life including the years she worked with Las Vegas's gay community . Christie shares the project's concern that documentation of the gay community is ephemeral and vanishes rapidly; her determination that her contribution to that community be preserved greatly enriches our knowledge and will benefit future scholars.
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