Search Results
Maria LaCavera Papers
Identifier
Abstract
The Maria LaCavera Papers (1947-2017) contain the papers of professional dancer Maria LaCavera. The collection documents the career of LaCavera dancing in Las Vegas, Nevada at the Flamingo Hotel in 1947, and the Last Frontier Hotel in 1949 as one of the Ramona Girls dancing in the Danny O'Neil Varieties Act. Materials include photographs of LaCavera and other Ramona Girls, newspaper clippings, correspondence, LaCavera's American Guild of Variety Artists (AGVA) employment contracts, Fabulous Las Vegas magazines, and hotel receipts. Other items of note include photographs of the 1949 Helldorado parade, a Frontier Hotel Ramona Room menu, and Frontier Hotel ephemera. There is also a copy of a self-published biography of LaCavera, written by her daughter-in-law Kristin Meyer entitled From Bon-Air to the Last Frontier. The collection also contains the digital images used to illustrate the book.
Archival Collection
Maria Benítez oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Maria Benítez conducted by Monserrath Hernández and Maribel Estrada Calderón on June 21, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Maria Benítez is the image of a hardworking and determined Salvadoran woman. After facing adversity amidst the Salvadorian Civil War she talks about her journey as a nurse in El Salvador and migrating to the United States. Here in Las Vegas, she has worked as a cook on the Strip, been an active member of her church, and supported the education of her children selling pupusas. Subjects discussed include: El Salvador, Salvadorian Civil War, Migration, US Citizenship Documentation, and Judaism.
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Jahaira Farias interview, April 12, 2019: transcript
Date
Archival Collection
Description
Interviewed by Monserrath Hernández and Barbara Tabach. Jahaira Farias is a graduate of Western High School, a Marine Corps veteran, and a founder of a local chapter of the Women Marines Association. At the time of this oral history, Jahaira worked for US Congresswoman Susie Lee. Jahaira Farias was born in Las Vegas, Nevada, and grew up on the west side of town. She has summertime memories of her travels to Mexico, where she was able to connect with her family's heritage and language. During her years at Western High School, she participated in varsity sports and was the armed drill team commander. After graduation, Jahaira enlisted into the Marine Corps, where she specialized as a transport operator and hazardous material transporter and served two deployments in Iraq and Afghanistan. Her transition to civilian life included work in security at Caesars Palace. When she took a position with as district representative for Congresswoman Susie Lee, her focus was to assist veterans and immigrants. She helped Rep. Lee develop community outreach towards the Latinx community and Veterans. Jahaira is the president of the Las Vegas NV-3 Sagebrush Marines chapter of the Women Marines Association, an organization she helped establish and rebuild. The WMA helps veterans find their footing again through mentoring and support, and conducts community engagement by fostering the same camaraderie found in the Corps. After surviving a motorcycle accident, Jahaira's recovery is nothing short of miraculous, going from being in a wheelchair to competing in Tough Mudder. Now extremely active, Jahaira is an avid hiker and certified yoga instructor, specializing in trauma recovery. A polyglot, Jahaira formally studied Arabic and Russian, and speaks English, Spanish, and Pashto, and received an associate degree in Russian from the College of Southern Nevada.
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Blanche Zucker-Bozarth Papers
Identifier
Abstract
The Blanche Zucker-Bozarth Papers document education advocate Blanche Zucker-Bozarth's volunteer work and activism in libraries, children's advocacy, and women’s clubs in Las Vegas, Nevada from 1963 to 2005. The collection includes records, newspaper clippings, and photographs from her political activism and fundraising initiatives in Southern Nevada. The collection also includes buttons, video tapes, and journal articles on child abuse prevention, as well as records from Zucker-Bozarth's term as president of the Mesquite Club in the 1980s.
Archival Collection
Nevada Desert Experience Records
Identifier
Abstract
The Nevada Desert Experience Records (1951-2009) are comprised of files from the anti-nuclear organization, the Nevada Desert Experience (NDE), as well as its predecessor, the Sagebrush Alliance, and those of earlier unincorporated protests at the Nevada Test Site (NTS). Materials include board of directors meeting minutes, financial records, scrapbooks, personnel records, event speeches, correspondence, newspaper clippings, cartoons and other artwork, newsletters, brochures, fliers, research files on nuclear issues and other anti-nuclear organizations, and congressional testimony. The records also contain audiovisual materials, photographic prints and slides, screenplays, manuscripts, and newspapers related to the NDE's media efforts.
Archival Collection
Photographs of Blue Note signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 3663 S Las Vegas Blvd
Sign owner: Blue Note International: Father & Son team of Danny and Steven Bensusan
Sign details: The Blue Note is located a short distance east, down Harmon Ave., on the north side of the street, facing south. It is part of the Aladdin Hotel Casino. A vacant lot resides on the corner, and is the only thing that separates the Blue Note from the Strip. Signage for the property includes two logo wall signs on the west wall of the building, a vertical blade sign and an entrance sign over the main port to the establishment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: Just east off of Las Vegas Blvd, down Harmon Ave, lies the entrance to the "Blue Note: Jazz Capital of the World." The Blue Note is actually part of the Aladdin property, residing in the eastern most wing of the building, on the south side of Harmon. The majority of the signage hangs on the front of the building, which faces south toward Harmon Ave., with additional signage on the west face of the structure that extends from the Aladdin property. A vacant lot on the north east corner separates the Blue Note from the rest of the strip. The structure of the building and the design of the signage are juxtaposed with the building still being finished in a Persian Palace theme. While the signs are reminiscent of roaring twenties style font and theatre front design. Several different types of signs adorn the Blue Note. Two wall /logo signs hang on the west side of the building, while a sculpted entrance marquee, a hanging logo sign, and a vertical blade sign hung on the south side of the building. The west wall logo sign is composed of blue channel letters spelling the text " Blue Note," separated by a circular cabinet with a tube of neon bent to emulate the shape of a musical note placed in the middle. Five steel bars just out from either side of the cabinet. Below the text, a white steel cabinet with rounded ends, support a thin set of blue channel letters reading, "Jazz capital of the world." Further to the right a set of pink channel letters rest upon the upper portion of the corner of the structure. The letters are filled with pink neon. Along the South face of the building the first sign, hung in close proximity to the southwest corner, a vertical blade sign sits on a radius base of shaped molding jutting out of the wall. The actual body of the sign is a double backed cabinet finished in polished aluminum, with blue pin striping along the edges as well as along the rounded edge of the top. Near the top of the sign, the same rounded cabinet seen on the west wall of the structure, is integrated into the blade facing east/west. The cabinet is thicker in width to compensate for the width of the actual sign. The edges of the steel structure are painted in the same blue tone. The afore mentioned blue neon tubing fashioned into the shape of the note resides in this cabinet also. Along the east/west sides of the sign the text "The Blue Note," runs vertically from top to bottom, in blue channel letters only interrupted by the circular cabinet. The panel, which the text resides is painted white. Along the edge of the blade, which faces south, the text "Blue Note" is spelled vertically in blue channel letters. Sitting along the edge of the base, which the sign sits on, thin red channel letters stand almost independently, wrapping around the radius of the base. Starting on the west side of the sign and finishing on the east side, the text reads "Club & Cafe." These letters are filled with tubes of red neon. The letters are attached to a backing radius band of metal appearing to be gold. Further down the face of the building the main entrance to the building plays host to an overhead marquee/logo sign incorporating sculptural elements as well. Directly in the center of the composition, a long horizontal cabinet plays host to the red channel letters filed with red neon, reading, "World's Finest Jazz Club." Sitting on the top edge of the cabinet the same configuration of the Blue Note logo sign along with the circular cabinet, rests in front a sculpted piece of black steel. This piece of black painted steel is cut to appear as if it is the open top to a piano. Along the interior edge of the lid tubes of blue neon form a blue border. Between the piano top and the Blue Note logo, a horizontal steel grate serves as a divider as well as support for the blue channel letters. This entire section sits on a long horizontal ledge composed of a long polished steel section with a long LED message center just below that. Slightly recessed below the message center another width of overhang constructed of steel is painted to appear as if it is made of piano keys. Along the wall, just above the door, the pink channel letters read "Insomnia" with pink neon on the interior.
Sign - type of display: Neon
Sign - media: Steel; Fiberglass
Sign - non-neon treatments: Paint
Sign environment: Situated just east off the strip, down Harmon Avenue, the Blue Note is the only attraction in its immediate area. Even though it is part of the Aladdin complex, the closest property is the Harley Davidson Cafe on the south east corner of Harmon and Las Vegas Blvd At night, the property loses its Arabian Nights architecture emitting a sultry glow of neon. It is hard to miss, if a pedestrian peers down the street while traveling north or south, on the east side of the strip. During the day, the architecture helps to blend in the property to appear as it is, part of the Aladdin.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The building itself is part of the actual Aladdin property, so the faced of the structure is themed in the manner of an ancient Persian city. It is an interesting juxtaposition for the sleek, modern finish and colors of the signage, with the organic facade of domed towers and stone facade. The Blue note signage is themed around the subject of music, specifically Jazz and Blues music. The blue hue of the neon, and the cabinet containing the crafted musical note are all evidence of this. The blade sign is thematically influenced by marquee building signs for theaters and music clubs from the first part of the century, specifically the forties and fifties. Such examples that utilized a similar designed blade sign were properties from the 1930's 40's and 50's such as The Boulder Club, The Pioneer Club, and the Las Vegas Club.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Steel; Fiberglass; Paint
Mixed Content
Report on flood in Meadow Valley Wash, March 3rd to 5th inclusive, March 12, 1938
Date
Archival Collection
Description
Summary of the damage from a flood in the Moapa Valley on March 3-5, 1938
Transcribed Notes: Transcribed from handwritten text on pg. 3: "West of the Flood Channel and on west side of Highway except for a few acres west of Highway and East of Channel in Logandale above point where Highway bridge crosses Channel. # 10 acres early vegetables were silted over lightly making them unfit for shipment. About 5-10 acres will need re-leveling. One of the most important aspects of the entire experience, that of the supervisory personnel getting this lesson which could not be learned without just such an object lesson."
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Correspondence, Levi Syphus to Sadie George
Date
Archival Collection
Description
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Correspondence, Levi Syphus to Sadie B. Clayton
Date
Archival Collection
Description
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