Oral history interview with Billy Root conducted by Lisa Gioia-Acres on May 14, 2008 for the All That Jazz Oral History Project. Root begins by discussing his upbringing in Philadelphia, Pennsylvania where he developed an early interest in being a musician due to encouragement from his father, who was also a musician. He describes playing baritone saxophone in the Philadelphia Orchestra, performing at the Apollo Theater in Ella Fitzgerald's orchestra, and going on tour with a predominantly African American jazz band in the Southern United States during segregation. Root details his interactions and impressions of various celebrities, such as Frank Sinatra and Tony Bennett, attending Playboy parties, and eventually deciding to settle in Las Vegas, Nevada. He discusses working as a professional musician in Las Vegas, where he performed in such casinos as the Dunes and the Desert Inn. He concludes by discussing his retirement and his family.
Archival Collection
In this interview Glusman discusses his early memories of being raised in Vancouver, Canada and how he ended up in Las Vegas. He reflects on how he first got his start in the town and his early dealings with casinos and their owners while he was working as a carpet and drapery salesman and while working for Fabulous Magazine. Glusman explains how he started his restaurant and tells about the people he encountered while doing this that where significant to both the Jewish community and Las Vegas as a whole. He recounts stories that include such people as Meyer Lansky, Al Sachs, and Moe Dalitz.
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On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building
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Oral history interview with Jose Leonardo Martinez conducted by Barbara Tabach and Nathalie Martinez on August 19 and 29, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Session 1: Jose discusses his childhood and what it was like growing up during the Salvadoran Civil War. He recounts the dangers he's faced and how he made his way to the United States after traveling through Guatemala and Mexico. Subjects discussed include: Salvadoran Civil War; Ciudad Arce, El Salvador; Guatemala; Mexico; Los Angeles, California. Session 2: Jose continues his discussion of growing up in El Salvador and the violence he witnessed in the country's army during the 1980s. He also talks about his personal life after moving to the United States and his experiences navigating gang culture in Los Angeles, California. Jose recounts his previous jobs, his schooling, how he met his wife, and his family's move to Las Vegas. Subjects discussed include: El Salvador army; gang violence.
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Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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