The Breck Wall Photograph Collection, approximately 1960 to 1980, consists of black-and-white photographic prints depicting comedian and entertainer, Breck Wall, and other cast members of the comedy revue, “Bottom’s Up!” in Las Vegas, Nevada. Images include scenes from sketches performed on the show, group shots of the cast members off-set, and portraits of Wall.
The Larry A. Strate Faculty Papers (approximately 1985-2023) are comprised primarily of scholarly articles and papers from the Pacific Southwest Academy of Legal Studies in Business annual conferences written by Strate during his time as a business law professor at the University of Nevada, Las Vegas (UNLV). Materials also include personal memoir written by Strate about his life.
The Maryellen Vallier Sadovich Papers include transcripts and handwritten and photocopied documents pertaining to early Nevada history from 1852 to 1934. Documents include information about the boundaries of Nevada; mail service contracts between Utah and California; documents from the Department of the Interior, Office of Indian Affairs concerning reservations in Southern Nevada; a copy of Gibb's Phonetic alphabet of Southern Nevada Native American languages; maps of tributaries in Southern Nevada; notes about the National Archives photographic holdings of Nevada; and documents from mining reports.
The Thunderbird Hotel Records are comprised of material that documents the work of the Las Vegas, Nevada hotel's entertainment department from 1964 to 1973. The records consist of photographs, memorandum, newspaper clippings, and publicity materials.
An unidentified person looks at the ruins of the H. D. and L. D. Porter Brothers Store in Rhyolite, Nevada. The remains of two wooden buildings and several mining tailing piles are visible in the background. Originally from Illinois, the brothers opened their first store in Johannesburg, Ca. in 1902. Moving with the mining booms, they opened stores in Ballarat, Beatty, Pioneer and Rhyolite. From the Ballarat store, H. D. Porter loaded thirty tons of merchandise onto an 18-mule team freight wagon and came east across Death Valley to the Bullfrog District. The original store was built on Main St. After the move to Golden St., the wooden building was used as a furniture store for the Porter Brothers. With the purchase of a lot on Golden Ave. the construction of a new stone building began in July 1906 and was finished four months later. According to the Rhyolite Herald, November 1906 "This is a large substantial structure, practically fireproof, and occupies a prominent site on Golden Street. The main floor is 30 x 80 feet, with a basement and gallery." Nels Linn was the contractor who did the stonework. The estimated cost was $10,000 for the complete construction of the building. One of the signs that hung from the Porter Brothers Store was "All Things Good But Whiskey". With all the saloons already established in Rhyolite, the Porter Brothers maintained a reputation of never selling liquor. Rhyolite is a ghost town in Nye County, Nevada. It is in the Bullfrog Hills, about 120 miles (190 km) northwest of Las Vegas, near the eastern edge of Death Valley. The town began in early 1905 as one of several mining camps that sprang up after a prospecting discovery in the surrounding hills. During an ensuing gold rush, thousands of gold-seekers, developers, miners and service providers flocked to the Bullfrog Mining District. Many settled in Rhyolite, which lay in a sheltered desert basin near the region's biggest producer, the Montgomery Shoshone Mine. Rhyolite declined almost as rapidly as it rose. After the richest ore was exhausted, production fell. The 1906 San Francisco earthquake and the financial panic of 1907 made it more difficult to raise development capital. In 1908, investors in the Montgomery Shoshone Mine, concerned that it was overvalued, ordered an independent study. When the study's findings proved unfavorable, the company's stock value crashed, further restricting funding. By the end of 1910, the mine was operating at a loss, and it closed in 1911. By this time, many out-of-work miners had moved elsewhere, and Rhyolite's population dropped well below 1,000. By 1920, it was close to zero. After 1920, Rhyolite and its ruins became a tourist attraction and a setting for motion pictures. Most of its buildings crumbled, were salvaged for building materials, or were moved to nearby Beatty or other towns, although the railway depot and a house made chiefly of empty bottles were repaired and preserved. The town is named for rhyolite, an igneous rock composed of light-colored silicates, usually buff to pink and occasionally light gray. It belongs to the same rock class, felsic, as granite but is much less common.
Joyce Moore's family moved to Las Vegas from Chicago in 1953, when she was eight years old. She attended Rancho High School, married and had three daughters, and currently lives in Las Vegas. Joyce's father was in the gaming industry and her mother was a nurse. Growing up in Las Vegas meant going to shows with her mother, spending summer days in the pool at the Showboat Hotel, and riding horses to the Last Frontier. While a teenager at Rancho High school, Joyce worked at several movie theaters including the Huntridge, went to school dances and marched in the Hellodorado Parade. After her divorce, Joyce returned to work to support herself and her children, first at the Daily Fax then later on the Strip at the Aladdin and Circus, Circus doing a variety of office and accounting jobs. As a lark she and a friend applied to work as cocktail waitresses at the MGM; she was hired and spent the next five years in a job that was by turns interesting, exhausting, frustrating and fun. This interview covers several periods of Joyce's life - her childhood, teen years, and early adult life - and what it was like to grow up, live and work in Las Vegas in from the mid-1950s until the mid-1970s.