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Beda and C. Norman Cornwall Photograph Collection

Identifier

PH-00248

Abstract

The Beda and C. Norman Cornwall Photograph Collection (1940s-1978) primarily contains black-and-white photographic prints of Beda and C. Norman engaging in various civic activities. The collection also includes photographic prints of Beda Cornwall’s reception at the University of Nevada, Las Vegas, as well as C. Norman Cornwall’s riding group, the Los Rancheros Visitadores, during their trek through the Santa Ynez Valley in California. Beda Cornwall was the president of the Citizens’ Library Association of Las Vegas and C. Norman Cornwall was a prominent Las Vegas attorney.

Archival Collection

Ann Valder Photograph Collection on Judy Bayley

Identifier

PH-00324

Abstract

The Ann Valder Photograph Collection on Judy Bayley (1969-1971) consists of black-and-white photographic prints of Hacienda Hotel owner Judy Bayley, collected by Las Vegas, Nevada journalist Ann Valder. The collection is primarily comprised of photographic prints of Bayley at a 1971 event held in her honor at the International Hotel in Las Vegas, Nevada. The collection also includes photographic prints of Bayley at fundraisers for the American Cancer Society. Ann Valder was an editor and journalist for the Las Vegas Review-Journal and Valley Times, as well as a columnist for the Las Vegas Sun.

Archival Collection

International Food Service Executives Association Photograph Collection

Identifier

PH-00363

Abstract

The International Food Service Executives Association (IFSEA) Photograph Collection is comprised of panoramas, stills, and posed photographs of IFSEA members from 1914 to 1965.

Archival Collection

Thomas Schiff Panoramic Photographs

Identifier

PH-00419

Abstract

The Thomas R. Schiff Panoramic Photographs (2001-2009) are comprised of physical and digital panoramic photographs of hotel casinos and other locations around Las Vegas, Nevada used in his book, Vegas 360°. The collection includes photographs of local businesses, casinos around downtown Las Vegas, and the Las Vegas Strip including the Aladdin Hotel and Casino, Bally's Las Vegas, Caesars Palace, Fremont Street, and New York-New York Hotel & Casino. Photographs are available as both digital files and physical prints.

Archival Collection

Blanch Jackson Photograph Collection

Identifier

PH-00243

Abstract

The Blanch Jackson Photograph Collection (approximately 1900-1941) contains black-and-white photographic prints and negatives from the Jackson family’s life in Tonopah, Nevada and their travels to mining sites in Nevada and Arizona. Blanch, her husband Clyde, her father-in-law Colonel David Howell Jackson, their two sons, and some acquaintances are pictured in the photographs.

Archival Collection

Cliff Segerblom Artwork

Identifier

MS-01029

Abstract

The Cliff Segerblom Artwork contains four pieces of Segerblom's artwork. One painting of a desert home in Nelson, Nevada titled "Afternoon in Nelson" from 1940, one drawing of the USS Hornet from 1969, and two watercolor paintings of Lake Mead and Sunrise Mountain. The First Annual Southern Nevada Art Exhibit originally displayed "Afternoon in Nelson" in Las Vegas, Nevada between January 27 and 28 in 1940. The USS Hornet drawing was created November 1969, depicting a fighter aircraft aboard the USS Hornet at Apollo 12's splashdown. The two watercolors were donated to the University in 1962 by the Clark County Panhellenic Association.

Archival Collection

Allied Arts Council of Southern Nevada Records

Identifier

MS-00187

Abstract

The Allied Arts Council of Southern Nevada (AACSN) Records are comprised of the organizational records of the Allied Arts Council, a Las Vegas, Nevada-based non-profit organization that promoted the arts and cultural life in Southern Nevada from 1971 to 1999. Materials include meeting minutes, financial records, correspondence, membership information, publications, event information, project files, photographs, audio cassettes, VHS, and U-Matic tapes.

Archival Collection

Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Description

Photos show Mandalay Bay signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

Letter and envelope from Mary Etta Syphus, Provo, Utah to John M. Bunker, Logan, Utah

Date

1894-04-07

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.

Text

Economic Opportunity Board of Clark County (Nev.): memos, agendas, and meeting minutes

Date

1970-01-14 to 1970-02-25

Description

From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains memos, agendas and minutes from meetings of the Clark County Economic Opportunity Board from January 1970 through February 1970.

Text