The Dunes Hotel and Casino Records are comprised of administrative, publicity, and entertainment materials documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada from the years 1954 to 1992. Included are correspondence, contracts, photographs, hotel budgets, and an early aerial photograph of the property. The material provides a significant amount of historical documentation of the hotel that was long known to tourists and residents as the "the Miracle in the Desert."
The Fallman Family Papers (approximately 1950-2005) consist of correspondence, newspaper clippings, photographic prints and slides, scrapbooks, and pamphlets from James and Ima Fallman and their daughter, Janice. The correspondence primarily relates to James and Ima Fallman and chronicles Ima's involvement with the Francisco Garces chapter of the Daughters of the American Revolution (DAR), James's work as a bartender in Las Vegas, Nevada, and awards he received during World War II. The newspaper clippings mention either James Fallman or his daughter, Janice, and her involvement with the Las Vegas High School Rhythmettes dance team. The majority of materials from Janice describe her school days at Las Vegas High School and events participated in as a child and young adult.
The Clinton Wright Photographs (1964-2018) contains black-and-white photographic negatives of various sizes, dating from 1964 to 1971. The images document the Black experience in Las Vegas, Nevada during the 1960s and 1970s, and capture scenes of everyday life in the historic Black neighborhood known as the Westside, social events such as weddings and parties, and events hosted by local churches. The collection also contains a photograph of Clinton Wright from 2017 when he visited the University of Nevada, Las Vegas Special Collections and Archives, and a memorial program for his wife, Joyce Wright, who passed away in 2018.
The Southern Nevada Historical Society Photograph Collection on Basic Magnesium, Inc. contains photographs of the construction of Basic Magnesium Inc.'s plants and buildings from 1941 to 1942. The photographs primarily depict aerial views of the plant site and various buildings, including the administration building, tent camp, chlorination buildings, electrolysis facilities, electrical distribution systems, and warehouses. The photographs also depict Lake Mead and the early buildings in Henderson, Nevada.
The Dunes Hotel Photographs (1950-1993) consist of administrative, publicity and entertainment images documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada. In addition to materials focusing on day-to-day activities at the hotel (correspondence, contracts, personnel, budgets, etc.) the collection provides insight into the hotel’s entertainment and public relations activities. Although there are chronological gaps in the collection, particularly during the later years of the Dunes (1970s-1990s), it provides a significant amount of historical documentation on the famed Strip hotel that was long known to tourists and residents alike as the “the Miracle in the Desert.”
The Donn Arden Photographs (approximately 1920-1989) contain photographs, negatives, and photographic slides of dancer and choreographer Donn Arden. The photographs primarily document Arden's life as a dancer and choreographer in Las Vegas, Nevada and in Paris, France, including performances at the Stardust Hotel, Desert Inn, and MGM Grand in Las Vegas and the Lido in Paris. The photographs also depict rehearsals, dancers, showgirls, Arden's friends and family, and performance locations.
On April 15, 1976, Judy Hammer interviewed Carmon Meswarb (b. February 9, 1932 in Cedar Falls, Iowa) about his life as a musician in Las Vegas, Nevada. Meswarb discusses how he ended up in Las Vegas, the musicians union and his time playing in a relief band. Meswarb also delves into the different entertainment acts of the 1950s and 1960s, the big-name performers, the city’s showgirls and racial segregation in entertainment. Moreover, Matson talks about the changing landscape of the city, residential areas and the changed attitude of the Strip. The interview ends with Meswarb discussing the short stint of Broadway shows on the Las Vegas Strip.
On December 15, 1975, Patricia Kohlman interviewed Mary Kreuzer (born 1923 in Las Vegas, Nevada) in her home in Las Vegas. The two discuss Kreuzer’s childhood, as well as the different addresses that she’s lived at in Las Vegas. The interview concludes with a discussion on entertainment and small businesses before the population boom in Southern Nevada.