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Rabbi Yocheved Mintz Photographs

Identifier

PH-00406

Abstract

The collection is comprised primarily of photographs of Rabbi Yocheved Mintz at different events and programs held at Las Vegas, Nevada synagogue Congregation P'nai Tikvah from 2006 to 2017. The collection includes photographs of congregants during different workshops and events held at the synagogue. The collection also includes photographs of Rabbi Mintz and congregants during holidays (Hannukah, Purim, Rosh Hashanah, and Passover), Jewlicious (Jewish education classes and workshops), and from the congregation newsletter.

Archival Collection

University of Nevada, Las Vegas Student Engagement and Diversity Records

Identifier

UA-00060

Abstract

The Student Engagement and Diversity Records (approximately 1989-2009) document activities related to the University of Nevada, Las Vegas (UNLV) Student Engagement and Diversity office and its predecessors. Materials include documents and photographs about activities and events such as Premier UNLV, Homecoming, Rebels After Dark, and the Rebel Variety Show.

Archival Collection

Margo Mansergh Papers

Identifier

MS-01048

Abstract

The Margo Mansergh Papers (approximately 1920-2010) document the life of former showgirl and dancer Margaret "Margo" Mansergh Tomaszewski. Materials include photographs of Margo modeling, backstage at various shows, portraits, and personal family photographs as well as programs from her international career performing in the Lido de Paris and Pigalle Nightclub in London, as well as a number of shows in Las Vegas, Nevada, such as Vive Les Girls, Casino de Paris, Minsky's Burlesque, and Lido de Paris at the Stardust. The collection contains materials from Mansergh's modeling career, including photographs, book covers, and images of her as an extra in films. Digital images from the closing Stardust performance and an event for Miss Bluebell are also found in the collection.

Archival Collection

Hank Castro Music Business Records and Audio Recordings

Identifier

MS-00612

Abstract

The Hank Castro Music Business Records document Hank Castro's career in the music industry in Las Vegas, Nevada from 1969 to 1990. The bulk of the collection consists of original audio recordings from the Las Vegas Recording Studio. The collection also contains legal documents, personal correspondence, and promotional material related to the Las Vegas Recording Studio (1971-1985), songwriter agreements, and sheet music (the majority of the lyrics written by Hank Castro) from artists represented by the Las Vegas Recording Studio and Castro's other companies.

Archival Collection

Kim Sisters Scrapbooks and Clippings

Identifier

MS-00633

Abstract

The Kim Sisters material date from 1959 to 1966 and 1983. It consists of two scrapbooks and one folder of photocopied materials containing newspaper clippings about the appearances of the Kim Sisters muscial group throughout the United States as well as Italy, Germany, and Spain. It also includes two record album sleeves.

Archival Collection

Jack Schofield Papers

Identifier

MS-00904

Abstract

The Jack Schofield Papers are comprised of Dr. Jack Lund Schofield's scrapbooks, photographs, and awards from 1968 to 2014. Dr. Schofield was a Nevada System of Higher Education (NSHE) regent, member of the Nevada legislature, and teacher. The scrapbooks document Schofield's involvement with the University of Nevada, Las Vegas (UNLV) Aerospace program from the 1960s to the 1990s. The awards and photographs are from NSHE and document Schofield's involvement as a regent.

Archival Collection

UNLV Libraries Collection on Claes Oldenburg's Flashlight Sculpture

Identifier

MS-00970

Abstract

The UNLV Libraries Collection on Claes Oldenburg's Flashlight sculpture is comprised primarily of correspondence, photographs, and information dating from approximately 1972 to 1981, and 2011 about the planning and installation of the Flashlight at the University of Nevada, Las Vegas (UNLV) campus. The materials include correspondence between Brock Dixon, Dean of Administration, and the sculpture grant committee, the National Endowment for the Arts, and sculptors considered for the job such as Richard Serra and Claes Oldenburg. The collection also includes photographs of Flashlight maquettes and installation on campus and postcards depicting the Flashlight on the UNLV campus. Also included is a written history of the commissioned sculpture, a UNLV News Center article about the sculpture from 2011, and an autographed copy of Claes Oldenburg: Large Scale Projects, 1977 to 1980.

Archival Collection

Richard W. Bunker oral history interviews

Identifier

OH-03206

Abstract

Oral history interviews with Richard W. Bunker conducted by Stefani Evans and Claytee D. White on July 18 2017, July 21, 2017, and September 28, 2017 for the Building Las Vegas Oral History Project. In this interview, Bunker discusses the history behind a wide range of events that affected the daily lives of Southern Nevadans. He talks about his role in a consolidation attempt between the Clark County and Las Vegas, Nevada governmental structures that was halted by the courts in 1975. Bunker then recalls working as a member and Chair of the Nevada Gaming Control Board and his work with various casinos and hotels including Circus Circus, the Dunes, and the Aladdin. He discusses replacing key people at the Gaming Control Board, and the Federal Bureau of Investigation’s (FBI) Operation Yobo sting. He then speaks fondly of his longtime friends Jim Gibson, Judge Lloyd George, and Jim Joyce. Lastly, Bunker discusses water rights, supply, and management issues in Nevada as it relates to the Nevada Resort Association, Las Vegas Valley Water District, Southern Nevada Water Authority, and the Colorado River Commission.

Archival Collection

Dr. Ruben Acherman oral history interview

Identifier

OH-03671

Abstract

Oral history interview with Ruben Acherman conducted by Monserrath Hernandez and Laurents Bañuelos-Benítez on July 18, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Acherman discusses growing up in Palmira, Colombia, where his father emigrated to from Romania. He talks about how accepted he felt in a Catholic community, moving to Cali, Colombia to study medicine, and describes completing his rural residency in San Pedro, Colombia. Acherman then recalls specializing in cardiology at the University of Southern California (USC). Later, Acherman explains why he chose to specialize in cardiology, his interests in pediatric cardiology, and his inability to continue studying due to the lack of financial stability and his immigration status. Acherman describes his move to the Summerlin residential community in Las Vegas, Nevada after being offered a position to work for Dr. Bill Evans in 2001, and compares the differences in health care between the United States and Columbia. Lastly, Acherman discusses his first balloon dilation procedure and talks about the illustrations he has created in cardiology textbooks.

Archival Collection

The Rebel Yell

Alternate Title

Rebel Yell (1954-2010); currently published as Scarlet and Gray (2010-present)

Description

The Rebel Yell and cultural identity at UNLV


The UNLV student newspaper, like the university itself, has gone through many changes not least, its
name. When the paper made its debut in 1955, what was to become UNLV was the Southern Regional
Division of the University of Nevada, in Reno, popularly known as Nevada Southern. The newspaper,
reflecting its identity with the southern part of the state as well as its ongoing opposition to the
northern-centric bias of the State Legislature in Carson City and the administration of the University of
Nevada in Reno, adopted the name “Rebel Yell” and flew a Confederate flag on its mast head. The
fledgling university took to its identity as “Rebels” which, in fact, continues as a brand for the university
and its students to this day. While administrators and students would later deny any conscious or
intended association of these historical Confederate symbols with the southern Confederacy, slavery,
and racism, they would, nonetheless cause embarrassment in the future when Black (and White)
students began to express their indignation with these symbols and demand that the university change
its image.
In 1962 the most flagrant symbol, the Confederate flag, was removed from the masthead to be replaced
by the only marginally less problematic “Beauregard” figure, a Disneyesque cartoon hound dog in a
Confederate uniform. In 1969 in the wake a national civil rights protests, Beauregard was yanked from
the masthead. In 1970 the student senate, the “Confederated Students” (which would change its name
to “Consolidated Students” in 1973) instituted a “Rebel Name-change committee” charged with coming
up with alternative names. The next year in 1971 the students voted to retain their nickname, the
Rebels, by which their sports teams had traditionally been known, but the newspaper decided to change
its name from the Rebel Yell to The Yell, but affirming on its front page “We’re Still Rebels”. In 1973
when the student senate changed its name, the students again rejected changing the Rebels nick-name.
Only in 1975 was Beauregard officially removed as the university mascot.
In 1982 artist Mike Smith created a new UNLV mascot, the “Hey Reb” trail-blazing pathfinder, in western
frontier garb, with mustachios that rendered him a look-alike for the cartoon character Yosemite Sam. In
1983 the Yell quietly resumed its old title Rebel Yell (briefly the Yellin Rebel) which persisted until 2016,
when, after months of deliberation and renewed calls to rebrand the university the Rebel Yell became
the Scarlet & Gray Free Press, adopting the school colors. According to then-Editor-in-chief Bianca Cseke
“a Confederate battle cry isn’t a great name for a newspaper.”

Essay Contributed by Peter Michel 

Language

English

English

Frequency

Biweekly

Place of Publication