The Tony Wuehle Collection documents the activities of freelance writer, college president, and poker expert Edwin "Tony" Wuehle of Michigan and Las Vegas, Nevada, between the years of 1950 to 2007. The collection consists of copies of Wuehle's regular columns, newsletters, and special articles as they were published in various journals and newspapers, especially those related to poker, the International Home and Private Poker Player's Association (IH3PA), education administration, and religious concerns.
The Jarbidge, Nevada Community Archives Collection contains scanned images from seven archival collections and document the community of Jarbidge, Nevada from approximately 1910 to 2006. The materials were collected from various families living in Jarbidge in 2006 as part of a project led by Carrie Townley Porter. The images depict early Jarbidge structures, surrounding landscape, the Elkoro Mine, and residents of the area. Also included are images of certificates, correspondence, and newspaper articles relating to the families' histories. Also included in the collection are written summaries of ten oral history interviews of Jarbidge residents conducted in 2006. This collection contains digital surrogates only; the owners and Jarbidge Community Archives retain the originals.
The University of Nevada, Las Vegas School of Architecture Records (1980-2011) include marketing material, curriculum development material, student letters to the Nevada legislative counsel, journals, newspaper clippings, and architectural drawing sets for the school building's construction.
Hazel Baker Denton Papers (1907-1957) contain correspondence, family artifacts, scrapbooks, newspaper clippings, and family biographical information. Included are journals that chronicle the years Denton served as an Assemblywoman for the Nevada State Legislature and a copy of her book, Ironing Day, her newspaper columns, and speeches.
Photos show Little Church of the West signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site name: Little Church of the West Site address: 4617 S Las Vegas Blvd Sign owner: Greg Smith Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip. Sign condition: Structure 4 Surface 4 Lighting 5 Sign form: Pylon; Fascia Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon. Sign - type of display: Neon; Backlit Sign - media: Steel; Plastic Sign - non-neon treatments: Graphics; Paint Sign animation: none Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church. Sign manufacturer: Larsen Sign Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996. Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996. Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon. Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint