The regional subject files include materials collected by anthropologist Katherine Spilde about Native American gaming, Native American communities in the United States, and the US and international gaming industries. The materials date from 1859 to 2015, with the bulk of materials dating from 1990 to 2010. Materials dating from the nineteenth and early twentieth centuries are a reproduction of a federal treaty and an ethnohistorical essay. The majority of the materials document Native American gaming following the passage of the 1988 Indian Gaming Regulatory Act. The papers include research and subject files created by Dr. Spilde during her employment with the National Gambling Impact Study Commission (NGISC), National Indian Gaming Association (NIGA), and Harvard Project on American Indian Economic Development (HPAIED). The materials document Native American gaming enterprises both on and off reservations, the socioeconomic impact of gaming, the political history of gaming in the US, and international gaming. The series includes socioeconomic reports, testimonies, correspondence, memos, press releases, photographs, audiovisual materials, promotional materials, brochures, fact sheets, summaries, booklets, pamphlets, advertisements, tourism materials, journal articles, legal briefs, legislative documents, court opinions, notes, presentations, conference materials, periodicals, community newspapers, and newspaper articles.
The collection contains documentation on a number of Native American nations, including the Misi-zaaga'iganiing Anishinaabeg (Minnesota Chippewa Tribe, Mille Lacs Band); Gaa-waabaabiganikaag Anishinaabeg (Minnesota Chippewa Tribe, White Earth Band); Forest County Bodéwadmi (Forest County Potawatomi Community); Ho-Chunk Nation of Wisconsin; Mashantucket Pequot Indian Tribe; Mohegan Tribe of Indians; Tulalip Tribes of Washington; Sisseton-Wahpeton Oyate of the Lake Traverse Reservation; Standing Rock Sioux Tribe of North and South Dakota; Mandan, Hidatsa, and Sahnish (Arikara) (Three Affiliated Tribes of the Fort Berthold Reservation, North Dakota); and Mississippi Band of Choctaw Indians. Other communities are also represented in the series, but to a lesser extent. In addition to materials about gaming and casinos, Dr. Spilde also collected documents, photographs, and audiovisual materials about Native American culture in general. The series documents regional and national trends in Native American gaming, and the greater gaming industry. Materials trace federal and state relationships with individual Native American nations, specifically concerning gaming enterprises.
Archival Collection
Katherine A. Spilde Papers on Native American Gaming
Photos show MGM Grand signs at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site name: MGM Grand Hotel and Casino Site address: 3799 S Las Vegas Blvd Sign owner: MGM Mirage Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances. Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface. Sign form: Pylon; Fascia; Porte-cochère Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface. Sign - type of display: Neon; Incandescent; Matrix; Backlit Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass Sign animation: Chasing, flashing, oscillating Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text. Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens. Sign - date of installation: Property was opened in 1993 but signage was changed in 1998 Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon. Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with. Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass
On March 2, 1975, Marilyn Swanson interviewed her neighbor Perle Garrett (born April 27, 1905 in Overbrook, Kansas) in her home in Boulder City, Nevada. This interview covers Boulder City during the 1930s, with special focus on the building of Boulder Dam. Mrs. Garrett relocated to Boulder City because her husband Theodore Garrett was one of the workers at the dam. She also discusses Six Companies houses, family life, the weather, churches in Las Vegas and recreational activities for local children. Her husband is also present during the interview.