Search Results
Jamey Stillings Photograph Collection
Identifier
Abstract
The Jamey Stillings Photograph Collection (2009-2019) is primarily comprised of photographs taken by professional photographer, Jamey Stillings, of the Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project, the Ivanpah Solar Electric Generating System project, and the Crescent Dunes Solar project. The Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project depict the construction of the Mike O’Callaghan-Pat Tillman Memorial Bridge from 2009 to 2012. The Ivanpah Solar Electric Generating System project depict aerial views of Ivanpah Solar in the Mojave Desert of California from 2010 to 2014. The Crescent Dunes Solar project consists of a range of aerial and ground-based work documenting SolarReserve's Crescent Dunes Solar, a 110MW concentrated solar plant with molten salt storage near Tonopah, Nevada, from 2014 to 2015.
Archival Collection
John Wittwer Collection on Agriculture in Nevada
Identifier
Abstract
The John Wittwer Collection on Agriculture in Nevada (1898-1972) contains the professional papers and records of John Wittwer in his capacity as an Agricultural Extension agent for the University of Nevada from 1921 to 1954. The records are primarily annual reports containing text, photographs, newspaper clippings, and charts that provide a rich chronicle of the conditions of agriculture and ranching in southern Nevada from 1898 to 1972, with the bulk of the material dating from 1929 to 1955. These conditions span water issues, such as flood control and irrigation, to the general difficulties of sustaining agriculture and viable food production in a desert environment. The reports come from the Agricultural Experiment Stations in Clark and Lincoln counties and most contain both a statistical report and a narrative summary.
Archival Collection
Mabel Hoggard Papers
Identifier
Abstract
The Mabel Hoggard Papers (1903-2011) contain materials related to Hoggard's career as a Las Vegas, Nevada elementary school teacher, her research and civic interests in Las Vegas's predominantly African American Westside communities, and her engagement with civil rights issues. The collection also contains materials about Hoggard's life, including biographical newspaper articles about her childhood, education, work, and family. The collection includes lesson plans, scrapbooks, awards, correspondence, photographs, and physical objects such as a vinyl record and political pins. The bulk of the collection focuses on her life in Las Vegas from approximately 1946-1989.
Archival Collection
Transcript of interview with Sandra Peña by Lada Mead and Stefani Evans, March 27, 2017
Date
Archival Collection
Description
Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
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