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Richard D. Chase oral history interview

Identifier

OH-00364

Abstract

Oral history interview with Richard D. Chase conducted by Helen Rondthaler on October 17, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. Chase discusses the history of Las Vegas, Nevada from 1945, touching on topics such as the housing shortage during the 1940s, The Red Rooster swingers’ club, Billy Moore, Sam Larson, Ira Goldring, atomic bomb testing, and the Nevada environment. Chase discusses the importance of construction-based labor to the development of Southern Nevada. Chase also explains at length the impact of the Nevada Test Site on his construction company.

Archival Collection

Gerald L. Connor oral history interview

Identifier

OH-00411

Abstract

Oral history interview with Gerald Connor conducted by James Bonnell on February 22, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Connor first discusses moving to Las Vegas, Nevada and serving as a pilot in the United States Air Force. He then discusses his education at the University of Nevada, Las Vegas and his church membership. Topics that Connor discusses during the interview also include changes in the school district and properties located in Downtown Las Vegas and the Las Vegas Strip, his political activity within the Democratic Party, the Helldorado Parades, and the early atomic tests at the Nevada Test Site.

Archival Collection

Tony Wuehle Collection

Identifier

MS-00522

Abstract

The Tony Wuehle Collection documents the activities of freelance writer, college president, and poker expert Edwin "Tony" Wuehle of Michigan and Las Vegas, Nevada, between the years of 1950 to 2007. The collection consists of copies of Wuehle's regular columns, newsletters, and special articles as they were published in various journals and newspapers, especially those related to poker, the International Home and Private Poker Player's Association (IH3PA), education administration, and religious concerns.

Archival Collection

Jarbidge, Nevada Community Archives Collection

Identifier

MS-01122

Abstract

The Jarbidge, Nevada Community Archives Collection contains scanned images from seven archival collections and document the community of Jarbidge, Nevada from approximately 1910 to 2006. The materials were collected from various families living in Jarbidge in 2006 as part of a project led by Carrie Townley Porter. The images depict early Jarbidge structures, surrounding landscape, the Elkoro Mine, and residents of the area. Also included are images of certificates, correspondence, and newspaper articles relating to the families' histories. Also included in the collection are written summaries of ten oral history interviews of Jarbidge residents conducted in 2006. This collection contains digital surrogates only; the owners and Jarbidge Community Archives retain the originals.

Archival Collection

Hazel Baker Denton Papers

Identifier

MS-00387

Abstract

Hazel Baker Denton Papers (1907-1957) contain correspondence, family artifacts, scrapbooks, newspaper clippings, and family biographical information. Included are journals that chronicle the years Denton served as an Assemblywoman for the Nevada State Legislature and a copy of her book, Ironing Day, her newspaper columns, and speeches.

Archival Collection

Transcript of interview with Joan Johnson by Kim Geary, March 25, 1978

Date

1978-03-25

Description

On March 25, 1978, Kim Geary interviewed Joan Johnson (born 1911 in Oklahoma) in her home in Las Vegas, Nevada. The two discuss Joan Johnson’s personal history and her reasons for originally moving to Las Vegas. Johnson recalls early Las Vegas entertainment, as well as the development of businesses and their unions.

Text

Photographs of MGM Grand signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-30

Description

Photos show MGM Grand signs at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: MGM Grand Hotel and Casino
Site address: 3799 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface.
Sign - type of display: Neon; Incandescent; Matrix; Backlit
Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens.
Sign - date of installation: Property was opened in 1993 but signage was changed in 1998
Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon.
Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with.
Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass

Mixed Content

Roosevelt Fitzgerald: correspondence regarding Jackson State University

Date

1989

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file.

Text

Stay family real estate documents

Date

1940 to 1949

Archival Collection

Description

Stay family real estate documents

Text

Congregation Shirat Shalom

Congregation Shirat Shalom was founded in spring of 2013 in the Henderson/Las Vegas area by four unaffiliated Jews looking for a place to be comfortable, affordable and worship in the Reform style of Judaism. The concept of starting a new congregation without walls became very appealing and initially met as a nameless Havurah, or friendship group, and participants took turns leading the worship services.

 

As the number of participants grew, the group became a full congregation, leading to the development of Congregation Shirat Shalom, meaning ‘Song of Peace’.