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Minutes from Temple Beth Sholom Board of Directors meetings, May 1974 - May 1975

Date

1974 to 1975

Archival Collection

Description

The meeting minutes of the board of directors of Temple Beth Sholom include the proceedings of meetings held from 1973 to 1974.

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Letter and envelope from Mary Etta Syphus, Provo, Utah to John M. Bunker, Logan, Utah

Date

1894-04-07

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.

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Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Description

Photos show Mandalay Bay signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

UNLV Ethnic Studies 102 final exam (blank) and Ethnic Studies (ETS 480X) "Seminar in Race Awareness: Minority Groups and Media" assigned readings

Date

1993

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file.

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Interview with Jerome Alexander Zawada, August 9, 2006

Date

2006-08-09

Description

Narrator affiliation: Franciscan Priest, Nevada Desert Experience

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Interview with Charles McWilliam, January 11, 2005

Date

2005-01-11

Description

Narrator affiliation: Engineer; Administrator, U.S. Department of Energy

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Transcript of interview with Laura Sussman and Wendy Kraft by Barbara Tabach, February 17, 2016

Date

2016-02-17

Description

They've been referred to as the two Jewish mothers who own a funeral home. At first glance that seems too simple a description. However, it is how they arrived at this description that tells a story of two women who moved here in the late 1990s and whose paths crossed as they became part of the Jewish community of Las Vegas. Laura Sussman arrived first. It was 1997. The Jewish Community Center, a JCC without walls as Laura puts it, hired her as its first executive director. She was from Ohio where there was a robust Jewish tradition. She was director for eight years; then executive director at Temple Beth Sholom. Wendy Kraft moved to the valley in 1999. She was a stay at home mom from Boston, who was accustom to volunteering in the Jewish community. Knowing no one and on the brink of divorce, the Jewish community became her life, a way to build a network of friends and keep her occupied just as it had been in Boston. The two women met through their work with the JCC and love followed. Several years later, in 2009, so did their new business, Kraft-Sussman Funeral and Cremation services. By February 6, 2015, Laura and Wendy had married. They had already formed a family with each other and their three daughters, Leah Sussman, Emma and Elyse Kraft. In this interview they discuss their joint sense of purpose that includes love of family, dedication to the Jewish community, pride in the LGBT identity, and providing caring services to those at the time of funeral services. They talk also of Jewish traditions related to death, the Jewish burial society known as Chevra Kadisha, and challenges of their industry. They share feelings about nonprofits and how they value being actively involved in the community.

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Transcript of interview with Esther Toporek Finder by Barbara Tabach, June 8, 2016

Date

2016-06-08

Description

Esther Toporek Finder is a professor of psychology and has lived in Las Vegas, Nevada since 2010. She was born May 28, 1953, in Chicago, Illinois, and moved to Washington D.C. in 1979 after graduating with her Masters from the University of Chicago. While in Washington D.C, Finder was able to jump start her career as an oral historian recording Holocaust survivor stories with the U.S Holocaust Memorial Museum and the Shoah Foundation. Esther Finder is a second generation Holocaust survivor. Her passion for Holocaust education and its representation in society has led her to many opportunities to teach, facilitate, educate, create and contribute to many survivor oriented groups such as The Generation After where she was President for 15 years, the Holocaust Era Assets Conference as representation of the American survivor community, as well as the creation of the Generations of the Shoah International group in October 2002. When Finder moved to Las Vegas, she quickly and deeply involved herself in the Las Vegas Holocaust survivor community. She has been integral with Nellis Air Force Base?s Days of Remembrance, the opening the Generations of Shoah Nevada Chapter, and partnering with the World Federation of Jewish Child Survivors of the Holocaust and Descendants to bring conferences to the Las Vegas Valley. In addition, she has been an organizer of commemoration programs for students attending UNLV and schools within the Clark County School District. Her involvement with the Governor?s Advisory Council on Education Relating to the Holocaust and the television series Eyewitness to History have highlighted the Holocaust survivors living in Las Vegas. In this interview, Finder discusses her childhood as well as the paths that led her to realize her passion for the Holocaust survivor community and her deep association with the community. She shares her experiences interviewing survivors and second generation survivors giving a deeper insight into the stories that they have shared with her over the years. In addition, she reflects on her long reach within the survivor community and brings to light the foundation of family being a survivor gives. Finder highlights the traveling, teaching and community service opportunities she has had over the years while enlightening people about the importance of countering hate through education.

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Transcript of interview with Irving Kirshbaum by Cheryl Rogers, February 23, 1979

Date

1979-02-23

Description

Interview with Irving Kirshbaum by Cheryl Rogers on February 23, 1979. In this interview, Kirshbaum discusses the Riviera Hotel where he began working in 1955. He also talks about the landscape of the Las Vegas Strip in the 1950s, and the state of gambling, comps, customer service, and dealer training. The interviewer asks about the treatment of minorities at the Riviera, and in Las Vegas generally, and the effect of corporate ownership on casinos.

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Transcript of interview with Dr. Jack Lund Schofield by Suzanne Becker, January 13, 2009

Date

2009-01-13

Description

In the dusty border town of Douglas, Arizona, Dr. Jack Lund Schofield was born in the family home in 1923. Due to the economic woes of the Great Depression, the Schofield family moved several times until 1937—the year that Jack's father took a position as a tungsten broker and moved his family of five children to Nevada. For Jack, who was ready to start high school, the move from Phoenix to Las Vegas with a small population of 5000 was a shock. However, it did not take the gregarious Jack long to make friends at Las Vegas High School. He played sports and was a Golden Glove boxing champion. As Jack's high school years drew to an end, two major events occurred: he met his future wife and World War II began. He proudly highlights his service as a fighter pilot in both WWII and the Korea conflict, his family genealogy, and his devotion to being an excellent educator, businessman, family man, and politician. In 1995, he earned his doctorate in education at the age of 72. His resume includes being an elected official, serving on the Board of Regents and having a middle school named after him. Jack and his wife, Alene, have resided in the John S. Park Neighborhood for over 50 years and describes his affection for the neighborhood and some of the changes that have occurred.

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