Oral history interview with Christian Giovanni conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on May 17, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Giovanni describes her early life being born and raised in Las Vegas, Nevada. She discusses her mother, Oywan, who first worked for the casinos before turning her focus to community building. Throughout Oywan's life, she did everything from start the first temple in the city to the first Thai newspaper, Las Vegas News. Giovanni mentions having what she considers a normal childhood, especially because of her more Western appearance, and did not embrace her AAPI identity until much later in life after she started helping her mother with different organizations. Currently, Giovanni is involved in many organizations, from the AAPI County Commission to the Thai Culture Foundation.
Tower of Jewels is one of those iconic Las Vegas businesses that continues to thrive. At the time of this interview, Jack Weinstein is in his nineties and “retired.” With him is his daughter Polly Weinstein, who in addition to being involved in the business management has her own custom designed jewelry line, aptly named The Jeweler’s Daughter. As the youngest of six children born to Jewish Russian immigrants Joseph and Pauline (Polly is named for her grandmother), Jack was raised in a dangerous neighborhood of Detroit, Michigan. His youthful enterprise included collaborating and then splitting up with his brothers in a jewelry business, before eventually moving west to Los Angles in the early 1960s. On his own, Jack became a wholesale salesperson representing lines of watches to other businesses. Included in his list of clients was Al Sanford’s Tower of Jewels in Las Vegas. The two became friends and Al suggested setting up a partnership between Al’s son and Jack in 1964. Eventually
In this interview, Unger-Wadkins discusses growing up in Las Vegas? close-knit Jewish community in the 1960s and 1970s, and involvement with various Jewish youth organizations and activities. She also describes her career in public relations, reflecting upon the unique challenges faced when interacting with the public, and with politics, in her positions. Unger-Wadkins ends by describing her current work in land development, particularly the history of the Three Kids Mine and the technical and political process of ensuring the land is suitable as a residential area.
The Keith Boman Papers on the Smith Center for the Performing Arts consist of materials documenting the construction of the Smith Center for the Performing Arts in Las Vegas, Nevada from approximately 2009 to 2010. The collection includes documents from the construction oversight committee, financial budgets, and board of directors meeting agendas.