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Patricia Becker Scrapbooks

Identifier

MS-00645

Abstract

The Patricia Becker Scrapbooks reflect the professional activities of "Patty" Becker from 1976 to 2013. Materials include photographs, awards, correspondence, and newspaper articles documenting Patricia Becker's career. Included are articles related to her appointment as the Executive Director of the UNLV International Gaming Institute in 2005 as well as a Harrah's Senior Executive Organization Chart from 1984 to 1993.

Archival Collection

Joan Olson Griffith oral history interview

Identifier

OH-00742

Abstract

Oral history interview with Joan Olson Griffith conducted by Sharee Schrader on April 12, 2005 for the History of Blue Diamond Village in Nevada Oral History Project. Griffith begins by discussing why she moved to Blue Diamond, Nevada with her family due to job opportunities at the Blue Diamond Plant, where they manufactured wallboard, in 1956. She describes life in Blue Diamond and rural Nevada, the education available in the village, and Blue Diamond's proximity to Bonnie Springs Ranch and structures made for the filming of Western themed media. Griffith concludes by discussing how Blue Diamond has changed since the 1950s and being a Sunday school teacher for eighteen years.

Archival Collection

Q. B. Bush Papers

Identifier

MS-00882

Abstract

The Q. B. Bush Papers are comprised of Q. B. Bush's personal papers dating from 1957 to 2018 and document Bush's work in Westside Las Vegas, Nevada casinos including the Moulin Rouge, Town Tavern, and the El Morocco. The collection also documents Bush's involvement with the Dealers Security Association and the association's effort to provide better working conditions for African American casino employees. Included are both original photographs and copies of photographs that document the African American casinos where Bush worked, as well as the Bush family at various events.

Archival Collection

Dorothy Ray Photograph Collection on Southern Nevada

Identifier

PH-00161

Abstract

The Dorothy Ray Photograph Collection on Southern Nevada, approximately 1900-1946, depicts infrastructure in Caliente, Nevada in the early to mid-twentieth century. The collection also contains images of a flash flood that occurred in 1905 in Carp, Nevada and Stine, Nevada that washed away roads and railroad tracks. This collection provides historical documentation about early to mid-century Caliente, Nevada.

Archival Collection

Fanny's Dress Shop Photographs

Identifier

PH-00165

Abstract

The Fanny’s Dress Shop Photographs (1930-1982) show one of Las Vegas’ premier women’s clothing stores. The collection includes images of Fanny Soss’ shop on Fremont Street, her store in the Flamingo Hotel, and Helldorado parades. Images include shop window displays.

Archival Collection

Delon Potter oral history interview

Identifier

OH-01500

Abstract

Oral history interview with Delon Potter conducted by Eleanor Christoffersen on February 3, 1972 for the Ralph Roske Oral History Project on Early Las Vegas. In this brief interview, Potter, a Mesquite, Nevada native, talks about his birth in 1909 and his move to Las Vegas in 1933. He describes the early town and some of the more notable inhabitants including "Pop" Squires, working at the Winterwood Ranch at the base of Sunrise Mountain, as a sheep herder near Kaolin, Nevada, and later as a construction worker at the Hoover Dam. After the war, Potter explains that he tried running his own ranch in Utah before moving back to Henderson, Nevada, working for U. S. Lime and trading horses throughout Nevada, Utah, and Arizona.

Archival Collection

John W. Crabbe oral history interview

Identifier

OH-00292

Abstract

Oral history interview with John W. Crabbe conducted by Patricia van Betten on January 19, 2004 for the Blue Diamond Oral History Project. In the interview, Crabbe discusses moving to Blue Diamond Village in southern Nevada as a child in the 1950s. Crabbe talks about attending Rancho High School in Las Vegas, Nevada and the long bus commute he took daily to school. Crabbe then recalls his experiences horseback riding in Bonnie Springs, Nevada and his employment at Howard Hughes' airline, Hughes Air West. Lastly, Crabbe discusses the civic activities available growing up in the Blue Diamond Village.

Archival Collection

John West oral history interview

Identifier

OH-01956

Abstract

Oral history interview with John West conducted by Claytee D. White on August 10, 2000 for the Boyer Early Las Vegas Oral History Project. In this interview, West discusses his family background and arriving to Las Vegas, Nevada in 1954. West describes his educational experiences in Las Vegas and his career as a clinical psychologist. He recalls his father’s career in medicine and becoming the first African American licensed medical doctor in Las Vegas. West then talks about attending entertainment events before race integration was introduced, and the voting patterns in West Las Vegas. Lastly, West discusses his father’s decision to remain living in West Las Vegas and operating his medical office there after integration.

Archival Collection

neo000139-004

Description

Sign animation: Chasing, flashing, oscillating
Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly.
Sign keywords: Neon; Backlit