Oral history interview with Marisa Rodriguez conducted by Maribel Estrada Calderón, Monserrath Hernández and Claytee D. White for the Latinx Voices of Southern Nevada Oral History Project. Marisa Rodriguez discusses her childhood and living in North Las Vegas as a teenager; she was born in Chicago, Illinois, moved to Mexico with her family at a young age, and returned to the United States at age 12. She recounts what it was like acclimating to American life, learning English, and studying abroad in Spain before becoming a law student. Marisa attended the William S. Boyd School of Law and is currently a civil litigator in Las Vegas. Subjects discussed include: La Voz Hispanic/Latino Law Students Association at the William S. Boyd School of Law; Huellas mentorship program.
Gus Mancuso (Ronald Bernard Mancuso), a talented impresario, was born in Spangler, Pennsylvania in 1933. Gus grew up in Hastings, Pennsylvania as the youngest of nine children. His father, an immigrant from Italy, Joseph Mancuso, owned multiple businesses and his mother, Josephine Ceranni toiled as a stay at home mother. Despite his father’s businesses, the family struggled financially. By the eighth grade Gus moved to Rochester, New York, where his mother joined him, after his parents separated. As a youngster Gus Mancuso learned to play the trumpet by ear. By age 11 he was encouraged to learn to play the drums so he could help earn money for the family. After two weeks of training, Gus Mancuso was earning $5 dollars as the replacement for his older brother Joe in musical performances in places like Moose Hall and the Elks Club in Pennsylvania. His performances were so legendary that an article was written about Gus entitled the “Eighth Grade Drummer”. He continued to demonstrate tremendous musical versatility even after moving from Hastings to Rochester where he received first chair trombone honors after impressing his high school band teacher. After graduating high school, in 1951, Gus went on the road with the Don Manning Trio. Shortly thereafter, a bass player position opened in his brother’s group the Ray Brand Trio. Despite the fact that Gus did not know how to play bass, when he received the offer to become a member of Joe’s band, he went on to learn yet another instrument and joined the Ray Brand Trio. However, while with his brother’s group, Gus was drafted into the army. He packed his trumpet, and despite initially receiving flack for playing in the latrine, the lieutenant exempted Gus from duty so he could perform in the morning and at night for his fellow troops. Shortly thereafter, Gus served in the army band as a piano player. His instrumental capabilities and proficiency helped pave the way for more opportunities. After the army he moved to Nevada and played trombone with Tony Pastor in Reno. He found his way to Las Vegas in 1955 when he opened at the New Frontier on Halloween night. Gus went on to open at Caesars Palace in Las Vegas, playing bass, with Sarah Vaughn. They went on to tour Europe together. He also played bass for Billy Eckstine and Les Brown as well as worked in the music department at the University of Nevada, Las Vegas. Gus Mancuso met Lauri Perri, a singer and his first wife, while playing for the Mary Kaye Trio in Lake Tahoe. They were married at the Little Church of the West in 1960. However, Gus is now married to Maggie Peterson an actress who worked on the Andy Griffith Show. He lives in Las Vegas and currently works three nights a week playing piano at the Bootlegger owned by his first wife and getting the job from his son Ronald.
The Las Vegas African American Community Conversations is a four-part conversation with local Las Vegans. The first part of the round table is moderated by Trisha Geran with a central theme of "Migration, Work and Community Emergence." The panelists discuss the early history of the African American community in Las Vegas, Nevada. They also discuss how and why their families moved to Las Vegas, most citing the economic opportunities as a major factor. The participants share their personal histories and family histories building up the African American community in downtown Las Vegas and the Westside. The second part of the round table is moderated by Sonya Horsford with a central theme of "Education, Economy, and Integration." The panelists discuss the Clark County School District pre- and post-integration. They discuss the hardships of the Sixth Grade Center Integration Plan on the African American community as well as discussing the differences in the school facilities. The round table participants also discuss the social services and social programs and the history of those programs from the African American perspective. They also discuss civic involvement and the various civic groups started by the panelists, and share discrimination they faced.
The third part of the round table is moderated by Claytee D. White with a central theme of "Civil Rights and Entertainment." The panelists discuss the racism and segregation present in Las Vegas and discuss how African American community leaders worked to integrate African Americans into the Las Vegas community. They discuss the 1969 riots in detail, and discuss African American entertainers and the entertainment industry. They share personal experiences working in the entertainment industry and discuss the importance of the local unions, such as the Culinary Workers Union Local 226, the International Alliance of Theatrical Stage Employees Local 720, and their contributions to the unions. The fourth and final part of the round table is moderated by Rachel Anderson with a central theme of the "Early African American Legal Community." The panelists discuss the foundations of the professional legal community in Las Vegas, noting the contributions of Charles Keller, Dr. William Bailey, and the Reverend Marion Bennett as driving forces for civil rights activism in Las Vegas. They share their experiences growing up in Las Vegas facing discrimination and segregation. Lastly, they share the changes they have seen and how both the legal and African African communities have grown.
If the Union Pacific should divest itself of water production to the Las Vegas Land and Water Company, Wehe describes what the operation of the company should look like. Letter has several date stamps, including one from E. E. Bennett and one from the Union Pacific Railroad Law Department.