The Bob Weinstein Papers on Compulsive Gambling (1945-2024) contain pamphlets, brochures, conference packets, promotional material, correspondence, and ephemera related to Weinstein's involvement in Gamblers Anonymous (G.A.). The collection contains G.A. recovery resources, workshop and training booklets, and meeting minutes and correspondence from Weinstein's time on the G.A. International Board of Trustees. Also contained in the collection are copies of correspondence from Jim W. (founder of Gamblers Anonymous) to Bill W. (a founder of Alcoholics Anonymous) and many books and other publications related to compulsive gambling.
On March 15, 1981, Steven L. Smith interviewed Edward A. Collins (born on March 16th, 1930, in Chicago, Illinois), at the Dunes Hotel and Country Club. Collins relocated to Nevada in 1955. The interview covers gender equality in the field of culinary arts in Las Vegas. Collins describes the changes he saw take place in culinary over the years. He also discusses Bugsy Siegel’s impact and influence on the emergence of big shows in the hotels on the Strip. Among other jobs, Collins worked as a captain in a showroom at the Frontier Hotel. He discusses Las Vegas before and after Howard Hughes and Bob Maheu appeared on the scene.
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: Nevada Southern University, Las Vegas, NV
The Nevada Mining Collection is comprised of records that document mining and mines in Nevada from 1842 to 1966. The majority of the collection includes records of various mines and mining companies located in the Esmeralda, Lincoln, Clark, White Pine, and Nye counties, dating from 1900 to 1928. The collection includes financial, administrative, and business related records; photographs of miners, mining camps, and towns; correspondence; maps; newspaper clippings, pamphlets, newsletters, and booklets.
Oral history interview with Eloiza B. Martinez conducted by Maribel Estrada Calderón on October 10, 2018 for the Latinx Voices of Southern Nevada Oral History Project. Martinez discusses the career preparedness she took while working for Commercial Credit Corporation and studying with Mayor Oscar Goodman. She then describes her first impressions of Las Vegas, Nevada and about her community involvement. Martinez then discusses her work at Wells Fargo as loan officer and assistant vice president, and talks about discrimination in the workplace and in the neighborhood where she grew up.
From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains financial memos and reports of the Clark County Economic Opportunity Board from January 1968 through June 1968.
Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]