On May 2, 1972, James M. Greene interviewed Carl F. Kelley (born May 19th, 1922 in Ohio) about his life in Southern Nevada. The two talk about how Kelley first moved to Nevada and his original addresses. Kelley describes living in Boulder City, Las Vegas, and Henderson. The interview concludes with an in-depth discussion of the Civilian Conservation Corps activities in Boulder City, Nevada.
After serving as a nurse in World War II in Hawaii, Okinawa and Japan, Dorothy returned home to Chippewa Falls, Wisconsin. She experienced a particularly bad winter and she set out for California but stopped in Las Vegas to visit the family of her traveling companion, a girlfriend from her home town. The girlfriend returned to Wisconsin and George applied for a nursing license and got it within three days. She never left. Dorothy met her husband while working the night shift at Clark County Hospital. He would come in regularly to assist his patients in the births of their babies. Their occupations and their service in World War II drew them together in a marriage that has lasted over fifty years. From 1949 to this interview in 2003, Dorothy George has seen Las Vegas grow from a town that she loved to a metropolitan area that is no longer as friendly. She reminisces about the Heldorado parades, family picnics at Mount Charleston, watching the cloud formed by the atomic bomb tests, raising six successful children, leading a Girl Scout Troop, and working in organizations to improve the social and civic life of Las Vegas.
While offering anecdotes on Southwest Gas Company’s early years—including its flirtation with a nuclear bomb and owning a casino; its purchase of a Kingman, Arizona, ranch with an underground salt dome, and its involvement with the formation of Boyd Gaming—this oral history also reveals Bill Jr.’s role in applying his knowledge of natural gas infrastructure to promote extensive education about building codes, infrastructure, and engineered systems. In particular, Bill discusses EduCode, the internationally recognized, week-long building code institute held annually in Las Vegas that originally began more than twenty-five years ago and has since attracted worldwide participation. While Bill does not teach at the institute, he has helped organize the course since its inception and has been a consistent supporter.
On a pleasant spring evening at sundown in April 2017, a Pop-Up Shabbat draws a crowd of Jews to the Jackie Gaughan Parkway at the El Cortez Hotel & Casino. Proudly, and quietly, watching from the sideline is Kenny Epstein, owner of the El Cortez. He seeks no recognition, but is enjoying the gathering for Sabbath services and the music that will fill the air. Kenny Epstein is also a classic enthusiast of Las Vegas history. The nostalgia is evident as one walks through the casino and reinforced by the stories of a man who has experienced the city’s growth since moving here in 1959 at the age of 18. The timeline of Kenny’s teen years begins with his bar mitzvah in Chicago and a story of prizefighter Rocky Marciano giving a brief toast. When he was 15, his parents, Ike and Adele Epstein, took the family to visit Las Vegas. About three years later, his father became an executive at the Stardust. Kenny’s own imprint on Las Vegas history was just beginning. In this brief interview, he mentions an illustrious list of mentors and recalls many historic moments from the history of the Las Vegas Strip. All of which led to his ownership of The El Cortez—advertised as the longest continuously operating hotel/casino.
This interview conducted by Cork Proctor and is part of the Arnold Shaw Collection at UNLV University Libraries Special Collections. It has been added to the Southern Nevada Jewish Heritage Project with Mr. Morris?s permission. In this conversation, Morris reflects upon his career, how he got started as a musician, and the wide range of influential artists he has worked with over the years, as a drummer, musical director and talent manager. Stories include playing with Louis Prima, live and on his albums; serving as Elvis? musical director; filling in for Frank Sinatra?s drummer; entertaining Howard Hughes; and playing at President John F. Kennedy?s inauguration.
Hank Greenspun discusses coming to Las Vegas in the 1940s, his journalistic endeavors, and some of the politics that affected him.
No release form is on file for this interview. The interview is accessible onsite only, and researchers must seek permission from the interviewee or heirs for quotation, reproduction, or publication. Please contact special.collections@unlv.edu for further information.
Ian McLaughlin interviews Robert “Bob” Brown (birthdate unknown) at his home on February 23, 1981 about his experiences living in Las Vegas since 1955. Brown mentions that his background is in the food business, working for various hotels and restaurants in the city. Brown discusses some of the developments of the Las Vegas Strip, including the opening and closing of various casinos, as well as issues relating to the increasing crime rate, rise in air pollution, and growth in population in the city. Brown also mentions some of the entertainers from the Strip such as Wayne Newton and Frank Sinatra, and he describes the various recreational activities available to Las Vegans in and around the city. The interview concludes with Brown’s discussion about how means of transportation have evolved and how the city has grown since he moved to Las Vegas.
On March 1, 1977, Michael Boyd interviewed Rowena Gonzalez (born 1946 in Wichita Falls, Texas) about her life in Nevada. Gonzalez first talks about her family background and residential history before discussing the way of life in Texas and eventually in Las Vegas. Several topics covered in the interview include Gonzalez’s recollections of the atomic testing, the building of the Hoover Dam, and Howard Hughes. The two also discuss tourism, the properties on the Strip and in Downtown Las Vegas, and early means of transportation.
In 2002, Marty Walsh and her husband purchased a home in the John S. Park Neighborhood. Three aspects attracted them to their 1941-built home: the quality construction; the aesthetics and details of the house; and the "old-fashion human element" that she associated with her grandparents. Marty describes their relocation to Las Vegas after living for nine years in Ireland and her joy of discovering the John S. Park community. For her there is a neighborliness that they found in the form of the Neighborhood Watch. She feels the neighborhood still has work to do, but the gentrification has had splendid results as new "urbanites" replace original homeowners. From her artist point of view, she also provides thoughts about the impact the artist community of musicians, painters, and creative artists has had on the neighborhood. Even though she is relatively new to Las Vegas, she is well researched in the historic aspects of John S. Park location: once a fertile plot of land where
Steven Ligouri is an artist who is a born and raised Nevadan whose artistic creations can be enjoyed at such places as the Hoover Dam, where his famous High Scaler sits comfortably [above left photo]. The stories of this statue and others are included within this interview. Steve began mastering his trade as a youngster making jewelry with assistance of his father, Bruno Ligouri who owned a turquoise shop in Boulder City. Since his birth in 1962, Steve has lived in several locations: a family farm in North Las Vegas, John S. Park neighborhood, in Boulder City, and eventually back to John S. Park. Returning to the John S. Park neighborhood after a 22-year absence gives him the chance to reflect on the changes that have occurred. Steve fondly calls the neighborhood "home" and firmly believes it can reach its potential.