From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file. (Transcripts less than 75 years old are restricted.)

Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

Patricia 'Pat' Merl plans for college did not materialized after graduation from a New Jersey high school in the late 1960s. Instead she took a receptionist job. The by the age of 19, it was her interest in dance classes that would lead her to audition to be a professional dancer for the Rockettes of Radio City Music Hall fame. Her days and weeks were filled with rigorous rehearsals and performances, but it was also an exciting time for a young and spirited girl. A side trip to Las Vegas in 1971 during her first ever vacation opened her to a new world of possibilities for a professional dancer. So without a job, she decides to remain in Las Vegas and explore the options. It became the beginning of a wide and varied career in the live entertainment industry. Pat's dancing resume includes working in many of the Las Vegas chorus lines of the 1970s, provides a flavor of what the work was like then and how it changed during the era. She includes the story of Frank Rosenthal and

Diana Saunders was born Diana Salshutz in the Bronx, the northern most borough of New York City. She was raised in a Jewish neighborhood and recalls how her maternal grandparents pickled pickles, tomatoes and other traditional Jewish delicacies for Wolfie?s Deli. By the time she was twelve years old, Diana was bustling through the city to pursue her dream of becoming a professional dancer. Encouraged by her mother Rose?her father Sidney was not as eager for this pursuit?Diana was accepted into High School of Performing Arts in Manhattan. In addition, she was accepted at the School of American Ballet where she studied classical ballet during the leadership of renowned choreographer George Balanchine. Her first professional performance was in the Nutcracker for American Ballet. At the age of seventeen, Diana was on her own, confident in her dancing potential, and eager to study jazz dancing. This led her to Matt Mattox and to her important mentor, Luigi (Eugene Louis Faccuito). In time she was a featured dancer for Steven Lawrence and Eydie Gorm?s show Golden Rainbow. This was soon followed by a position on Sammy Davis Jr.?s television show in the 1960s. Diana also studied musical acting and showed talent for comedic performance. In the 1970s, Diana crossed paths with Las Vegas venues. She relocated to Las Vegas in 1974 when Donn Arden offered her a dancer position in Hallelujah Hollywood at the MGM. She met and married musical theater actor/singer Joe Bellomo, whose career spanned four decades. He passed away of complications of early onset Alzheimer?s in 1996. Always true to her personal mantra?Wake up; Dress up. Show up?Diana maintains a busy schedule. At the time of this of this interview, she is currently a manger of gondoliers at the Venetian. She brings to life that career and also talks about being a part of the former Star Trek Experience at the Las Vegas Hilton. Diana shares stories of long career as a dancer, from substituting in the black dancer line to continued study of dancing with Anglo Moio. She also talks about the AIDS fundraising event Golden Rainbow, having dinner at Rabbi Shea Harlig?s home and observations of local theater.

Folder from the Flora Dungan Papers (MS-00193) -- Series 4. University of Nevada Regents Material.