Oral history interview with Emmanuel Ortega conducted by Monserrath Hernandez, Maribel Estrada Calderon, Elsa Lopez, Barbara Tabach, and Laurents Bañuelos Benitez on 2019 for the Latinx Voices of Southern Nevada Oral History Project. Emmanuel Ortega was born in Artesia, California and was raised in Ciudad Juárez, Mexico before moving to El Paso, Texas with his family at the age of thirteen. In 1998 his family relocated once again from El Paso to Las Vegas, Nevada where his father joined the Carpenters Union. They settled in Green Valley and he began attending a hybrid community college and high school program allowing him to obtain college credits. He continued at the College of Southern Nevada for two more years where he was a photography major and later transferred to the University of Nevada, Las Vegas (UNLV) where he studied art history. He moved back to Las Vegas in 2011 where he began teaching at UNLV and received a PhD in Ibero-American colonial art history from the University of New Mexico in 2017. He is the co-host of the podcast "Latinos Who Lunch" where hosts discuss pop culture, art, and issues of race, sex, and gender in the Latinx community.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Educational work and legacy file. The folder contains a "Teachers' manual for human geography," teaching notes, notes on United States history, assignments, and an exam book with handwritten notes. Many of the documents are handwritten.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Civic engagement file. Las Vegas Westside newspaper clippings, community programs, and correspondence. This folder includes a program for a tribute to Ruby Duncan; Operation Life Community Press newsletter, Year 1, Volume 4, March 1978; Westside Council summary; Westside Federal Credit Union Education Committee records; and Nevada Equal Rights Commission letters and amended statistical report, March 16, 1978.
Folder from the Frontier Hotel and Casino Collection (MS-00297) -- Entertainers file. Copyrighted songs have been redacted. Original physical materials are available for viewing in the UNLV Special Collections and Archives reading room.