The Ruth St. Denis Collection (1916-1986) contains materials relating to the St. Denis School of Dance in Los Angeles, California. Included are scrapbooks containing magazine cutouts from early 20th century performers and celebrities and programs featuring St. Denis or performances honoring her memory.
Interviewed by Rodrigo Vazquez, Monserrath Hernández, and Barbara Tabach. Sylvia Alvarado talks about growing up in North Las Vegas and her Catholic upbringing in a Mexican household. Her studies in Journalism & Media Studies led her to her career as a radio host on English and Spanish-speaking programs. She also talks about speaking "pocha" Spanish and the Latinx influence in radio programming.
The Jamey Stillings Photograph Collection (2009-2024) is primarily comprised of photographs taken by professional photographer, Jamey Stillings, of the Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project, the Ivanpah Solar Electric Generating System project, the Crescent Dunes Solar project, and Tapping the Colorado: Lake Mead and Lake Powell project. The Mike O’Callaghan-Pat Tillman Memorial Bridge and the Hoover Dam project depict the construction of the Mike O’Callaghan-Pat Tillman Memorial Bridge from 2009 to 2012. The Ivanpah Solar Electric Generating System project depict aerial views of Ivanpah Solar in the Mojave Desert of California from 2010 to 2014. The Crescent Dunes Solar project consists of a range of aerial and ground-based work documenting SolarReserve's Crescent Dunes Solar, a 110MW concentrated solar plant with molten salt storage near Tonopah, Nevada, from 2014 to 2015. The Tapping the Colorado project consists of aerial work documenting the historic critical water levels in Lake Mead and Lake Powell in 2021 and 2022.
Ken Hanlon was born in Baltimore, Maryland, in 1941. He attended 2nd grade through high school in Parkville schools. He took up his first instrument, the snare drum, at the age often, and by eighth grade had taken up baritone horn and trombone. His parents were very supportive of his interests. Ken developed a very strong work ethic early on, through the influence and example of his parents. He earned money in high school to pay for things he wanted by assisting on a paper route. He also took private lessons, which he paid for, and played in a dance band. After graduation, he attended Peabody Conservatory on a scholarship. He finished his last two years there with the principal of the Baltimore Symphony. He taught at Peabody Preparatory for seven years as undergraduate and graduate. He continued his Master's degree at Peabody Conservatory while working as a public school instrumental music teacher. He also played in the rock and roll band and worked in a city concert band. In 1968, Ken and his family moved to Las Vegas. He connected with the Si Zentner band and went on the road with him, then played in hotels up and down the Strip. Ken worked in bands that backed many famous headliners and has many anecdotes and memorable stories to share about those days. In 1970, Ken interviewed with Howard Chase, chair of the music department at UNLV. He was hired and his first UNLV job at the age of 29 was chair of the music department. He kept this position for 16 years, with one year off to establish residency for his doctorate. Dr. Hanlon has had a long and varied career, filled with people, places and events vital to the music industry. Today he continues to teach a graduate course, is currently Las Vegas president of the International Trombone Association, and runs the Arnold Shaw Popular Music Research Center.