Oral history interview with Irene Bustamante Adams conducted by Monserrath Hernández and Claytee D. White on May 13, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Irene discusses her personal history, her culture and family traditions, and her previous employment. She also talks about her time in Las Vegas and how she came to be a representative for District 42 in the Nevada Assembly. Subjects discussed include: Migrant Farmworkers; California; Mexican culture; Equal Opportunity Program.
Information about the Pair A Dice Mobile Home Park sign that sits at 2067 N Las Vegas Blvd. Site address: 2067 N Las Vegas Blvd Sign owner: Peyman Masachi and Pair A Dice Estates LLC Sign details: Originally construction was in 1956 for a Manufactured Homes park. This location offers 137 spaces for mobile homes and have 42 permanent parked homes. Sign condition: 3.5- paint has faded drastically Sign form: Pylon Sign-specific description: This pylon has 2 plastic back lit red dice on the top of it with the one on top with the number 5 and the lower one reads 2 to make the lucky number 7. To the non-road side of this double sided sign is a yellow circle plastic back lit sign that has painted black letters stating "Pair A Dice". Below this is an orange triangle shape that has channeled neon white steel letters near the top of it stating "Trailer Park" in a block type font that illuminate white at night. Below these letters are a white plastic back lit sign stating "R.V.'s Welcome" with their phone number posted underneath. Below is another plastic back lit sign that is yellow with a black font stating "Senior Park". Below this is a skeletal neon arrow that points to their driveway that illuminates yellow at night. Sign - type of display: Neon and plastic back lit signs Sign - media: Steel and plastic Sign - non-neon treatments: Plastic Back lit portions Sign animation: Chasing, flashing, oscillating Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly. Sign environment: This location is in North Las Vegas along Las Vegas Blvd. It is north of Jerry's Nugget by about a mile. Sign manufacturer: There is a marking for "BMS" on this sign which is a sign manufacturer in Minneapolis, Minnesota but could not get in contact with anyone to see if this is the correct manufacturer/maintainer or if it had a different meaning. Sign - date of installation: Has been up since at least 2007 but does look a lot older than that Sign - thematic influences: The triangle in this sign does have a mid-century modern theme (50's/60's) to it with curved geometric shapes. Sign - artistic significance: The theme of Pair A- Dice plays perfectly with the theme of Vegas since for many table dice games you need a pair of dice. Though you are also in paradise here in Vegas particularly since the incorporated area of Vegas which we all know as the strip is technically the city of "Paradise". Also the Pair O' Dice was the name of one of the first casino's down on the strip when gambling was re-legalized in the state of Nevada in 1931. Survey - research locations: Assessor's Page, Loop Net- Information on what the property offers http://www.loopnet.com/Listing/18840376/2067-N-Las-Vegas-Boulevard-Las-Vegas-NV/ , _Las Vegas Sun article https://lasvegassun.com/news/2011/mar/01/2-southern-nevada-contractors-file-bankruptcy/_, google maps satellite and roadside view Survey - research notes: With the BMS sticker on this sign, it could be a sign company but the only one found online was in Minnesota. Unless if there was a BMS in Las Vegas but was bought out by a bigger sign company. Survey - other remarks: The Pair A Dice LLC company went bankrupt in 2011 which this Las Vegas Sun article discusses https://lasvegassun.com/news/2011/mar/01/2-southern-nevada-contractors-file-bankruptcy/ Surveyor: Emily Fellmer Survey - date completed: 2017-09-12 Sign keywords: Neon; Plastic; Backlit; Steel; Roadside
Oral history interview with Pablo Macias conducted by Elsa Lopez, Monserrath Hernandez, and Claytee D. White on December 07, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Pablo Macias was rasied in the small town of Carlin outside of Elko, Nevada. His father and mother met in Ogden, Utah where his father was working on railroad in Nevada and Utah. After finishing high school, he got a job at Elko Blacksmith Shop, where he learned to weld. After attending Northern Nevada Community College, he enrolled and graduated from UNR. After graduation, he took a position at Von Tobel Middle School in 1990 teaching Spanish and Physical Education. While working as a Spanish teacher in Rancho High School he enrolled in a Master's program at Nova Southeastern University, completing the program in education administration. He currently serves as the Associate Director of Corporate Work Study Program Operations for Cristo Rey St. Viator College Preparatory High School. Subjects discussed include: Education, Rancho High School, Von Tobel Middle School, Barrick Mining, and Cristo Rey.
This is part 1 of 6 finding aids for the University of Nevada, Las Vegas Creative Services Records and represents 1970 to 1979. Generally, materials are transferred from UNLV Photo Services to UNLV Special Collections and Archives 5 years after they are created. For materials within the last 5 years, email photo@unlv.edu or call 702-895-3036. This finding aid contains the photographic negatives and contact sheets produced by the University of Nevada, Las Vegas from 1970 to 1979 as an official record of the institution's development, activities, and community. Clients include UNLV colleges and departments, the University's administration, the UNLV Foundation, athletic departments, and the Nevada System of Higher Education (NSHE). Images include academic activities, athletic events, faculty and administration, student life, campus life, campus development, architecture, and public relations.
The John Levy Lighting Productions, Inc. Records (approximately 1990-2022) contain correspondence, invoices, contracts, expense reports, newspaper and magazine clippings, photographs, slides, and digital files detailing the development of various projects primarily in Las Vegas, Nevada. The records also contain architectural lighting drawings, electrical schematics and design details, conceptual sketches, and artist renderings of projects in Las Vegas, throughout United States, and various international locations.
The Amy Ayoub Papers (1906-2022) document the life and career of Amy Ayoub, a long-time resident of Las Vegas, Nevada. The collection consists of correspondence, photographs, newspaper clippings, research, and other material that document the numerous facets of Ayoub's life. The collection covers many areas: Ayoub's early childhood; her family, including father Bobby Ayoub and stepfather Raymond Sutton; her financial consulting career and political work; her experience working as a prostitute in Nevada and subsequent documentary about being sex trafficked and working in brothels; time spent as the first female Nevada Athletic Commissioner; and more. Digital files include audio and video files of Mike Tyson's 2002 licensure hearing, and video of Ayoub's testimony before the Nevada State Assembly Judiciary Committee for Assembly Bill 67 in 2013. There are also digitized photographs that Ayoub used for the documentary The Zen Speaker: Breaking the Silence.