In this interview, Unger-Wadkins discusses growing up in Las Vegas? close-knit Jewish community in the 1960s and 1970s, and involvement with various Jewish youth organizations and activities. She also describes her career in public relations, reflecting upon the unique challenges faced when interacting with the public, and with politics, in her positions. Unger-Wadkins ends by describing her current work in land development, particularly the history of the Three Kids Mine and the technical and political process of ensuring the land is suitable as a residential area.
On June 24, 1975, collector Donna Mattson interviewed native Nevadan mechanic, Stephen La Thair Hawley, (born October 15th, 1936, in Ely, Nevada) in his home in Las Vegas, Nevada. This interview offers a historical overview of early Las Vegas including gambling and an in-depth discussion on local economic, environmental, and social changes.
On February 17, 1976, Jeannette Lonpergan interviewed well driller and dairy worker, Mr. Louis Evans (born on August 8th, 1914 in Jones County, Iowa) in his home in Las Vegas, Nevada. Mrs. Lonpergan’s husband, Mr. Dennis Lonpergan, was present during the interview and joined in on the discussion. Mr. Louis Evans’ wife, Mrs. Evans, was also present during the interview. Mr. Evans relocated to Nevada from Iowa in search of employment. Construction on the Hoover Dam had begun at this point; Mr. and Mrs. Evans recall their earliest recollections of Nellis Air Force Base and McCarran Airport. The interview covers the history of Nevada from Mr. Evans’ perspective. Mr. Evans discusses the paving of roads, employment, religious activities, housing developments, early above ground atomic tests, social and environmental changes and mining in Nevada.
This collection is comprised of the personal papers of noted Las Vegas entertainment writer, producer, and critic Bill Willard, which date from 1887 to 1999. It contains material on his father's theater and political involvements as well as Willard's early childhood and high school years. His time in the United States Army is chronicled by the editorials and correspondence he wrote. His papers trace his continued involvement in writing, entertainment, and art which culminated in his direction of the Arnold Shaw Popular Music Research Center. The collection also includes pictures of his artwork, articles he wrote for various newspapers and magazines, scripts, skits, jokes, awards, over 700 audio cassette recorded interviews done for the "Rap with the Artist" series, and personal memorabilia.