The manuscript synopsis for the television series Good Ole Hank is accompanied by a letter from Harry Cohn of Columbia Pictures (Hollywood, Calif.), rejecting the proposal.

It is February 20th, 1995, the world’s eyes are set on El Estadio Azteca, Mexico’s largest sports stadium. Inside the facility, in front of an estimated 130,000 people, Mexican legend, Julio César Chávez, is defending his WBC super-light weight title against the American, Greg Haugen. In front of his countrymen, Chávez is punishing Haugen, who disrespected him years earlier in Las Vegas. During the 5th round, Haugen is barely able to stand on his feet, as the record breaking crowd calls for him to be knocked out. Chávez continues to land a barrage of punches, until finally the third man in the ring that night decides to step in to put an end to it. The stadium erupts with cheers for El León de Culiacán. The history books remembers this fight as the largest outdoor fight in the history of the sport. Casual boxing fans will always remember Chávez and Haugen battling it out in the heart of Mexico, but a third man stood in the ring that night: Joe Cortez. Cortez was born to Puerto Rican parents in Spanish Harlem, New York City. Boxing was always a part of this Hall of Fame referee’s life. Cortez won multiple Golden Glove tournaments as an amateur boxer and had a successful, but short career as a professional boxer. Outside of boxing, Cortez also found success as military man, deli owner, hotel manager, and director of an ophthalmologist outreach program. Eventually, he would find himself back in the boxing ring, this time as a referee. His career as a referee took Cortez to the top of the boxing world. When he retired in 2012, Cortez officiated 176 World Championship Fights. In 2011, Cortez was inducted in the International Boxing Hall of Fame alongside, Mike Tyson, Julio César Chávez, Kostya Tszyu, Ignacio Beristain, and Sylvester Stallone.

On March 8, 1975, Kathy Mandel interviewed housewife Madeline Kadin (born in New York) in her home in Las Vegas, Nevada. Also present for the interview is Madeline’s husband, who is referred to as “Mr. Kadin.” The three discuss differences between early Las Vegas and the present. The Kadins also explain the history of Helldorado and how it has changed over the years.

Count Guido Roberto Deiro, born in Reno, Nevada, in 1938, has had several fascinating careers. The son of vaudeville performer and recording star Count Guido Pietro Deiro, who was the first major piano-accordionist to become popular in the United States, and his teenage wife Yvonne Teresa LeBaron De Forrest, Deiro grew up in and around Las Vegas and Southern California after his parents' 1941 divorce. After attending 13 grammar schools and five high schools, Deiro graduated from Las Vegas High School in 1955. During his youth, thanks to his stepfather Samuel "Baby Shoes" Prezant, Deiro had an early introduction to the Las Vegas gambling scene. Following a brief stint in the U.S. Army, Deiro worked a series of jobs, including parking cars, selling shoes, and driving an ambulance. He transitioned from working as a fitness instructor to being a lifeguard at the El Rancho Vegas hotel, all the while becoming interested in aviation. Deiro entered the gaming industry at the age of 19 and a half, when he began working as a dealer, having been taught by his stepfather. Breaking in at the Nevada Club, Deiro, who became known as "Bobby Blue Eyes," later worked at the New Frontier, Sands, El Cortez, and Holiday casinos. He provides a great deal of detail about the social world of Las Vegas casinos in the 1950s through the 1970s, with insight into many major personalities. While working in gaming, Deiro continued to pursue a career in aviation, acquiring in the early 1960s a commercial pilot license, instrument rating and instructor's certificate. He began working as a flight instructor and charter pilot at Thunderbird Field, now known as North Las Vegas Air Terminal. Deiro flew around the United States promoting Las Vegas and the airfield. After Howard Hughes purchased the airfield in 1967, Deiro stayed, ultimately becoming Director of Aviation Facilities for the Hughes Tool Company. Following his marriage to Joan Marlene Calhoun, Deiro moved to California, where he became Vice President and Director of Administration for Air California and Golden West Airlines, before serving with other companies owned by C. Arnholdt Smith. In 1971, Deiro returned to Las Vegas. Deiro then met artist Michael Heizer, who enlisted Deiro's help in scouting and securing locations for his Earth art installations. This led to Deiro's long involvement with that genre. In addition to these careers, Deiro was also influential in many key developments in Las Vegas, including the construction of the Las Vegas Motor Speedway and, with his wife Joan, several philanthropic endeavors. In this interview, Deiro shares his perspectives on his times and his impact on Las Vegas.

As Las Vegas native Jim Olson looks back on his law career, he keeps returning to the case that gouged a sooty scar on his memory, altered legal practice and technology in Southern Nevada, captured the world's imagination, and changed international building codes-the MGM Grand Hotel and Casino fire of November 21, 1980, that killed 85 people and took eight years to litigate. Olson became involved with the litigation because his firm, Cromer, Barker, and Michaelson, represented the MGM Grand's insurance company, INA, Insurance Company of North America. Juggling thousands of claims, Olson ended up working with the MGM's corporate counsel in Los Angeles, a legal firm in Denver, Lloyd's of London, and a special master; renting additional office space for taking depositions; hiring graveyard-shift transcribers, and purchasing the legal world's latest technological marvel-a fax machine. As a first grader, five-year-old Jim was known to walk home during the school day whenever the St. Joseph nuns scared him. As an attorney whose career path was inspired by Perry Mason and augmented by his argumentative streak, Jim offers insights into litigation about some of Southern Nevada's most iconic buildings, signs, and spaces. In this interview, he recalls his mentors, Al Gunderson, George Cromer, Bill Barker, and Kent Michaelson. He talks of construction defect cases including his first MGM Grand litigation, in which his firm represented the architect, Martin Stern, when faulty siding fell off the building, and the 1994 lawsuits that followed when the top of the newly constructed, 365-foot Las Vegas Hilton sign blew down in a windstorm. He shares tales of legendary fellow attorney Mike Hines and his annual Nevada Bar Association parties on the Mike Hines Ranch, and he speaks to litigation between Hank Greenspun, Howard Hughes, and Hughes Tool Company.

During this interview, Natalie shares stories of operating the bus station, a brief ownership of Commercial Deli (1987-1990), and her long career working collections for the casino industry. Her first position was at the Tropicana Hotel and has worked for MGM Properties, a loyal employee at the Mirage since 1990, starting a few weeks after the casino opened.