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JW Zunino Landscape Architecture Records

Identifier

MS-00891

Abstract

The JW Zunino Landscape Architectural Records contain landscape and architectural drawings depicting work performed in Las Vegas, Nevada between 1986 to 2003. Casino work includes The Mirage Resort Hotel and Casino, the Monte Carlo Hotel and Casino, Tropicana Hotel and Casino, Suncoast Hotel and Casino, Caesars Palace, and Desert Inn Hotel and Casino. The records also include work performed for parks, residential properties, public and civil buildings, and commercial facilities.

Archival Collection

Clark County 208 Water Quality Management Plan Records

Identifier

MS-00985

Abstract

The Clark County 208 Water Quality Management Plan Records contain reports produced by consultants and agencies for the Clark County Board of County Commissioners to create the Clark County, Nevada 208 Water Quality Management Plan (1960-1990). The collection also includes amendments and studies about the implementation of the plan.

Archival Collection

Transcript of interview with Cynthia Cicero, Tina Boag, Betty Brown, and Jan Ravetti by Claytee D. White, March 28, 2014

Date

2014-03-28

Description

Four women, Cynthia Cicero, Betty Brown, Tina Boag, and Jan Ravetti, recall coming to Las Vegas to obtain jobs during the period of mob ownership in the Las Vegas hotels. Each had a different reason for coming. A recession in Buffalo, New York, brought Cynthia and her husband to Las Vegas to obtain employment; Jan Ravetti’s family moved from Pennsylvania due to her father’s illness and possible employment; parents of Tina Boag, who was born in Paris, were entertainers who travelled and performed extensively; and Milton Prell, opening the Aladdin Hotel and Casino, encouraged Californian Betty Brown to work for him. Cynthia Cicero obtained a job with the City of Las Vegas, but the other three worked on the Strip in the casinos. Their experiences in the hotels show the differences between mob and corporate management since they were working there before and after Howard Hughes purchased six of the large Vegas hotels. The four ladies tell about their work on the Strip from Betty’s experience as a genie at the Aladdin to Tina’s position as a twenty-one dealer. They were acquainted with the casino owners and managers, entertainers like Sammy Davis, Jr. and Dean Martin, and show girls. They also knew first-hand the interactions between mobsters and the public. Food, for example, was a giveaway, an enticement for people to come into the hotel to gamble. They also knew stories about high rollers, the robbery of the baccarat tables at Caesars Palace, and the importance of “taking a fall” including the rewards attached. The ladies describe the shops on downtown Fremont Street and the Strip such as Nina Clark’s, Ronzones, Dillards and Chic Hecht’s as well as Penneys and Sears. A young woman shopped at Suzie Cream Cheese, for example, for the right outfit to wear to Pussy Cat A Go-Go, the rock and roll club on the Strip. Las Vegas also had many good gourmet and ethnic restaurants, piano bars, hotel lounges, and pubs with excellent entertainment. The ladies also describe the difference in the treatment of women during the 1960s and 1970s by men in clubs. Women rarely bought drinks nor did they pay for dinners when with gentlemen. Finally, the ladies compare areas where they lived including McNeil Estates, Heritage Square and the Chisholm-built homes in the Jones-Vegas Drive area. Not to be forgotten, however, are the terrible rain storms that flood streets and the Strip. Serious gamblers in the casinos refused to leave the tables while drenching rains washed cars from the hotel parking lots during the 1970s. Neither did they leave the MGM casino when the hotel caught on fire in1980.

Text

Photograph of Mayor Oran K. Gragson (left) with author Earl Wilson, circa 1971

Date

1969 to 1972

Archival Collection

Description

Las Vegas Mayor Oran K. Gragson (left) with author Earl Wilson. Mayor Gragson is holding a copy of Earl's book, The Show Business Nobody Knows. A large cake decorated as a newspaper announcing the publishing of the book sits on the table in front of them. The location where the photograph was taken is unknown. Oran Kenneth Gragson (February 14, 1911 – October 7, 2002) was an American businessman and politician. He was the longest-serving mayor of Las Vegas, Nevada, from 1959 to 1975. Gragson, a member of the Republican Party, was a small business owner who was elected Mayor on a reform platform against police corruption and for equal opportunity for people of all socio-economic and racial categories. Gragson died in a Las Vegas hospice on October 7, 2002, at the age of 91. The Oran K. Gragson Elementary School located at 555 N. Honolulu Street, Las Vegas, NV 89110 was named in his honor. Earl Wilson (May 3, 1907–January 16, 1987), born Harvey Earl Wilson, was an American journalist, gossip columnist and author, perhaps best known for his nationally syndicated newspaper column, It Happened Last Night. Wilson's column originated from the New York Post and ran from 1942 until 1983. His chronicling of the Broadway theatre scene during the "Golden Age" of show business formed the basis for a book published in 1971, The Show Business Nobody Knows. He signed his columns with the tag line, "That's Earl, brother." His nickname was "Midnight Earl". In later years, the name of his column was changed to Last Night With Earl Wilson. In his final years with the Post, he alternated with the paper's entertainment writer and restaurant critic, Martin Burden, in turning out the column. (Burden, who died in 1993, took over the Last Night column full-time upon Wilson's retirement.) Wilson is also the author of two controversial books, Show Business Laid Bare, and an unauthorized biography of Frank Sinatra, Sinatra – An Unauthorized Biography. The former book is notable for revealing the extramarital affairs of President John F. Kennedy.

Image

Bill Willard Papers

Identifier

MS-00435

Abstract

This collection is comprised of the personal papers of noted Las Vegas entertainment writer, producer, and critic Bill Willard, which date from 1887 to 1999. It contains material on his father's theater and political involvements as well as Willard's early childhood and high school years. His time in the United States Army is chronicled by the editorials and correspondence he wrote. His papers trace his continued involvement in writing, entertainment, and art which culminated in his direction of the Arnold Shaw Popular Music Research Center. The collection also includes pictures of his artwork, articles he wrote for various newspapers and magazines, scripts, skits, jokes, awards, over 700 audio cassette recorded interviews done for the "Rap with the Artist" series, and personal memorabilia.

Archival Collection