The Kenneth H. Childers Architectural Drawings (1968, approximately 1981-1995) contain the work of Childers and his Las Vegas, Nevada architectural firm, Kenneth H. Childers Architect. The drawings depict both residential and commercial structures built primarily in Las Vegas.
The Jeff Van Ee Papers consist of the papers of environmentalist John Jeffrey Van Ee from 1974 to 2012 that document a portion of Van Ee’s environmental activity, notably his participation on environmental committees in the Las Vegas, Nevada area for water conservation and wildlife protection. The papers are comprised of correspondence, memoranda, reports, studies, newspaper clippings and meeting agendas and minutes.
The Bob Weinstein Papers on Compulsive Gambling (1945-2024) contain pamphlets, brochures, conference packets, promotional material, correspondence, and ephemera related to Weinstein's involvement in Gamblers Anonymous (G.A.). The collection contains G.A. recovery resources, workshop and training booklets, and meeting minutes and correspondence from Weinstein's time on the G.A. International Board of Trustees. Also contained in the collection are copies of correspondence from Jim W. (founder of Gamblers Anonymous) to Bill W. (a founder of Alcoholics Anonymous) and many books and other publications related to compulsive gambling.
The Richard B. Taylor Photograph Collection (approximately 1957-1991) consists of black-and-white and color photographic prints and negatives. The images depict Taylor alongside Pi Kappa Alpha fraternity brothers playing table games and seated at a bar inside the Arizona Club in Las Vegas, Nevada. Additional images portray Taylor’s home on Trotter Circle in Las Vegas decorated for Halloween.
Photos show Paris signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site name: Paris Las Vegas Hotel & Casino Site address: 3655 S Las Vegas Blvd Sign owner: Park Place Entertainment Sign details: The Paris property lies on the east side of Las Vegas Blvd, between the Aladdin and Bally's. The three properties stretch from Harmon Avenue, all the way to Flamingo Rd. The only real neon signage includes the text seen on top of the replica of the Eiffel Tower, and a three-dimensional balloon shaped pylon sign located at the south end of the property. Sign condition: Structure 5 Surface 5 Lighting 5 Sign form: Pylon; Fascia; Porte-cochère Sign-specific description: Leaving the Aladdin property, headed north you are immediately confronted with the giant hot-air balloon, which acts as the main marquis sign for the Paris Hotel and Casino. The three-dimensional balloon shape sits among trimmed shrubbery and foliage, representational of a classic French garden. The sign is located on an island with a long driveway on its north side running east into the property. It towers high above the viewer, almost appearing as if it is floating. In the spirit of properties like the Aladdin and the Excalibur, the facade of the resort is modeled after a theme, which is the French City of Paris. Complete with fountains, replica street fronts and markets, the main focal point is a life size replica of the Eiffel Tower. Some signage is located high up on the tower, in yellow channel letters. The sign reads "Eiffel Tower Restaurant." The three-dimensional sculpted pylon sign is composed of basically three pieces. At the very bottom, a large post holds up the second section of a large cube. All four sides of the cube are occupied by square, advertising screens. The two facing east/west are back lit color plastic, while the ones facing north/south are LCD screens. The cube is finished in stucco, with sculptural treatments along all of the edges of the cubes. The edges are made to look like giant ropes with knots on all eight corners. The sign is located on the East Side of the strip, yet the only directional orientations are on the cube that the balloon sits on. The spherical structure is an exterior frame with blue vinyl material stretched to form the balloon shape. Steel framework also runs around the circumference in six different places along the structure. On the north and south sides Paris is spelled in red channel letters, filled with incandescent bulbs and bordered in neon. The blue vinyl material is treated with graphic painted images, which are repeated around the circumference of the balloon. The images are of lion heads holding red sashes, above golden eagles. On the middle section an image of a woman's face is surrounded by a golden halo. The yellow structural supports, which are visible on the exterior, also house tubes of neon. The resulting effect is a repeating pattern of neon running up the length of the structure, with horizontal bands around the bottom of the structure, below the channel letters and above them also. A criss-cross pattern adorns the two bands below the text, as well as a scalloped pattern above the text also. The porte cochere is a circular drive with the only lighting being incandescent bulbs running along the raceways, which create the structure of the interior. The structure is finished in a patina bronze, made to look oxidized. Sign - type of display: Neon; Incandescent Sign - media: Steel; Plastic Sign - non-neon treatments: Graphics; Paint Sign animation: Chasing, flashing, oscillating Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly. Sign environment: Located between Bally's and the Aladdin, two heavily frequented and boisterous properties themselves, the Paris fits nicely creating it's own environment that stands alone when entered. If a pedestrian is present among the stunning architecture, it is easy to be pulled into the theme. Even though the Bellagio is west across the street, the expanse of the street keep the Paris far enough away to be mostly independent, that is of course if the Bellagio's water show is not being displayed. The surrounding properties of Bally's, the Aladdin, and The Bellagio make the area of Las Vegas Blvd between Harmon Ave. and Flamingo rd. a fantastic world stylized cities and dazzling imagery, yet an interesting mix of architecture and signage. Sign designer: Architect/consultant: Bergman, Walls & Youngblood Ltd. Contractor: Perini Building Sign - date of installation: 1997 Sign - thematic influences: The Paris Hotel Casino is obviously themed after the actual French city of Paris. The entire facade represents the Parisian atmosphere containing the most famous of Parisian attractions including the Eiffel Tower, the Arch de Triumph, open air cafes, plazas utilizing fountains, and the ornate architecture that spans from gothic to neo classical. The Paris fits into the themed hotel casino industry seamlessly, actually boasting one of the more ornate and unique facades. Other properties that parallel the Paris in style and genre include the Aladdin, the Venetian, and the New York New York. In fact it fits into the category of Hotel/Casino whose theme is what dominates the aesthetic surroundings as well as operation inside and out. Other facilities contain elements of a theme, such as the Stardust, but the interior and exterior are no longer the dominant aspect of the aesthetics. It also fits into the category of resorts themed after actual cities. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Paint; Graphics