The Harrah’s Entertainment Corporate Archives (dating from 1811 to 2004 with the bulk of the materials dating from 1940 to 2000) contain the promotional and corporate files of Harrah’s Entertainment Inc. and its predecessors, as well as Bill Harrah’s personal papers and card game collection. The materials were compiled and developed as a corporate archive by Harrah's Entertainment, Inc.’s Corporate Communications Department. The collection is primarily comprised of casino and employee periodicals, reports, manuals, promotional files, ephemera, and newspaper articles that document Bill Harrah’s casinos in Reno, Nevada and Lake Tahoe as well as Harrah’s Inc., Holiday Inns, Inc., Holiday Corporation, the Promus Companies, and Harrah’s Entertainment, Inc. Also included are photographs that document the construction of Harrah’s properties, business operations, the people who worked and performed at Harrah’s properties, and Bill Harrah’s automobile collection. The collection also contains Bill Harrah’s collection of playing cards and card games. Also included are photographs of the Harrah family.
Oral history interview with Joy Rineer conducted by Claytee D. White on December 07, 2017 for the Remembering 1 October Oral History Project. In this interview, Rineer discusses her upbringing in Las Vegas, Nevada. She describes her career as an architect, designing the Resilience Center for those affected by the 1 October shooting, and the city’s response to the shooting. Later, Rineer describes helping the grief-stricken city through architecture, establishing the Leadership Las Vegas program, and organizing blood drives. Lastly, Rineer discusses the changes in Las Vegas after the tragedy.
The now permanently closed Mermaids Casino sits at 32 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet. Site address: 32 Fremont St Sign owner: Derek and Greg Stevens Sign details: Shutdown in 2016, opened briefly June 28th, 2017 for 8 hours to abide by gambling license law, was torn down shortly after. 2.76 acre lot, originally built in 1949. Sign condition: Signage was removed from building during deconstruction Sign form: Decorated shed Sign-specific description: Covering all the sides of the Mermaids facing Fremont street, gives the feel of New Orleans during Mardi Gras with its bright vibrant colors, drums, maracas, and other items. Skeleton neon was used to accentuate features of the sign like details in the drums, outlining the word "Mermaids", and a good portion of the sign was internally lit as well. Giant TV screen hung in the middle at the corner of the building, giant Sun shaped pinata thing above the TV screen adding more to the theme. Sign - type of display: Neon, LED screen Sign - media: Steel and fiberglass Sign - non-neon treatments: LED screen Sign animation: Animated with an LED TV screen and some neon would flash on and off Sign environment: Downtown on Fremont Street, part of the Experience. Surrounded by other casinos and gift stores. Sign - date of installation: c. 1999 Sign - date of redesign/move: Torn down Summer 2017 Sign - thematic influences: Southern party themed, Mardi Gras. Sign - artistic significance: American South and Mardi Gras. Survey - research locations: Vital Vegas, Assessor's website Surveyor: Danny Jacobs Survey - date completed: 2017-09-09 Sign keywords: Neon; Steel; Fiberglass; Flashing; Video screen; Sculptural
Kay Dwyer was born August 30, 1934 to James and Eileen Crawford. Her father attained a job as an accountant with Basic Magnesium Incorporated in 1942. This meant that the family moved to Henderson, Nevada, which was a brand new community back in the early 1940's. The BMI plant, which manufactured magnesium for bombs and other war materials, is discussed throughout the interview. The interview begins with Kay reading a composition that she wrote entitled, "Our Summer of 1942 and More." In the reading she talks about the early years of her life when she first moved to southern Nevada. Kay gives remarkable details about the towns of Basic and Henderson (Basic became the town of Henderson) were like during this historic period. In 1952, she graduated from Basic High School and then moved to Los Angeles to attend Pepperdine University for two years. She moved back to the Las Vegas area and started a family with Stanly Hardy with whom she had three children. Sadly, at age 31 Stanly passed away from pancreatic cancer. After a break, Kay decided to go back to school and graduated from Nevada Southern University (now UNLV). Upon graduation, she immediately began teaching at Clark High School. In 1968, Kay married George Dwyer after being a widow for five years. Later, she taught at Las Vegas High School where she would go on to spend the next 25 years until 1995. This interview is an excellent resource for quality information pertaining to the early years of Southern Nevada. Kay Dwyer's extraordinary experiences provide us with a special look at the history of Las Vegas.
The manuscript synopsis for the television series Good Ole Hank is accompanied by a letter from Harry Cohn of Columbia Pictures (Hollywood, Calif.), rejecting the proposal.
On March 14, 1981, collector Perry L. Smith interviewed police officer, John L. Houck, (born May 11th, 1944 in Butte, Montana) in his home in Las Vegas, Nevada. This interview offers an overview of the history of Las Vegas and insider details on early Las Vegas police work. The interview concludes with a discussion on Henderson and Boulder City.
Oral history interview with Dr. Deborah Kuhls conducted by Barbara Tabach on December 29, 2017 for the Remembering 1 October Oral History Project. In this interview, doctor Deborah A. Kuhls describes the preparation and procedures implemented at the University Medical Center of Southern Nevada (UMC) during the night of the October 1, 2017 mass shooting in Las Vegas, Nevada. She describes her experiences from that night and into the next morning, starting from when the trauma center first learned about the shooting to when patients began arriving. She goes into detail on the hospital's Military-Civilian Trauma System Partnership, which allowed for the installation of a second trauma area to treat the large volume of patients. In addition to the events at the hospital, Kuhls talks about the flurry of activities during the week of the shooting, including interviews with various media, the statewide meeting for surgeons, fellows, and residents where "stop the bleed" training was provided, and general meetings with various government officials, including Donald Trump. Deborah Kuhls also discusses the emotional impact of the shooting and its aftermath as well as her goals for the future of trauma in the medical field.