For the first 19 years of her life, Mary Martell Shaw called Central America home. Then thanks to misrouted luggage, she met the love of her life Rollin H. Shaw, a civil engineer, at a time in when his atomic energy career was taking off. In October 1943, they married in Costa Rica and for the next two decades traversed the country: Hawaii to California to Panama—wherever a project required Ronnie's engineering skills. Mary supported her husband every step of the way, with every new location. As a traditional homemaker of the era, she became adept at raising their four kids while packing boxes, enrolling them in school and setting up a warm home wherever they landed. The move to Las Vegas in September 1964, however, left her a bit challenged: there was a shortage of adequate housing, a concern for where to send her two daughters and two sons to school, and the feeling that they wouldn't be here long. Years later, Mary and Ronnie would retire to the city where their roots ran deepest, Las Vegas. With great wit, Mary recalls the long absences demanded by Ronnie's work with the Atomic Energy Commission. She also tells stories of the great fun they and their fellow Nevada Test Site employees had at parties, of her learning to paint with watercolors, and the pride she has of all her children's successes based on their education in Las Vegas.

Lee Cagely, an interior designer and professor who designed some of the most iconic hotels in Las Vegas, Nevada, was born in the Panama Canal Zone on January 31, 1951. His father Leo was a civil engineer for the Panama Canal Company and his mother Charlotte worked as a receptionist. After his father left his job in Panama, Lee spent his childhood in Dallas, Texas; Tulsa, Oklahoma; and Des Moines, Iowa. He started to attend Rice University for architecture, but he chose to leave before completing his degree. He returned to college a few years later and graduated from Iowa State University with a degree in interior design in 1975. While his first California jobs were in restaurant design, he quickly moved on to airports and hotels and moved to Las Vegas in 1990 after associating with Marnell Architecture. Cagley is known for his designs in the Rio All-Suite Hotel and Casino, Ceasars Palace Atlantic City, the Mirage, and the Bellagio Resort & Casino. He is currently Chair of the Iowa State University College of Design and is principal designer for Lee Cagely Design. Here, Cagley explains the importance of keeping the various pieces of the infrastructure of a resort—including landscape architecture, architecture, interior design, all kinds of HVAC [heating, ventilation and air conditioning] concerns, housekeeping, food service, maintenance, etc.-invisible in order to maximize the visitor experience. At the same time he illustrates through several examples how resort design does not happen in a vacuum-it is instead part of a complex team that works together to create the whole. He also describes the challenges the Las Vegas resort industry finds in creating the very best visitor experience for a broad range of groups-from Millennials to their Boomer grandparents and all the generations in between.

With the explosive growth of the Las Vegas Valley over the past 30 years, it is rare to find someone who has deep battle born roots that go back to the early mining days of Nevada. Nancy Cummings-Schmidt is an example of that rare kind of gem. As a fourth generation Nevadan, her family came to the state in the 1800s form Ireland and England. Looking to capitalize off of the mining boom in Virginia City, they transitioned to ranching. She spent her first years in Reno and when her father went off to fight in the Second World War, her mother moved to Herlong, California and sent her to live with her grandparents. Upon moving to Vegas for fourth grade, her mother remarried and worked for the Las Vegas Sun while Nancy attended the Fifth Street Grammar School and later became a member Las Vegas High School’s first graduating class in 1956. After graduating from high school, Nancy invested in the spirit of wanderlust as it carried her to study theatre at Texas Christian University (which sh

always thought I'd be more urban. I would live in a downtown city. I wouldn't have a car. I would walk around. I would work on these big skyscrapers.” At one point in his life, architect Craig Galati dreamt of designing large buildings in some of the nation’s biggest cities. Instead, he was drawn back to his childhood home of Las Vegas, where he created projects meant to preserve the city’s integrity, such as the Grant Sawyer State Office Building and the first building at the College of Southern Nevada Charleston Campus. He speaks to his work in preservation at the Las Vegas Springs Preserve and in welcoming visitors to Mount Charleston with his Spring Mountains Visitor Gateway design. In this interview, Galati talks about his parents’ decision to move from Ohio to Nevada and what it was like growing up in Las Vegas. He recalls his first teenage jobs in the Las Vegas of his youth and his studies in architecture at the University of Idaho. He recounts the dilemma of struggling to find architecture work he enjoyed and how that vision drew him back to Vegas. He describes various projects in his portfolio from his early years to the present. He speaks highly of his partnership with Ray Lucchesi and the basis for their vision: “We wanted to be a place that everybody liked to work for. Buildings were just tools to do something grander. They weren't an object. We had a philosophy that was not object based, it was people based.”

Louis La Porta served on the City Council of Henderson, Nevada and the Board of Clark County, Nevada and oversaw periods of great growth. He was born in 1924 in New York City, but his service in the United States Air Force pulled him out West. After settling in Henderson, Nevada, with his wife Elayne, La Porta became interested in insurance sales and local politics. While in office, La Porta oversaw the development of critical roads for Clark County, the Henderson Historical Society, and Henderson Libraries. He recounts each of these major developments in his interview, chronicling the evolution of Henderson, Nevada, into a major city.

Brothers Steve and Bart Jones live and breathe Las Vegas history. Their grandparents, Burley and Arlie Jones, arrived in Las Vegas in the nineteen-teens; their father, Herb Jones; his sister, Florence Lee Jones Cahlan, and their uncle, Cliff Jones, helped form the legal, journalistic, and water policy framework that sustains Southern Nevada today. The Jones brothers build on that foundation through their custom home-building company, Merlin Construction. In this interview, they talk about living and growing up in Las Vegas, of attending John S. Park Elementary School, of hunting in the desert, of their family's commitment to cultural and racial diversity, and of accompanying their grandfather to his business at the Ranch Market in the Westside. They share their early work experiences lifeguarding and later, dealing, at local casinos as well as second-hand memories of the Kefauver trials through the tales told by their father and uncle. Steve describes mentor Audie Coker; he explains

On February 27, 1979, collector Greg Abbott interviewed Hildred Meidell (b. March 17, 1900 in Webb City, Missouri) about her time living in Las Vegas, Nevada. Meidell covers a range of topics, from her and her husband’s time as tourists in the city and their subsequent retirement to Las Vegas from Los Angeles, California. Meidell describes the Las Vegas Strip, the interstate and highway conditions between Los Angeles and Las Vegas, as well as their numerous visits to Hoover Dam (Boulder Dam). Moreover, she speaks about the changing layout of the city, the increase in shopping centers and department stores, and the clothing stores inside of hotels. Lastly, Meidell talks about the prominence of churches in local communities, the atomic testing program and the structural damages these tests caused in her neighborhood, and the influence of the railroad and passenger train on the town.