The Stand OUT for Equality Records (2008-2011) contain correspondence, lobbying materials, press kits, promotional materials, expense reports, meeting agendas and minutes, certificates, and notes pertaining to the 2009 and 2011 lobbying efforts by Stand OUT for Equality for gay and straight domestic partnership benefits and transgender rights held in Carson City, Nevada. The collection also contains photographic prints of the 2009 and 2011 Equality Days in Carson City, copies of legislation related to domestic partnerships in Nevada, event invitations, newspaper clippings, and optical discs with digital copies of fliers, posters, logos, manuals, training videos, and photographs, as well as templates and budgeting information.
The League of Women Voters of Las Vegas Valley, Nevada (LWVLVV) Records (1957-2021) contain meeting minutes, financial reports, correspondence, audiovisual material, photographs, and newsletters. Also included are materials on political issues, school integration, and environmental pollution issues in Southern Nevada.
The Las Vegas Hostel sign sits at 1322 East Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Sheet. Site address: 1322 E Fremont St Sign owner: Downtown Lodging LLC Sign details: This building was originally constructed in 1973 for commercial living accommodations and motel purposes. Previous to the Las Vegas Hostel opening in late 2014/early 2015 it was USA hostel whom used the sign box that the Las Vegas Hostel currently uses today. They have 38 rooms of different variety and 158 beds as a cheaper option that the hotels. They also offer packages to do tours of surrounding places such and the Grand Canyon and the Hoover Dam. They also claim to be the only Hostel in Las Vegas with a pool. Sign condition: 4.5- The sign box was recently repainted and the plastic portion of this sign is relatively new and both still are in good condition Sign form: Pylon Sign-specific description: This sign has a reddish/pink steel beam base. There are two sign boxes the top one is a rectangle shape and the bottom one is a oval-rectangular shape. Currently the top rectangle box does not have any signage in it but if it did it would be a plastic or steel sign that would be down lit by an LED spotlight. The bottom one has a plastic back lit sign with the hostel's logo. Their logo entails "Las Vegas Hostels" in modern bright colored block fonts. The "Las" letters are a bright orange, the "Vegas" letters are a magenta pink, and "Hostels" in a bright light blue. Sign - type of display: Plastic Back lit sign Sign - media: Steel and Plastic Sign - non-neon treatments: LED and Plastic back lit signage Sign environment: On the Intersection of East Fremont St and 14th street. A few blocks from the Fremont East District but is in a neighborhood with many different motels though many of them are currently closed Sign - date of installation: The sign boxes have been up like this since at least 2007 but with different logos within the sign boxes Sign - date of redesign/move: Late 2014/ early 2015 they repainted the beam and boxes of the sign and inserted the Las Vegas Hostel logo. Sign - thematic influences: Since this sign was re-purposed and redesigned it shows how Vegas is constantly changing but can reuse old signs from previous properties. Sign - artistic significance: The bright colors in the sign show that they are going for a modern vibe which works since they opened in the past few years and have events such as pool parties that appeal to the youth that comes through Vegas. Survey - research locations: Las Vegas Hostel Website http://lasvegashostel.net/en_US/rooms/, Assessor's page, google maps satellite and roadside view Surveyor: Emily Fellmer Survey - date completed: 2017-09-09 Sign keywords: Plastic; Backlit; Steel; Pole sign
Tony was born the only son of the only son in Beloit, Wisconsin. Following his parents divorce when he was 12, he and his father went to live with his grandparents who, he admits, spoiled him. While neither of his parents played a musical instrument, Tony’s grandmother was a professional organist. In addition, Tony had an uncle who was a professional saxophone player and who was an inspiration to him. Tony’s dad was very supportive of his decision to learn trumpet and rented Tony an instrument, took him to his lessens, and sat with him while he practiced. Tony was firm in his convictions by the 9th grade that he was going to be a musician. Following high school, Tony was awarded a full scholarship to the Berklee School of Music in Boston which was a very prestigious music school. Tony repeatedly left school to go on the road which the school fully expected of their students. The last time he left the school he never went back. Tony states he got his degree on the road with experience from playing in bands like Stan Kenton, Tommy Dorsey, and with his idol Harry James. Tony took his career abroad when he took up residence in Cologne, Germany to play with a band there. Tony came to Las Vegas to play in a band with Buddy Rich which turned out to be of a shorter duration than he expected. Tony then played in Las Vegas and Reno for a time before going back on the road after realizing he preferred playing jazz on the road as opposed to playing in show bands. After eight years on the road, Tony returned to Las Vegas, got married, and settled down. Aptitude tests proved accurate when they showed Tony had a talent for things mechanical and metal as Tony went on to manufacture trumpets in addition to playing them. One can feel the love Tony has for his trumpets as he describes the process of creating them. After playing trumpet for almost 30 years, Tony decided it was time to concentrate on his photography for a while. Tony does not consider himself retired, but rather he likes to play, take pictures, and, of course, he practices the trumpet every day.
Daytime views of the Maxim Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 160 E Flamingo Rd Sign owner: Premier Interval Resorts Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere Sign condition: Structure 2 Surface 2 Sign form: Pylon; Fascia; Porte-cochère Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres. Sign - type of display: Neon; Incandescent Sign - media: Steel; Plastic Sign - non-neon treatments: Graphics; Paint Sign animation: chasing, flashing Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex. Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao Sign - date of installation: 1977 Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint
Oral history interview with Marie Antoinette Antonio conducted by Cecilia Winchell and Stefani Evans on December 4, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Marie reflects on her upbringing in Cagayan de Oro, Philippines and her love of music that came from her mother. Marie talks about studying music in college and traveling with her husband to Guam to become a music teacher at a Catholic school before immigrating to San Jose, California. She shares the culture shock they faced adapting to life in the United States and the higher cost of living in California, which caused the couple to move to Las Vegas. Marie discusses her life in Las Vegas, traditions and cultural celebrations she partakes in, and the American Dream.
Oral history interview with Junior Fonotisatele conducted by Cecilia Winchell and Stefani Evans on November 10, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Junior discusses his Samoan background and the importance of strong family values. He talks about his early years in Utah and California before moving to Las Vegas where he attended and graduated from the University of Nevada, Las Vegas. Junior shares his employment history as a bodyguard for Floyd Mayweather, an entrepreneur of a clothing brand, and an investor into a range of ventures including security, solar energy, and mental health. He concludes with a discussion of Samoan cultural celebrations, his religion, and the significance of his tattoos.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains a book with cooking recipes (not digitized in its entirety), a memo, and other documents containing recipes.
Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folders contains correspondence from friends, family members, and various organizations. It also includes an agenda for "National Sorority of Phi Delta Kappa" from Sunday October 28, 1973.