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Transcript of interview with Tony Scodwell by Lisa Gioia-Acres, September 29, 2008

Date

2008-09-29

Description

Tony was born the only son of the only son in Beloit, Wisconsin. Following his parents divorce when he was 12, he and his father went to live with his grandparents who, he admits, spoiled him. While neither of his parents played a musical instrument, Tony’s grandmother was a professional organist. In addition, Tony had an uncle who was a professional saxophone player and who was an inspiration to him. Tony’s dad was very supportive of his decision to learn trumpet and rented Tony an instrument, took him to his lessens, and sat with him while he practiced. Tony was firm in his convictions by the 9th grade that he was going to be a musician. Following high school, Tony was awarded a full scholarship to the Berklee School of Music in Boston which was a very prestigious music school. Tony repeatedly left school to go on the road which the school fully expected of their students. The last time he left the school he never went back. Tony states he got his degree on the road with experience from playing in bands like Stan Kenton, Tommy Dorsey, and with his idol Harry James. Tony took his career abroad when he took up residence in Cologne, Germany to play with a band there. Tony came to Las Vegas to play in a band with Buddy Rich which turned out to be of a shorter duration than he expected. Tony then played in Las Vegas and Reno for a time before going back on the road after realizing he preferred playing jazz on the road as opposed to playing in show bands. After eight years on the road, Tony returned to Las Vegas, got married, and settled down. Aptitude tests proved accurate when they showed Tony had a talent for things mechanical and metal as Tony went on to manufacture trumpets in addition to playing them. One can feel the love Tony has for his trumpets as he describes the process of creating them. After playing trumpet for almost 30 years, Tony decided it was time to concentrate on his photography for a while. Tony does not consider himself retired, but rather he likes to play, take pictures, and, of course, he practices the trumpet every day.

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Transcript of interview with Jim Hodge by Claytee White, April 13, 2009

Date

2009-04-13

Archival Collection

Description

Jim Hodge describes an active and success filled life in this narrative. Born and raised in the South, Jim enlisted in the Navy at the young age of 17, just as World War II was winding down. His primary job was that of a cook. He became smitten with the life of an entertainer after participating in a play and headed for Hollywood in 1952. It was there that he auditioned for Donn Arden, who organized and directed Las Vegas shows. Though he didn't get the part, he did get hired to be a singer for a show featuring Betty Grable. Thus his career was launched and would span the heyday of Las Vegas entertainment from the 1950s to the 1970s. Jim talks about the people, shows and places that touched his life. He also offers thoughts about the changes in the Vegas entertainment scene as well as shares his relationship with his church over the past 40 years.

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Transcript of interview with Gilbert Shaw by Barbara Tabach, May 3, 2016

Date

2016-05-03

Description

In this interview, Gil Shaw recalls milestones at Congregation Ner Tamid?first bat mitzvah?and anecdotes about leaders, first rabbis, donation by Moe Dalitz, services being held in Protestant churches, and even a controversy over colors for the new temple building of Ner Tamid.

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Interview with George Robert Maynard, Sr., January 26, 2004

Date

2004-01-26

Description

Narrator affiliation: Atomic Veteran, Armed Forces Special Weapons Project

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Interview with Theresa Dorothy (Healy) Maynard, January 26, 2004

Date

2004-01-26

Description

Narrator affiliation: Federal Services Inc. Security Badge Office

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C. A. Earle Rinker Photograph Collection of Goldfield, Nevada

Identifier

PH-00350

Abstract

The C. A. Earle Rinker Photograph Collection of Goldfield, Nevada (approximately 1900-1915) contains individual black-and-white photographic prints, photographic albums, black-and-white and tinted postcards, and photographic negatives that document the history of early twentieth century Goldfield, Nevada. The images include photographic prints of Goldfield and surrounding areas during its peak years of 1906-1910; postcards showing scenes of Goldfield, Tonopah, and other areas in central Nevada; and negatives that contain images of Rinker's family and homelife in Indiana and Illinois.

Archival Collection

Transcript of interview with Nancy Houssels by Claytee D. White, March 19, 2014

Date

2014-03-19

Description

Nancy Claire Houssels, co-founder of Nevada Ballet Theater and board member of The Smith Center for the Performing Arts, the UNLV Foundation, International Women’s Forum, and the Women’s Leadership Council United Way, first arrived in Las Vegas in 1966 as a 31-year-old to dance in Frederic Apcar’s Casino de Paris show at the Dunes. After nearly two years in Las Vegas, she left and vowed to never return. However, Maynard Sloate, producer of the new Folies Bergère at the Tropicana came to New York to entice Nancy and her dance partner to return to Las Vegas in 1968 to open the show. Her relationship with Las Vegas took an unexpected turn after she had dinner with the man who signed her paycheck, hotel owner, J. Kell Houssels Jr., and his divorce lawyer. J. K. Houssels fired Nancy and they married in her home town of Piedmont, California, in 1970. Since that time the Houssels have lived in Ward 1’s Rancho Circle. Houssels shares the history of Rancho Circle, which began in the 1940s as a racially restricted area. Rancho Circle has its own security and homeowners draw water from the Rancho Circle Water Cooperative, but there are no CC&Rs because homeowners have not agreed on them. Formerly a volunteer at Childhaven Nancy co-founded the Nevada Dance Theater (now Nevada Ballet Theater) with Vassili Sulich in 1972. The group performed at the Judy Bayley Theatre and Artemus Ham Hall at UNLV but extensive community outreach and grants from Summa Corporation and the Don Reynolds Foundation earned the group a permanent home facility in Summerlin. See “Downtown Las Vegas Living: Tour Nancy and Kell Houssels estate!”

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Transcript of interview with Charlie Lombardo by David G. Schwartz, June 28, 2016

Date

2016-06-28

Description

Charlie Lombardo, originally from Buffalo, New York, came to Las Vegas after joining the Air Force where he worked as a machinist. Lombardo’s start in the gaming industry involved installing and operating coin wrapping machines for a local company that served various casinos. He then worked for Glory, a Japanese coin wrapping company, in several positions. Lombardo later became a slot technician at the MGM and stayed there after it was sold to Bally’s in 1986 where he later became assistant slot manager, slot manager, director, vice president, and senior vice president at that property. The interview with Lombardo starts with a brief description of his background and experience working with coin wrapping machines. He also talks about his experience in witnessing and surviving the MGM fire of 1980 and his subsequent work in reopening the property, a process that allowed him to learn the operational and technical aspects of slot machines. Lombardo later speaks about what he believes makes both good and bad slot managers. He also describes his experiences in laying out slot floors as well as his philosophy on what he believes makes a good slot floor. Lombardo then describes his experience working with vendors and how he developed successful relationships with them in bringing in new slot machines. He also describes some of the changes in slots and slot management over the years, including the early history and background of both the Megabucks and Pot of Gold slot jackpots. Lombardo concludes the interview by answering the question of whether he gambles, and he provides advice to those who are interested in going into slot management as a career.

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Transcript of interview with Jonathan Sparer by Stefani Evans and Claytee White, August 29, 2016

Date

2016-08-29

Description

Jonathan “Jon” Sparer of Las Vegas, Nevada, is a retired architect who is active in the local Jewish and LGBTQ communities. He grew up on Long Island, New York, in the hamlet of Woodmere, where his father was an importer. After graduating in Architecture from Ohio State University in 1977 Jon moved to Los Angeles, California, where he worked first with architect Jack Chernoff, then with architect Bob Barnett until 1981, when he accompanied his future wife and college classmate who worked for Martin Stern to Las Vegas. Stern sent her to open a field office to supervise the reconstruction of the MGM Grand after it burned in November 1980. Once in Las Vegas, Jon began working for architect Homer Rissman on Steve Wynn’s future project, The Mirage. Although Jon switched firms, he continued working on The Mirage and other Wynn projects with Marnell Corrao, where he would stay until 2001. Ironically, Jon’s original supervisor at Marnell Corrao was his future husband, architect John R. Klai II; Klai’s subordinate in turn was Jon’s Spring Valley neighbor. After Jon left Marnell in 2001, he became a founding principal architect at YWS Design & Architecture. Although he has retired from full-time architecture, Jon has since designed the Temple for Congregation Ner Tamid (pictured above) and The Center (Las Vegas's gay, lesbian, bisexual, transgender, queer community center). Jon remains active in the AIA Las Vegas Chapter as the incoming president as well as serving as a board member for Jewish Family Services Agency and The Center.

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