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Bob Parker Photograph Collection

Identifier

PH-00271

Abstract

The Bob Parker Photograph Collection consists of twenty-seven black-and-white photographic prints showcasing the construction of the Hoover Dam (Boulder Dam) from approximately 1930 to 1942.

Archival Collection

Inspire Theater Neon Survey document, August 18, 2017

Date

2017-08-18

Description

Information about the Inspire Theater sign that sits at 107 S Las Vegas Blvd.
Site address: 107 S Las Vegas Blvd
Sign owner: Fremont LV Blvd LLC
Sign details: The original construction year of the building dates back to 1952. Though in 2013 the building was redesigned to open as the Inspire theater in 2014. The Inspire Theater offers a variety of venues including a 150 seated theater, a rooftop patio and multiple cocktail bars.
Sign condition: 5 - new sign with good quality day and night
Sign form: Blade and semi-decorated shed
Sign-specific description: The sign itself is all connected though it wraps around the whole building, it starts with a long rectangular blade with their logo then goes in a rectangle around the building and ends with their logo on a shorter blade with their logo. The longer white rectangular blade portion begins on the corner of the building above their rooftop lounge (which meets together back to back with a smaller rectangular blade). If you are going north on Las Vegas Blvd you will see the big blade which reads "INSPIRE" in channeled silver thin print font letters. The adjacent blade is a bit shorter, so you can see a portion of the big blade over the smaller one if you are looking at the building from the East Fremont District, with this overlay it looks like there is a letter "I" and a dash(-) underneath it. On the actual portion of the shorter blade there are the "INSPIRE" thin channeled font letters, which are identical in design to the other side of the sign but just a smaller font. The outside edges of these back-back signs are horizontally lined with neon tubing. These blades then continue around the building into two horizontally neon lined strips that make the building have a decorated shed feature to it. This then makes a rectangular feature around the whole building. In between the top of the rectangle and the bottom, there is a balcony where guests can hang out. Though on both the left and the right sides of the blade there are plasma screens that show advertisements for their property. Also on the west side of the building there are thin horizontal strips of LED/plasma lights that sparkle in an iridescent fashion.
Sign - type of display: Neon
Sign - media: Steel
Sign - non-neon treatments: T.V. screens, LED
Sign animation: Flasher and iridescent light flow
Sign environment: On the corner of South Las Vegas Blvd. and Fremont St. East, the first property on the south side of the Fremont St East District.
Sign - date of installation: 2014
Sign - thematic influences: The sign is incorporated into the architecture, as well as the sign wraps around the entire building which is remnant of the decorated shed look. The sign is related to the theater theme since the blade style sign was very prominent for the 1950's and 60's movie theater signs, such as the El Portal movie theater sign.
Sign - artistic significance: Their sign is very remnant of a 1950's Movie theater sign with the blade and wrap around of Neon, since they are a modern day theater it seems as if it's a retro throwback.
Survey - research locations: Inspire website, assessor's website
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-18
Sign keywords: Blade; Neon; Steel; LED; Flashing; Video screen

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Mayra Salinas-Menjivar oral history interview: transcript

Date

2019-09-20

Description

Oral history interview with Mayra Salinas-Menjivar conducted by Nathalie Martinez, Elsa Lopez, and Barbara Tabach on September 20, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Mayra Salinas-Menjivar is a lawyer in Southern Nevada and a graduate of William S. Boyd School of Law. She grew up in Las Vegas but describes her early years living with her maternal grandparents in El Salvador. She describes some of the aftermath she experienced regarding the Civil War in El Salvador, and recounts some testimony told to her by her mother about that particular time period. She details the differences in immigrating in the 1990s and speaks about being an undocumented student. While pursuing a business degree at UNLV she found herself working at a law firm which is where she first decided to pursue law as a career after graduation. She talks about her experiences during law school and her time helping with the law school's immigration clinic. Subjects discussed include: Salvadorian Civil War, Immigration Law, Education, DACA, William S. Boyd Law School.

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Dr. Alvaro Vergara-Mery oral history interview: transcript

Date

2020-10-28

Description

Oral history interview with Dr. Alvaro Vergara-Mery conducted by Barbara Tabach on October 28, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Alvaro discusses his personal history and his upbringing in both Chile and the United Kingdom before immigrating to the United States; due to political unrest in Chile, he moved to the U.K. where his mother was born before attending university in the United States. Alvaro talks about his work as a medical interpreter for University Medical Center (UMC) as well as his college teaching experience at University of Nevada Las Vegas and California State Berkley.

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Rabbi Sanford Akselrad oral history interview: transcript

Date

2018-03-07

Description

Oral history interview with Rabbi Sanford Akselrad conducted by Barbara Tabach on March 7, 2018 for the Remembering 1 October Oral History Project. In this interview, Rabbi Sanford Akselrad discusses the response of the Jewish community of Congregation Ner Tamid to the October 2017 mass shooting in Las Vegas, Nevada. He discusses the healing service he led the day after the shooting, how the community paid respect to the victims, and the concert held to raise money. In addition to the actions of the Jewish community, Rabbi Akselrad discusses the congregation's work with the interfaith community to heal from this tragedy.

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