In this interview, Gil Shaw recalls milestones at Congregation Ner Tamid?first bat mitzvah?and anecdotes about leaders, first rabbis, donation by Moe Dalitz, services being held in Protestant churches, and even a controversy over colors for the new temple building of Ner Tamid.
Nancy Claire Houssels, co-founder of Nevada Ballet Theater and board member of The Smith Center for the Performing Arts, the UNLV Foundation, International Women’s Forum, and the Women’s Leadership Council United Way, first arrived in Las Vegas in 1966 as a 31-year-old to dance in Frederic Apcar’s Casino de Paris show at the Dunes. After nearly two years in Las Vegas, she left and vowed to never return. However, Maynard Sloate, producer of the new Folies Bergère at the Tropicana came to New York to entice Nancy and her dance partner to return to Las Vegas in 1968 to open the show. Her relationship with Las Vegas took an unexpected turn after she had dinner with the man who signed her paycheck, hotel owner, J. Kell Houssels Jr., and his divorce lawyer. J. K. Houssels fired Nancy and they married in her home town of Piedmont, California, in 1970. Since that time the Houssels have lived in Ward 1’s Rancho Circle. Houssels shares the history of Rancho Circle, which began in the 1940s as a racially restricted area. Rancho Circle has its own security and homeowners draw water from the Rancho Circle Water Cooperative, but there are no CC&Rs because homeowners have not agreed on them. Formerly a volunteer at Childhaven Nancy co-founded the Nevada Dance Theater (now Nevada Ballet Theater) with Vassili Sulich in 1972. The group performed at the Judy Bayley Theatre and Artemus Ham Hall at UNLV but extensive community outreach and grants from Summa Corporation and the Don Reynolds Foundation earned the group a permanent home facility in Summerlin. See “Downtown Las Vegas Living: Tour Nancy and Kell Houssels estate!”
Charlie Lombardo, originally from Buffalo, New York, came to Las Vegas after joining the Air Force where he worked as a machinist. Lombardo’s start in the gaming industry involved installing and operating coin wrapping machines for a local company that served various casinos. He then worked for Glory, a Japanese coin wrapping company, in several positions. Lombardo later became a slot technician at the MGM and stayed there after it was sold to Bally’s in 1986 where he later became assistant slot manager, slot manager, director, vice president, and senior vice president at that property. The interview with Lombardo starts with a brief description of his background and experience working with coin wrapping machines. He also talks about his experience in witnessing and surviving the MGM fire of 1980 and his subsequent work in reopening the property, a process that allowed him to learn the operational and technical aspects of slot machines. Lombardo later speaks about what he believes makes both good and bad slot managers. He also describes his experiences in laying out slot floors as well as his philosophy on what he believes makes a good slot floor. Lombardo then describes his experience working with vendors and how he developed successful relationships with them in bringing in new slot machines. He also describes some of the changes in slots and slot management over the years, including the early history and background of both the Megabucks and Pot of Gold slot jackpots. Lombardo concludes the interview by answering the question of whether he gambles, and he provides advice to those who are interested in going into slot management as a career.