The Billie Milton Grace Photograph Collection, approximately 1948 to 1960, consists of twenty black-and-white photographic prints and negatives depicting images of downtown Las Vegas, Nevada, the annual Helldorado Parade, the Marion Hicks family, local labor union dinners, Thunderbird Hotel employees, and various hotels and casinos.
The Vicki Cassman Faculty Papers and UNLV Memorabilia (approximately 1980-2004) are comprised of commemorative University of Nevada, Las Vegas (UNLV) memorabilia and papers pertaining to UNLV's 25th and 40th anniversaries as well as a 30th anniversary video tape for the Moyer Student Union. The collection also contains papers from the Department of Anthropology and Ethnic Studies history project (ANT 410/610) commemorating UNLV faculty member Claude Warren. The memorabilia in the collection includes a commemorative mug, golf ball, playing cards, and a media kit for the Sam Boyd Stadium and the Thomas & Mack Center.
The David A. Davis Collection of Aerial Photographs (approximately 1990-1999) contains seven black-and-white photographic prints and one black-and-white photographic negative of aerial views of Las Vegas, Nevada. These photographs are reproductions of originals obtained by David A. Davis from the Nevada Department of Transportation, the United States Geological Survey, and Landiscor Real Estate Mapping.
A program for the design and operation of The Nathan Adelson Hospice in Las Vegas, Nevada. Included in the program are several appendices on functions, regulations, services, and standards, along with several pages on establishing goals for the hospice. Pages near the end include hand-drawn diagrams and several monetary finance charts.
Draft offer of Las Vegas Valley Water District to purchase the water production lands and facilities of the Las Vegas Land and Water Company and the railroad. R. L. Adamson's red pencil edits are handwritten. Accompanies letter (see Is referenced by). Draft has penciled corrections in the margins.
Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.