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William Fulton Papers

Identifier

MS-01056

Abstract

The William Fulton Papers (1993-1996) contains Fulton's research files used in writing his book, The Reluctant Metropolis: the Politics of Urban Growth in Los Angeles. The materials primarily consist of newspaper clippings that cover stories on the growth of Los Angeles residents moving to Las Vegas, Nevada, water, economic development, and the master planned community of Summerlin. The majority of newspaper clippings are from the Las Vegas Review-Journal and the Las Vegas Sun. The materials also include reports on economic and housing development in Southern Nevada as well as drafts of the book's Chapter 12, "Cloning Los Angeles" which discusses the growth of Las Vegas throughout the 1980s and 1990s.

Archival Collection

Carole Terry's "Germans in Las Vegas" Oral History Project

Identifier

OH-00143

Abstract

Carol Terry's "Germans in Las Vegas" Oral History Project (2007) contain the oral histories conducted by Terry while researching for a chapter on Germans in Las Vegas, Nevada for The Peoples of Las Vegas book. Terry interviewed over 60 individuals and the collection contains the printed transcripts and audiocassettes from each interview.

Archival Collection

Joseph C. Ives Personal Correspondence

Identifier

MS-00079

Abstract

The Joseph C. Ives Personal Correspondence consists of seventeen photocopied letters between United States Army Corps of Topographic Engineers Lt. Joseph C. Ives and his wife, Cora Semmes Ives, between September 1857 and June 1858. Ives was in command of a U.S. Army expedition whose mission was to explore the region of the Colorado River and the Grand Canyon, and to establish the limit of navigation of the Colorado River. The correspondence is largely personal in nature, however, it is a useful supplement to the official report documenting the voyage, "Report upon the Colorado River of the West; Explored in 1857-1858."

Archival Collection

Lorenzo Romans Papers

Identifier

MS-00173

Abstract

The Lorenzo Romans Papers (1875-1965) are comprised of photographs, newspaper clippings, a family photograph album, a diary, a diploma, and related ephemera. The materials were owned by Lorenzo Romans, a California real estate developer who moved to Las Vegas late in life after a short visit to Helen Stewart's Las Vegas Rancho in 1894.

Archival Collection

Photographs of Maxim signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the Maxim Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint

Mixed Content

Economic Opportunity Board of Clark County (Nev.) financial and budget reports

Date

1966

Description

From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains financial memos and reports of the Clark County Economic Opportunity Board in 1966. 

Text

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Miss Fashionetta souvenier journal

Date

1988-10-01

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text

University of Nevada, Las Vegas (UNLV) Spring 2016 commencement program

Date

2016-05-14

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Text

University of Nevada, Las Vegas (UNLV) Fall 2017 commencement program

Date

2017-12-19

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Text

Transcript of interview with Fermin De Leon by Generoso E. Sayon, March 15, 1981

Date

1981-03-15

Description

On March 15, 1981, Generoso E. Sayon interviewed his adoptive father, Fermin De Leon (born July 8, 1899 in the Philippines) at his home in Las Vegas, Nevada. This interview covers the Filipino experience in Las Vegas, Nevada, during the 1950s. During this interview, De Leon discusses being a veteran, who served in World War II. De Leon also recalls that most of the Filipinos living in Las Vegas worked as kitchen help in the hotels on the Strip.

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