Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
Joy Snyder, born and raised in Pennsylvania, is the daughter of Jean Dasinto and stepdaughter of Ray Hunt. Though she was raised thinking she was an only child, she shares that as an adult, she was contacted by an aunt who gave her information about an Austrian half-sister. The half-sister had tracked the family through WWII records on her biological father! Joy was raised in a very large extended Italian family (her maternal grandmother was first-generation Italian) and became the first in her family to attend college. She had decided early on that she wanted to be a nurse and chose to attend Temple University Hospital in Philadelphia. She recounts memories of her earliest work there, which began the first week of school. After graduation from nursing school, Joy married her childhood sweetheart, William (Bill) Snyder. They made the move to Las Vegas in 1978 and Joy found work right away at Desert Springs Hospital. She worked there about six months and then took maternity leave after the birth of their second son. When she returned to work, it was at Sunrise Hospital (early 1979) in the newborn nursery. Joy comments on many aspects of her career, including the informal approach to health care, the effects of desert climate on mothers and newborns, and the changes she has seen at Sunrise Hospital. She also comments on adoption practices in Las Vegas, drug-addicted babies, and cultural attitudes that appear during the birthing process. Today Joy is retired and her husband Bill is close to retiring. They feel a strong connection to Las Vegas (Bill has a school named after him), but maintain a second home in New York for their trips back East to visit friends and family. They also keep up with various community activities, including book clubs and running clubs for the children at William Snyder Elementary School.
The University of Nevada, Las Vegas Lied Library Architectural Records (1965-2010) are comprised of drawings and documents created by the American architecture firms of Welles Pugsley Architects and Leo A Daly Architects, as well as their associated consultants, engineers, and other professional collaborators. This collection documents the design and construction of Lied Library at the University of Nevada, Las Vegas (UNLV). The materials feature both hand-drawn and computer generated architectural drawings, ranging from preliminary sketches and artist renderings to schematic drawings and construction documents.