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Transcript of interview with Ronald Simone by Claytee White, May 5, 2009

Date

2009-05-05

Description

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

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Strutt Hurley Collection on the Southern Nevada Association of Pride, Inc. (SNAPI) and Las Vegas Gay Pride

Identifier

MS-00466

Abstract

The Strutt Hurley Collection on the Southern Nevada Pride Association, Inc. (SNAPI) and Las Vegas Pride (1989-2000) contains materials collected and produced by Strutt Hurley during her tenure as Director of Entertainment of SNAPI. Materials include meeting minutes, advertising contracts, Las Vegas Pride programs, and ephemera collected from Pride celebrations in Las Vegas, Nevada and other parts of the United States and the world.

Archival Collection

C. D. Baker Engineering Field Notebooks

Identifier

MS-00272

Abstract

The C. D. Baker Engineering Field Notebooks are comprised of the notebooks and informational texts Charles Duncan "C. D." Baker created and used between 1909 and 1966 while he served as the County Surveyor for Clark County, Nevada and the City Engineer for Las Vegas, Nevada. The field notebooks contain survey coordinates and elevation data for much of early Las Vegas and provide important information on early property boundaries, historical elevations, and lengths of streets from the 1920s to the 1960s. There are also oversized right of way maps for Clark County, Nevada.

Archival Collection

Wilson Family Papers

Identifier

MS-00125

Abstract

The Wilson Family Papers (1875-1918) document the personal and professional lives of James B. Wilson Sr., James B. Wilson Jr., and George Twison "Tweed" Wilson, early pioneers in Southern Nevada. The collection is comprised of personal correspondence, invoices and advertisements from the Wilson family business, the Sandstone Ranch, and photographs of the extended Wilson family.

Archival Collection

Pueblo Grande de Nevada Photograph Collection

Identifier

PH-00143

Abstract

The Pueblo Grande de Nevada Photograph Collection (approximately 1920-1980) contains black-and-white photographic prints, negatives, and slides depicting archaeological sites located in Overton, Moapa, Valley of Fire, Red Rock, Pyramid Lake, Kane Springs, Virgin River, the “Lost City,” and Lake Mead, Nevada. Images display the different stages of digging during the archaeological excavation of Pueblo Grande de Nevada. Also included are images showcasing artifacts uncovered during the excavations, the Saint Thomas, Nevada and the flooding of archaeological sites after the construction of the Hoover (Boulder) Dam.

Archival Collection

Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records

Identifier

MS-01014

Abstract

The Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega (AKA TTO) Chapter records (1965-2020) are comprised of organizational records, conference programs, digitized copies of the chapter's scrapbooks, and copies of Ivy Leaf, the organization’s national newsletter. The records include chapter and committee agendas and meeting minutes, Far Western Regional Conference reports, and fliers for events hosted by AKA TTO. Also included are archived web captures of AKA TTO's website and digital audio and video files for the chapter's oral history project interviewing Charter, Golden, and Silver members from 2019 to 2020.

Archival Collection

Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, August 28, 2000

Date

2000-08-28

Description

Includes meeting minutes and agenda, along with additional information about a performance contract and program.

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