What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.
Need for engineering school explained; reluctance of engineers to stay in Vegas if education was not available; need for Air Force association to support program; FRGE group formed (Foundation for Resource Gains through Engineering); members included Bill Becker, Bob Gore; working with Nevada Association of Counties; media campaign. Gaining support of regents; mention of regents Lily Fong and Jack McBride; convincing legislature to support southern as well as northern school; engineering advisory council at UNLV; support from UNLV President Goodall; vice president of PEPCON on board; mention of Bob Weber, head of Nevada Professional Engineers Organization, and June Whitley, officer in telephone company. Personal background in military; need for technically trained professional engineers; currently administrative manager for Clark County School District (CCSD); time spent at Pentagon and TAC; graduate of Air War College; U. of Colorado for postgraduate degree in education; undergraduate work done at U. of California, Sacramento; tour in Vietnam; opinions on more rigidity in examination of instructors; opinions on negative and positive motivation for learning. Coming to Las Vegas; retiring from Air Force, 1981; formed private company, Logistics Technology Incorporated, to do hazardous materials work; hired to set up hazmat program for CCSD; stayed on to manage CCSD building program; currently creating energy-efficient mechanisms for schools; looking at alternative energy sources; working on green building certifications; many employees are graduates of UNLV engineering school. Maintenance of solar panels; working with Nevada Power; opinion of aesthetics of windmills; comments on efforts by FRGE to start engineering college; more comments on support from media, chamber of commerce, Nevada Development Authority, Nevada Association of Counties, university regents; passing reference to Runnin' Rebels; further mention of Bob Gore, Bill Becker, Fred Lewis, Tom Harden of PEPCON, and Hughes Summa Corporation.
Born in 1932 and raised in Los Angeles; mother was a housewife and later became a painter; mention of Olvera Street; Pio Pico first Mexican governor of California; Pico House; member of the Army; Deputy Sheriff; Mother Pauline Brown and father Lee Koury; Los Angeles County Sharon Tate; LaBiancas; Spahn Ranch; "the three girls on the comer" - Lynette Fromme, Sandra Good, and Nancy Pitman; Family - referring to the Manson case - Charles Mason, Robert Beausoleil, Susan Atkins, Steve Dennis Grogan, Patricia Kernwinkle, Mary Theresa Brunner, Bruce McGregor Davis, and Leslie VanHawten; Shorty Shay the person in charge at Spahn Ranch; mention of Polaroids mailed to prisoners that ended up being an important part of the Manson case.