Search Results
Clark County Child Care Association (CCCA) Records
Identifier
Abstract
The Clark County Child Care Association (CCCA) Records (1957-1975) contain correspondence, fliers, dues paid rosters, insurance information, bills, memberships cards, and receipts. Also included are miscellaneous dues-related documents, minutes of CCCA (Nevada) general membership and executive board meetings, and a newsletter.
Archival Collection
Mary Lytle Papers
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Abstract
The Mary Lytle Papers date from 1909 to 1968 and document Lytle’s experience as the first midwife in Overton, Nevada. The collection contains medical certificates, professional correspondence with Nevada Assistant State Archivist Frederick C. Gale, a handwritten memoir, and black-and-white photographs.
Archival Collection
Tony Costa Sheet Music and Music Scores
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Abstract
The Tony Costa Sheet Music and Music Scores (1936-1995) consists of printed sheet music and hand-written scores composed by entertainer, songwriter, and Las Vegas, Nevada orchestra conductor Tony Costa.
Archival Collection
Evelyn Stuckey Papers
Identifier
Abstract
The Evelyn Stuckey Papers date from 1940 to 1972 and document Stuckey's experience as a physical education teacher at Las Vegas High School (LVHS) in Las Vegas, Nevada and founder of the LVHS Rhythmettes dance group. The collection contains personal and educational materials from Stuckey’s college years, personal correspondence, and photographs. It also contains materials documenting the Rhythmettes' activities including travel plans, posters and fliers, news clippings, and group rosters.
Archival Collection
Photographs of Maxim signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint
Mixed Content
University of Nevada, Las Vegas (UNLV) Fall 2019 commencement program
Date
Archival Collection
Description
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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Delores Brownhofer Neonis Photograph Collection
Identifier
Abstract
The Dolores Brownhofer Neonis Photograph Collection (approximately 1940-1970) contains photographic prints, negatives, and a slide depicting the Brownhofer family at restaurants, bars, and casinos in Las Vegas, Nevada.
Archival Collection
Breck Wall Photograph Collection
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Abstract
The Breck Wall Photograph Collection, approximately 1960 to 1980, consists of black-and-white photographic prints depicting comedian and entertainer, Breck Wall, and other cast members of the comedy revue, “Bottom’s Up!” in Las Vegas, Nevada. Images include scenes from sketches performed on the show, group shots of the cast members off-set, and portraits of Wall.
Archival Collection
Christian Giovanni oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Christian Giovanni conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on May 17, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Giovanni describes her early life being born and raised in Las Vegas, Nevada. She discusses her mother, Oywan, who first worked for the casinos before turning her focus to community building. Throughout Oywan's life, she did everything from start the first temple in the city to the first Thai newspaper, Las Vegas News. Giovanni mentions having what she considers a normal childhood, especially because of her more Western appearance, and did not embrace her AAPI identity until much later in life after she started helping her mother with different organizations. Currently, Giovanni is involved in many organizations, from the AAPI County Commission to the Thai Culture Foundation.
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