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Johnny Eshow Haig Papers

Identifier

MS-00546

Abstract

The Johnny Eshow Haig Papers (1970-1990) are comprised of contracts, agreements, and correspondence of musician Johnny Haig, who worked as a trombone player and conductor at various hotels in Las Vegas, Nevada from 1955 until 2000. Additionally, the papers house extensive original music scores written by Haig. The papers primarily cover Haig’s later career in the 1970s and 1980s.

Archival Collection

Las Vegas Professional Men's Club Records

Identifier

MS-00557

Abstract

The Las Vegas Professional Men’s Club Records (1984-1997) consist of the constitution, meeting minutes, and organizational documents of the Las Vegas Professional Men’s Club, later known as the Las Vegas Men’s Club (LVMC). The LVMC provided a social outlet for gay men in Southern Nevada. The bulk of the materials date from the 1990s and include membership lists, event fliers, promotional materials, financial documents, and information documenting the club’s fundraising activities.

Archival Collection

Human Radiation Experiments Records

Identifier

MS-00776

Abstract

The Human Radiation Experiments Records (1949-1995) contain reports from the National Environmental Policy Act (NEPA), the Advisory Committee on Human Radiation Experiments (ACHRE), and the U. S. Department of Energy (DOE). Also included are newspaper clippings, a court case brought by the National Association of Radiation Survivors (NARS), and cancer research papers. With the goal of building an atomic bomb using plutonium extracted from uranium, the material also examines the outcomes of radiation exposure done on humans during the late 1940s and early 1950s at the Oak Ridge Nuclear Facility in Tennessee.

Archival Collection

Nevada Southern University 2nd commencement program

Date

1965-06-14

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Text

Interview with Charles E. Violet, May 22, 2004

Date

2004-05-22

Description

Narrator affiliation: Physicist, Lawrence Livermore National Laboratory

Text

Stewart family real estate documents

Date

1900 to 1909

Archival Collection

Description

Stewart family real estate documents

Text

Photographs of Backstage Bar & Billiards, Las Vegas (Nev.), 2016-2017

Date

2016-04-28 to 2017-08-11

Description

The sign for Backstage Bar & Billiards sits at 601 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 601 Fremont St
Sign owner: DJ Lethal co-owned with DJ Scotty
Sign details: This building dates back to 1957. Triple B opened in 2012 as a billiard hall bar and concert venue. It is filled with a lot of Rock Memorabilia which includes a "turntable library" which they claim showcases over 8 decades of rock history. This location was furnished by rock outfitter Anvil Cases. This property got its name by being "backstage" to the adjoining Fremont Country Club.
Sign condition: 5- looks relatively new and still in great condition
Sign form: Variation of a Bull Nose Sign
Sign-specific description: Their entrance is on the corner of 6th (going South) and Fremont with a blue bull nose type sign in a triangle shape. The base of the triangle sign is right above the entrance. The triangle border has a blue (argon) strip with incandescents lining both sides of the neon tubing. At the base of the sign there is a blue (argon) curved platform (half circle placed adjoining to the base of the triangle). On this platform there are 5 separate strips of argon tubes. Above the platform states "Backstage Bar & Billiards" in white cursive channeled letters. Above the words Backstage and Billiards there are two martini glasses with a pool ball and flag in each glass. At the top of the triangle portion of the sign there is their logo "Triple B" in cursive with Triple in Blue and B in white. Below the bull nose sign there is a reader board that wraps around the building. This reader board is also lined with incandescent light bulbs. In the middle of the of the reader board there is a black background rectangle with 3 rhombus's lined in incandescent light bulbs in a design.
Sign - type of display: Neon, incandescent and reader board
Sign - media: Steel and Plastic
Sign - non-neon treatments: Reader Board
Sign animation: Flasher for incandescent light bulbs
Sign environment: Fremont East district East District, next to other bars and restaurants. This location is right across the street from the El Cortez. Also they claim to be "backstage" to the adjoining Fremont Country Club which inspired their name.
Sign manufacturer: Ultra Signs' recently bought out by Jones Las Vegas ( of Jones SIgns) who did not have records of this sign.
Sign - date of installation: 2012 when the bar opened
Sign - thematic influences: On Fremont many of the entrances are at the corner intersections, so the bull nose sign has been prominent design type to draw attention to the entrance of the company. This is remnant of the Golden Nugget and Binion's Horseshoe put up their bull nose signs in 1961.
Sign - artistic significance: The curved platform at the bottom of their bull nose sign looks like an old retro movie theater style sign platform that you would see in the 1940's/50's. Particularly with their reader board with incandescent light bulbs speaks to this era as well.
Survey - research locations: Assessor's page, triple B website http://www.backstagebarlv.com/ , Las Vegas Weekly Newspaper article https://lasvegasweekly.com/nightlife/lowball-diary/2012/dec/05/triple-b-fills-downtowns-watering-hole-hole/
Survey - research notes: Fremont Bars.com has a photo of their main sign being installed. http://www.fremontstreetbars.com/2012/11/29/welcome-to-the-neighborhood-backstage-bar-billiards/
Survey - other remarks: The Ultra Signs logo is visible on the left side of the sign.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-11
Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Bullnose; Marquee

Mixed Content

Katherine A. Spilde Papers on Native American Gaming

Identifier

MS-00092

Abstract

The Katherine A. Spilde Papers on Native American Gaming include materials collected by anthropologist Katherine Spilde about Native American gaming and the greater gaming industry. The materials date from 1789 to 2015, with the bulk of materials dating from 1995 to 2010. Materials dating from the eighteenth and nineteenth centuries are reproductions of key court opinions and treaties concerning Native American rights and sovereignty. The majority of the materials document Native American gaming following the passage of the 1988 Indian Gaming Regulatory Act (IGRA). The papers detail Native American gaming enterprises both on and off reservations, the socioeconomic impact of gaming, and the legislative history of Native American gaming in the United States. The papers include research and subject files created by Dr. Spilde during her employment with the National Gambling Impact Study Commission (NGISC), the National Indian Gaming Association (NIGA), and the Harvard Project on American Indian Economic Development (HPAIED). The collection includes socioeconomic reports; testimonies; correspondence; memos; press releases; photographs; audiovisual materials; promotional materials from casinos and tourist attractions; brochures; fact sheets; summaries; booklets; pamphlets; advertisements; tourism materials; journal articles; legal briefs; legislative documents; court opinions; Dr. Spilde’s notes; presentations; packets, agenda, schedules, and itineraries from conferences; periodicals; Native American and community newspapers; and newspaper articles. The collection includes materials about over one hundred federally recognized Native American nations. Also included are materials that document the socioeconomic impact of gaming, the international gaming industry, criminal activities related to gaming, advertising about gaming and casinos, lotteries, internet gaming, compulsive gambling, and bankruptcy as a result of gambling.

Archival Collection