Starts with a KVBC Channel 3 opening followed by "A Chorus Line" advertisement, and gold watch advertisement. Next segment starts with a packaged opening for KVBC Channel 3, a news story on the proposed national gas tax, a story on the secret Area 10 military base near Tonopah, Nevada, a woman who was hit by a street light, followed by more commercials by Nevada Savings, the Holiday Casino's gaming, entertainment, and buffet offers. The next segment starts with an economic study story. Anchor Gwen Castaldi introduces a story on Vegas World, Stupak and the new show "Outrageous Vegas," which was performed in a room used during the day as the casino's race and sports book. The commercial set following includes pieces on the Inperial Palace Auto Show, a spot for the Associated Podiatry Group, and a Chevron credit card commercial. The sports segment features stories on football coach John Robinson leaving USC, boxing in Las Vegas, the UNLV Running Rebels featuring Sidney Green, the NFL, Steve Garvey, a construction update on Cashman Field, skiing report, and a fishing report. Commercials in the next segment feature ads by the Las Vegas Sun, Stanwell Mortgage, and Fairway Chevrolet. The weather segment is followed by commercials by Royal Transmission, and the Las Vegas Hilton presents the Moulin Rouge du Paris production show. The show continues with a travel segment featuring b-roll from McCarran International Airport before ending. The tape continues with more news segments and a replay of the earlier show including the Stupak interview. Different segments and commercials include, Follies Bregere at the Tropicana, Gordon's Jewlers, Mineral Bank, news segments, American Denture Service, the announcement of the "Las Vegas Stars" as the new name for the AAA baseball team, NBA coverage, Las Vegas Dodge, Vons, Tom Jones at Caesars Palace, Nevada State Bank, and La Mesa RV. The tape continues with News 13 newscast. Stories include the shooting of Metro officer James McClarren and the preliminary hearing of his alleged shooter, 15-year-old Hector Vento, various other court cases, a story on rent increases at Bonanza Village, coverage of COMDEX Computer Convention, a story in the Gaurdian Angles security group pulling back services on the Las Vegas Strip, and a story on a cheating ring centered around Vegas World. The segment discusses Vegas World cooperation, security upgrades including cameras and video recorders, Metro's anti-cheating detail headed by Sgt. Dennis Caputo, and various cheating scams. The sports segment features a story on the UNLV Rebels football team and sophomore quarterback Randall Cunningham. Includes Channel 8's wrap up of the cheating scams at Vegas World as reported by Steve Shorr. Original media VHS, color, aspect ratio 4 x 3, frame size 720 x 486. From the Bob Stupak Professional Papers (MS-01016) -- Professional papers -- Audiovisual material -- Digitized audiovisual clips file.
Jane Greenspun Gale-actor, activist, writer, magazine publisher, philanthropist, and farmer- has filled her life with accomplishments such as the Animal Foundation and Springs Preserve. It has also been a life filled with adventure - from “looking for John Lennon” during her time living and studying acting in London to learning to raise chickens on the acres of the Gilcrease Farm she owns with husband and photographer Jeff Gale. Everyone calls her Janie. Born Jane in 1949, she is the third of four children born to community leaders Barbara and Hank Greenspun. In this oral history, Janie captures the fun of growing up in Las Vegas under the watching eye of Hank. As a teen she and her friends cruised Fremont Street. Several years later she wanted to be arrested protesting the Atomic Test Site, when Hank diverted her into reporting about the event instead. Her Jewish foundation was at Temple Beth Sholom, where her parents were among the founding members. As the Jewish population grew, the tastes in synagogues grew to reflect the change. When Janie’s children preferred the Reform approach at Congregation Ner Tamid, a new family tradition began. She is proud of her background and shares loving stories of time spent with her grandparents as a child and pride in the heroic and dramatic story behind the naming of Hank Greenspun Plaza in Israel. Even her love story with Jeff is a tale made for movies. It unfolds in this engaging oral history interview along with anecdotes that are plucked from her personal history and preserve a reflection of growing up in Las Vegas, one of the Greenspun family of local fame.
Daytime and nighttime views of the Candlelight Wedding Chapel sign. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 800 S 4th Street Sign details: The Candlelight Wedding chapel is located on the corner, just north from the Riviera and in the same parking lot as The Algiers. The small white, wooden roofed structure sits just to the east of the street and the northern side butts against Stardust Rd . Outside, the corner is treated with grass, and landscaping, creating a pleasant environment to go along with the charm of the building as well. The low level pole sign faces north/west. The building has a small wooden cross, surrounded on the edges with white neon, on the top of the building, in the same fashion as the Little Church of the West. The style of the building is classic New England architecture Sign condition: Structure 4 Surface 3 Lighting 3 Sign form: Pylon Sign-specific description: The main sign for the candlelight wedding chapel is essentially a small pole sign with three separate sections of cabinets along with lighting elements. The white steel pole rises out of the ground ,before transforming into a large two sided marquee cabinet. The cabinet is crafted with sculptural elements into its outer edge. The four corners swell up and bulge, before slightly swooping inward. The top and bottom edges are climaxed into a shallow point. The sides sweep into the notch of a negative circular shape. The sides are given a scroll type feel. In two lines across the red face of the sign, Wedding Chapel is spelled is white text, occupying most of the space of the cabinet. Across the very bottom of the cabinet Wedding Information is spelled in an all white single row of text. The larger text is lined with incandescent bulbs and outlined in neon. The bottom line of text is just lined in neon. The pole protrudes through the top of the sign where a small horizontal, internally lit cabinet, sports sculpted edges as well. The top and bottom edges sweep from either side, then descend meeting at a point in the center. The sides are simply concave, radiuses inward. The white cabinet is lit internally, illuminating the white plastic face. Black text stretches across the plastic face, reading candlelight. Below the main cabinet two internally lit cabinet sandwich the pole, creating two faces. The cabinets are all white, with white faces, utilizing red letters. At the very top of the pole is a tree tiered formation created with raceways and lined with incandescent bulbs. One raceway rises vertically into the air perpendicular to the ground, while the two flanking pieces arch out created a three-pieced fountain shape. It is also reminiscent of a Fleur de Lis. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Plastic Sign animation: none Sign environment: The positioning of the Candlelight Wedding chapel gives it a unique role as an accent of softness, among a bombardment of neon and pulsating lights. Just to the North, is the Algiers parking lot, and to the south, the Riviera. Directly west across the strip there is the ever electric Circus Circus. Amid all this chaos of incandescence, screeching cabs, and buzzing current, the green shrubbery and plot of turf finely houses the pylon, and leads up to the structure itself. It is very charming and fresh compared to. It definitely is reminiscent of the era of establishment such as its neighbor the Algiers. Sign manufacturer: YESCO Sign - thematic influences: The theme of the sign has little to do with the theme of the wedding chapel, and more so to do with the architectural theme, than the function of the establishment. The pole sign contains standard elements of local signage. The logo cabinet, and internally lit message center. It even contains the most common element of a raceway lined with incandescent bulbs. The sculpted edges of the pylon's logo cabinet are reminiscent of other cabinets with sculpted edges. The most famous reference to this shape seen in classic Vegas history, is the original corner fascia seen on the Golden Nugget. As far as being compared to the only other existing independent wedding chapel, its structure is similar, that being a small structure boasting a highly visible steeple. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic