Search Results
Transcript of interview with Lyn Robinson by Barbara Tabach, September 18, 2014
Date
Archival Collection
Description
One day in 2012, UNLV student Lyn Robinson spied a posting on the bulletin board for a photographer for the Sperling Kronberg Mack Holocaust Resource Center. She was an art major with a concentration on photography. She was also had a deep appreciation of the horror of the Holocaust and what the survivors she would take photos of had endured. Thus began a two year project, during which she took photos of over sixty survivors. Her images are preserved at UNLV Special Collections & Archives. Prints are displayed at the Sperling Kronberg Mack Holocaust Resource Center. On September 18, 2014, Lyn shared her work for this oral history recording. She is a native of Florida, daughter of a horticulturist father and pianist mother.
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Neonopolis Neon Survey document, September 8, 2017
Date
Archival Collection
Description
Site address: 450 Fremont St
Sign owner: Rohit Joshi leases the building from Wirrulla USA Inc.
Sign details: This building was originally constructed in 2001 as a retail store center. This location currently holds a Denny's, a vintage toy store, the Telemundo station office and an international food market. This location also held a movie theater until 2009.
Sign condition: 4.5- Sign still in relatively new looking condition
Sign form: Entrance sign
Sign-specific description: Above the main entrance way into the mall there are the letter "NEONOPOLIS" in plastic back lit signs. Each letter has a lime green border with white strip and then purple for the main color of the block letters. The letter "O" in "polis" is actually an orbit shape that is orange and purple to double as the "O". Portions of the building have neon tubes, some illuminating blue and others are purple, green, red and yellow. There are also different colored shapes of neon spread throughout the building such as yellow triangle as well as orbits showcasing red and yellow neon tubing. Many of the companies in this location have their own signs as well.
Sign - type of display: Plastic back lit sign and neon
Sign - media: Plastic and steel
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This property is on Fremont in between 4th St. and Las Vegas Blvd. Right in front on the building is the Slotzilla machine where people get onto the zipline.
Sign - date of installation: 2002
Sign - date of redesign/move: When the movie theater portion of this location closed in 2009 part of the signage was taken down and in recent years with different companies settling in there have added their own signs.
Sign - thematic influences: The name and the theme of this location being neonopolis showcases the downtown neon vibe particularly since there is a wide variety of neon display surrounding this property.
Sign - artistic significance: Showcasing the different designs with neon shows how true of an art it still is, particularly with the triangle designs and the orbits
Survey - research locations: Asessors page, https://neonjoshiassociate.wixsite.com/mysite-1 Neonopolis website, https://www.reviewjournal.com/entertainment/food/neonopolis-theaters-to-go-dark-thursday-night/ Review Journal article discussing the closure of their movie theater, https://lasvegassun.com/news/2002/may/03/long-awaited-neonopolis-opens-in-downtown-vegas/ Las Vegas Sun article talking about their opening in 2002
Survey - research notes: There used to be an 18 theater movie theater located there which shut down in 2009 and was renovated into clubs, the most recent one to open is called the Nerd.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-08
Sign keywords: Plastic; Backlit; Neon; Steel; Fascia
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Fort Mojave Indian School Records
Identifier
Abstract
The Fort Mojave Indian School Records (1890-1923) consist of correspondence, finance and administrative records, pump station blueprints, and policy implementation and fact finding records. The school served the Hualapai and Mojave Indians at a site near present-day Kingman, Arizona. The information is contained in two bound volumes.
Archival Collection
Beverly Rogers Collection of Armed Services Editions
Identifier
Abstract
The Beverly Rogers Collection of Armed Services Editions includes one thousand two hundred and seventy-nine of the original paperback Armed Services Edition titles published between 1943 and 1947 used by World War II service members in the United States Army and Navy, as well as four editions from the Legacy Project published in 2003 and one from the Pocket Books Inc. series published in 1944. The original Armed Services Editions include works of fiction and non-fiction in their unabridged forms.
Archival Collection
"Really Now": article draft by Roosevelt Fitzgerald
Date
Archival Collection
Description
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On the nomination of Clarence Thomas to Supreme Court.
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Celesta Lowe oral history interview
Identifier
Abstract
Oral history interview with Celesta Lowe conducted by Patrick W. Canlton on February 06, 2002 for the Boyer Early Las Vegas Oral History Project. Lowe begins by discussing her early life in Baker, California and her father’s role as a station agent for the Tonopah Tidewater Railroad during the 1920s and 1930s. Lowe then describes her family moving to Las Vegas, Nevada in the 1940s. Lowe chronicles the process state legislatures took to open Nevada Southern University in 1957 and her role as an administrative assistant in the main office of the school. Lowe recounts her career at Nevada Southern University, the expansion of the campus, and renaming it University of Nevada, Las Vegas. Lastly, Lowe talks about her switch from an administrative assistant to a librarian at UNLV.
Archival Collection
Larry Ruvo oral history interview
Identifier
Abstract
Oral history interview with Larry Ruvo conducted by David G. Schwartz on January 27, 2009 for the Remembering Jay Sarno Oral History Project. Ruvo begins by discussing his position as a front desk clerk at Caesar’s Palace in Las Vegas, Nevada in the 1970s. Ruvo then describes how Jay Sarno changed the casino industry by designing Caesar’s Palace with a single theme. Ruvo then chronicles how gaming gradually was legalized in more areas throughout the world and how Sarno capitalized on making Caesar’s Palace an iconic casino which made people want to travel to Las Vegas. Lastly, Ruvo discusses Sarno’s focus on offering both gaming and entertainment options for guests at Caesar's Palace.
Archival Collection
