Search Results
Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter Founders' Day article and committee report
Date
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter newsletter
Date
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Keith Boman Papers on the Smith Center for the Performing Arts
Identifier
Abstract
The Keith Boman Papers on the Smith Center for the Performing Arts consist of materials documenting the construction of the Smith Center for the Performing Arts in Las Vegas, Nevada from approximately 2009 to 2010. The collection includes documents from the construction oversight committee, financial budgets, and board of directors meeting agendas.
Archival Collection
Transcript of interview with Betty Bunch by Joyce Marshall, January 9, 1996, February 7, 1996, & February 13, 2002
Date
Archival Collection
Description
Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin
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Interview with Robert Rex Brownlee, September 10, 2006
Date
Archival Collection
Description
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Emily McKinley interview, March 1, 1981: transcript
Date
Archival Collection
Description
On March 1st, 1981, Glorialyn Gutierrez interviewed Emily McKinley (b. April 28, 1930 in Las Vegas, Nevada) about her life in the Las Vegas Valley. McKinley begins by speaking about her childhood, her siblings and her extended family. McKinley gives a variety of anecdotes about being raised in Las Vegas, her family’s economic hardships and the house she grew up in. Lastly, McKinley talks about the businesses she owned with her husband, their hardships and her time working multiple jobs.
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Eric Calvillo interview, June 18, 2019: transcript
Date
Archival Collection
Description
Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.
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Transcript of interview with Eldon Cooper by Kamal Whilelm, March 3, 1975
Date
Archival Collection
Description
On March 3, 1975, Kamal Wilhelm interviewed Eldon G. Cooper (born 1922 in Overton, Nevada) about his experiences in Southern Nevada. Also present are Cooper’s wife and several unnamed adults in the background. Cooper first talks about his background and his eventual move to Las Vegas before describing the recreational activities in which he and his family took part. He later describes the atomic testing, environmental changes, modes of transportation, social changes, and tourism in Las Vegas. Cooper also discusses the Stewart Ranch, and his wife describes the setting of multiple photographs taken of properties in the Downtown Las Vegas area.
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